The Precarious Labor of Freelance War Correspondents

2021 ◽  
pp. 84-96
Author(s):  
Lindsay Palmer
2018 ◽  
Vol 7 (2) ◽  
pp. 117-128 ◽  
Author(s):  
Erin Sullivan ◽  
Marie Louise Herzfeld-Schild

This introduction surveys the rise of the history of emotions as a field and the role of the arts in such developments. Reflecting on the foundational role of the arts in the early emotion-oriented histories of Johan Huizinga and Jacob Burkhardt, as well as the concerns about methodological impressionism that have sometimes arisen in response to such studies, the introduction considers how intensive engagements with the arts can open up new insights into past emotions while still being historically and theoretically rigorous. Drawing on a wide range of emotionally charged art works from different times and places—including the novels of Carson McCullers and Harriet Beecher-Stowe, the private poetry of neo-Confucian Chinese civil servants, the photojournalism of twentieth-century war correspondents, and music from Igor Stravinsky to the Beatles—the introduction proposes five ways in which art in all its forms contributes to emotional life and consequently to emotional histories: first, by incubating deep emotional experiences that contribute to formations of identity; second, by acting as a place for the expression of private or deviant emotions; third, by functioning as a barometer of wider cultural and attitudinal change; fourth, by serving as an engine of momentous historical change; and fifth, by working as a tool for emotional connection across communities, both within specific time periods but also across them. The introduction finishes by outlining how the special issue's five articles and review section address each of these categories, while also illustrating new methodological possibilities for the field.


2021 ◽  
pp. 003804072098289
Author(s):  
Corey Moss-Pech ◽  
Steven H. Lopez ◽  
Laurie Michaels

Scholarship on adult education throughout the life course focuses on the relationship between education and upward mobility. Scholars rarely examine how adults’ educational aspirations or trajectories are affected by downward mobility or an increasingly precarious labor market. Drawing on in-depth qualitative interviews with 21 job seekers in the post–Great Recession labor market in the United States, this article advances the concept of educational downgrading: returning to school in pursuit of a credential lower than the highest level of education one previously sought or attained. We explore three pathways to downgrading connected to downward mobility: occupational dead ends, career reversals, and educational inflation. In the process, we highlight how individuals adjust their practical educational aspirations as they navigate a contemporary economy in which careers are unstable and credentials are needed for many kinds of jobs across the occupational hierarchy.


2021 ◽  
Vol 88 (3) ◽  
pp. 473-492
Author(s):  
Gábor Fodor

Even though the annexation of Bosnia by the Austro-Hungarian Monarchy in 1908 raised the tension between the Monarchy and the Ottomans, Hungaro-Turkish political, economic, and cultural relations significantly improved from the beginning of the twentieth century until the end of the First World War. With the eruption of the Great War these friendly relations turned into a war alliance, where suddenly the battlefields became fields of joint effort. As a consequence, the outbreak of the war caused intensification of mutual visits and the arrival of Hungarian soldiers, journalists, and even artists and religious representatives in greater numbers in the Ottoman Empire. In this paper the author mainly focuses on Hungarian accounts of different Ottoman fronts during the First World War, while not forgetting to put all these activities in the frame of the wartime alliance. War correspondents like Béla Landauer, István Dobay, and Jenő Heltai from different Hungarian journals, soldiers from the Austro-Hungarian Army like Dr Emil Vidéky and Dr László Király, the painter Géza Maróti, and even a military chaplain, Pál Schrotty left behind detailed memoirs of environments ranging from the picturesque Bay of Izmir to the desert of Palestine. These mostly unknown depictions reveal the cruelty of the war, research the healthcare system of the capital, and provide detailed accounts of the Berlin-Bagdad line and historical sites in the Empire, while also raising questions regarding the situation of Turkish women.


2010 ◽  
Vol 16 (1) ◽  
pp. 5-8
Author(s):  
David Robie

The notion that the war correspondents of today are essentially the same as their colleagues of, say the Vietnam war of more than four decades ago—but now armed with laptops, satellite dishes and digital cameras—is a fallacy. Australian author and media educator Tony Maniaty reminds us thus in this edition of Pacific Journalism Review. He writes: There are notable exceptions—people who operate with vigorous independence from all authority and control—but these are rare: The emergence of a media-military complex, in which journalists are heavily integrated into the fighting machine and into the coverage of one perspective only of war, has fundamentally changed the nature of the business (p. 36)


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