The Gulag Archipelago

Solzhenitsyn ◽  
2021 ◽  
pp. 813-828
Author(s):  
Michael Scammell
Keyword(s):  
Gulag Archipelago

Alexander Solzhenitsyn on the Indissoluble Connection of Russian Patriotism and Anti-Sovetism. The Main Ideas of «The Gulag Archipelago»

2019 ◽  
Vol 66 ◽  
pp. 221-244
Author(s):  
Alexander S. Tsipko
Keyword(s):  
19Th Century ◽  
Russian Philosophy ◽  
Creative Work ◽  
The People ◽  
Main Ideas ◽  
The 19Th Century ◽  
Gulag Archipelago

In the article the author analyzes the main notional lines in the work of A.I. Solzhenitsyn through the prism of Russian philosophy legacy. According to the author the analysis of the nature, motives and lie in the works of the writer are related to the respective works of F.M. Dostoevsky, K.N. Leontiev and other Russian thinkers. «All Communist content is turned into nonsense by the Russian life», and «all its nonsense is severe due to the intolerable truth of the suffering…», – this statement of F.A. Stepun is well pertinent to the creative work of A.I. Solzhenitsyn that shows vivid examples of barbaric cruelty of the authorities towards the people. Still, according to the author of the article, the reasons for such cruelty were reflected even earlier, in the works of Russian philosophers of the 19th century.

The ?Gulag Archipelago? and the left

1974 ◽  
Vol 1 (4) ◽  
pp. 477-496
Author(s):  
Boris Frankel
Keyword(s):  
Gulag Archipelago

The Voices of Samizdat and Magnitizdat

2021 ◽  
Author(s):  
Ann Komaromi
Keyword(s):  
Soviet Union ◽  
Audio Tape ◽  
Soviet Culture ◽  
Presence And Absence ◽  
The Individual ◽  
The Voice ◽  
Gulag Archipelago ◽  
The Way

This chapter treats “samizdat” (self-publishing) and “magnitizdat” (audio tape self-publishing) in the late Soviet Union via the concept of the “voice.” Komaromi discusses a select set of examples including guitar poetry; Boris Pasternak’s Doctor Zhivago; Aleksandr Solzhenitsyn’s Gulag Archipelago, Evgeniia Ginzburg’s camp memoirs; poetry at Maiakovskii Square; and the texts of Leningrad second culture. These examples facilitate exploration of the way samizdat and magnitizdat related to official culture, even as they expanded the range of late Soviet culture far beyond what was allowed in print. They also make it possible to analyze the way samizdat and magnitizdat voices mediated between silence and speech, matter and spirit, presence and absence, and the individual and the collective, creating new ways for Soviet citizens to express themselves and be heard by one another.

On Solzhenitsyn's ‘Gulag Archipelago’

1974 ◽  
Vol 3 (2) ◽  
pp. 65-74
Author(s):  
Roy Medvedev
Keyword(s):  
Gulag Archipelago

scholarly journals Polskie akcenty w publicystyce Aleksandra Sołżenicyna

2018 ◽  
Vol 3 (XXII) ◽  
pp. 73-82
Author(s):  
Izabella Siemianowska
Keyword(s):  
Nobel Prize ◽  
Historical Context ◽  
Nobel Prize Winner ◽  
Pope John Paul Ii ◽  
The Past ◽  
Polish People ◽  
Forced Labour ◽  
Polish Scientist ◽  
Labour Camp ◽  
Gulag Archipelago

Poland and Polish people are shown in the Aleksandr Solzhenitsyn’s writing in the context of complicated Polish-Russian relations. In Repentance and Self-limitation the author criticises Polish nation for being unable to repent and admit making mistakes in the past in a historical context. At the same time he claims that Russians have a natural ability to repentance, that is a condition of a moral renewal of a nation. Nevertheless, the overall picture of the Polish nation in Solzhenitsyn’s writing is positive. This Russian Nobel prize winner highlights Polish courage, pride and their undeterred struggle for freedom. In The Gulag Archipelago the author eternalises a Polish scientist named Jerzy Wegierski, a prisoner of a forced labour camp, who had been Solzhenitsyn’s friend till his death. It is also very important to highlight Solzhenitsyn’s respect and attitude toward the Pope John Paul II. The article is an attempt to recall and analyse Polish features in the Aleksandr Solzhenitsyn’s writing.

scholarly journals The Origin of Labour Camp Theme in A.I. Solzhenitsyn’s Works: from Poetry to The Gulag Archipelago

2021 ◽  
Vol 6 (2) ◽  
pp. 238-263
Author(s):  
Nadezhda I. Glukhova ◽  
Nellya M. Shchedrina
Keyword(s):  
Present Article ◽  
Personal Experience ◽  
Political Prisoners ◽  
Human Being ◽  
Starting Point ◽  
History Of ◽  
Narrative Poem ◽  
First Time ◽  
Labour Camp ◽  
Gulag Archipelago

In the present article A.I. Solzhenitsyn’s poetic works and The Gulag Archipelago are analyzed, their proximity and thematic kinship are revealed. The authors appeal to the creative history of these works, remark that poems and parts of the Archipelago are arranged according to a certain pattern. Both in poetry and prose, Solzhenitsyn reveals the path taken by Soviet convicts. Camps for political prisoners and I.V. Stalin’s death take significant place in his works. A.I. Solzhenitsyn is particularly interested in the unity of heroes with nature, communion with it as with an attribute of free people’s life. The writer claims that the camp may become a starting point for spiritual resurrection of a human being. Metaphorization as one of the artistic elements is used for the first time in lyrics to reveal the image of Russia. The authors conclude that the camp theme arose during Solzhenitsyn’s imprisonment and was first expressed in lyrics and the narrative poem Dorozhen’ka. The Gulag Archipelago was formed later not only from the personal experience of the author but also from numerous materials and evidence of eyewitnesses.

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