De Facto State Identity and International Legitimation

2021 ◽  
Author(s):  
Sebastian Klich
Keyword(s):  
Author(s):  
M. K. Karpova ◽  
◽  
E. V. Eremina ◽  
Keyword(s):  

2012 ◽  
Vol 40 (6) ◽  
pp. 833-851 ◽  
Author(s):  
Murad Ismayilov

Albeit often — and fairly — degraded in the world of high culture as a populist and politicized representation of music, the Eurovision Song Contest (ESC) — by sheer virtue of the populist and politicized nature of its essence — stands among the most consequential cultural encounters to which post-independence Azerbaijan has been exposed, in that the extent to which Baku's victory in the ESC-2011 — and the further developments this victory has generated — can potentially impact on, and contribute to, the very process of nation-building and national identity formation, with which this post-Soviet Muslim-majority country is currently struggling, is unparalleled by any of the state's earlier encounters of the kind. This paper focuses on, and examines, four intimately related ways in which the ESC and Azerbaijan's successful involvement with the latter worked to interfere with the country's nation-building: as a dubious factor in the evolution of the Western sense of self among Azerbaijanis; as a unifying force within the structure of the country's rapidly maturing civil society; as a medium working to open up a channel through which Western popular cultural elements could interfere with the evolving dynamics of, and work to globalize, indeed de-endogenize, indigenous Azerbaijani culture, on one hand, and unify the discursive realm within which the country's cultural domain is to further evolve, on the other; and, finally, as an important element serving to decouple the evolving processes within the country's cultural domain from the unfolding dynamics of conflict settlement and hence conducive to the diversification of public discourse in Azerbaijan.


2010 ◽  
pp. 22-25
Author(s):  
José Pessôa

The urban design for Brasilia emphasizes the role of the city as a capital, that is to say, as an expression of State identity and power. Lúcio Costa considered monumentality as a characteristic inherent in urbanism, but this should not be achieved by any ostentatious grandiosity in terms of the volumes and sizes designed, and rather by providing a more singular external expression in the building concept used incorporating nature, capable of both pleasing and moving their occupants. The dimension of monumentality is a fundamental question in understanding the urban solution adopted in Brasilia.


Author(s):  
Gianmarco De Angelis

A long Eighteenth Century, in continuity with the erudite tradition and the editorial method of Muratori, and a very brief Nineteenth Century, between the first decade after Italian Unification and the eve of the Great War, when a new and (at last) professional generation of scholars (Bonelli, Vittani, Torelli, Manaresi) brought a sweeping change in the field of palaeographic and diplomatic researches and of publications of medieval legal documents: these two are the coordinates (conceptual earlier than chronological) of the present monography, that for the first time deals in a historiographical perspective with a crucial season of Medieval studies in Lombardy, concentrating upon careers, projects and works of its protagonists. The focus is on the editors and editions of charters, but around them we find many other individuals and institutions of the regional and national cultural scene. The Leitmotiv is the delineation of a modern philogical method in the editions of Lombard sources, but the wider context is represented by more general (and stronger, and ideologically characterised) themes of Medieval Studies before and after the national Unification of Italy: the problems of Lombard legacy, the myth of communal age in the Risorgimento culture, the Visconti-Sforza state identity. Finally, this study about editors and editions of medieval charters in Lombardy allows to shed light on the organization of regional historical research, within an intense (and not always simple) dialogue between the hegemonic Milanese capital and the proud local traditions of the other towns and provinces.


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