Black Women's Literature of the Americas

2021 ◽  
Author(s):  
Tonia Leigh Wind
Keyword(s):  
Author(s):  
Charlotte Lennox ◽  
Margaret Anne Doody

The Female Quixote (1752), a vivacious and ironical novel parodying the style of Cervantes, portrays the beautiful and aristocratic Arabella, whose passion for reading romances leads her into all manner of misunderstandings. Praised by Fielding, Richardson and Samuel Johnson, the book quickly established Charlotte Lennox as a foremost writer of the Novel of Sentiment. With an excellent introduction and full explanatory notes, this edition will be of particular interest to students of women's literature, and of the eighteenth-century novel.


This article gives an overview of writing by women in a revolutionary phase during the twentieth century and highlights the distinguished features of twentieth century women's literature including the diverse range of themes, change in women's social and family roles, a remarkable shift in subjects of writing which added a new frontier in women's writing. While contemplating the study of twentieth century women's literature, the most significant features that came under the spotlight include discovery of women's self- identity, women coming out from the male defined precincts to achieve independence and the authors' expedition towards autonomy and self-assertion through their writing. However, to trace the growth twentieth century women's literature has witnessed, a comparative investigation of Victorian and twentieth century women's literature has been stated briefly.


1970 ◽  
pp. 15-20
Author(s):  
Salwa Ghaly

Surveying women's literature over the past two centuries, gynocriticism I has found, perhaps to our surprise, that one of the recurrent themes in the writings of both Third World and Western women has been madness. Time and again , women authors from different periods and literary traditions, with diverse cultural,ideological and epistemic affiliations and commitments, bring out this theme to demonstrate emphatically and unequivocally how the symptoms of psychologicaldisfunctionality, together with definitions of madness, are culture-produced and bound, the products of a virulently hierarchical and patriarchal symbolic order.


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