Sexual Selection and the Descent of Man

Author(s):  
Michael Ruse

Charles Robert Darwin, the English naturalist, published On the Origin of Species in 1859 and the follow-up work The Descent of Man in 1871. In these works, he argued for his theory of evolution through natural selection, applying it to all organisms, living and dead, including our own species, Homo sapiens. Although controversial from the start, Darwin’s thinking was deeply embedded in the culture of his day, that of a middle-class Englishman. Evolution as such was an immediate success in scientific circles, but although the mechanism of selection had supporters in the scientific community (especially among those working with fast-breeding organisms), its real success was in the popular domain. Natural selection, and particularly the side mechanism of sexual selection, were known to all and popular themes in fiction and elsewhere.


BJHS Themes ◽  
2021 ◽  
pp. 1-17
Author(s):  
Kimberly A. Hamlin

Abstract Most studies of the American reception of Darwin have focused on the Origin. The Descent of Man, however, was even more widely read and discussed, especially by those outside the emerging scientific establishment. This essay maps the varied, popular and radical responses to the Descent and suggests that these unauthorized readers helped shape the formation of American scientific institutions (by encouraging scientists to close ranks), as well as ordinary Americans’ perceptions of gender and sex. I argue that the radical – freethinkers, socialists and feminists – embrace of sexual selection theory provides one explanation for naturalists’ scepticism of the theory.


2012 ◽  
Vol 81 (2) ◽  
pp. 67-73
Author(s):  
Adam Chmielewski

Metaphysics, or the knowledge of what there is, has been traditionally placed at the pinnacle of philosophical hierarchy. It was followed by theory of knowledge, or epistemology. Practical knowledge of proper modes of conduct, ethics, came third, followed by aesthetics, treated usually in a marginal way as having to do only with the perception of the beautiful. The hierarchy of philosophical disciplines has recently undergone a substantial transformation. As a result, ethics has assumed a central role. The aim of this paper is to suggest that the hierarchy of philosophical disciplines is not yet complete and that one further step needs to be taken. According to the claim advocated here, it is not metaphysics, epistemology or ethics, but aesthetics that is the first and foremost of all philosophical disciplines. This claim is argued for by references to findings of evolutionary aesthetics, especially to Charles Darwin's idea of sexual selection as elaborated in The Descent of Man. I also argue that Darwinian approach to morality is, and should be, derivable from an Darwinian aesthetics which lies at the core of his conception of sexual selection.


1995 ◽  
Vol 50 (1) ◽  
pp. 51-77 ◽  
Author(s):  
Jonathan Smith

Despite a long-standing acknowledgment of the evolutionary chracter of George Meredith's poetry and fiction, and a more recent delineation of the specifically Darwinian elements of The Egoist (1879), the relationship between that novel and Darwin's The Descent of Man, and Selection in Relation to Sex (1871) has been overlooked. Both works focus on the evolutionary development of the human moral sense and on the process of courtship between the sexes, but Meredith's novel links these issues while Darwin's book keeps them separate. Through his characterization of Sir Willoughby Patterne, Meredith shows that "civilized" egoism is a sign of moral reversion most likely to occur during courtship, and he critiques Darwin's discussion of sexual selection in humans, exposing its inconsistencies and in particular challenging its portrayal of female choice. While modern feminist critics have rightly identified problems with the novel and the theory of comedy that governs it, Meredith's attack on Darwin's culturally powerful view of the sexes endorses a postion on "the woman question" close to John Stuart Mill's, and the novel's problems are best seen as part of this attack rather than as naive self-contradictions of Meredith's feminism.


BJHS Themes ◽  
2021 ◽  
pp. 1-21
Author(s):  
Piers J. Hale

Abstract Although many read Charles Darwin's Origin of Species as an endorsement, rather than merely a description, of individualism and competition, in Descent of Man (1871) Darwin intended to show that natural selection could account for the most noble aspects of human morality and conscience. He did so in response to Alfred Russel Wallace's 1869 statement to the contrary. In doing so, Darwin appealed to the natural selection of groups rather than individuals, and to the maternal, parental and filial instincts, as the origin of truly other-regarding moral sentiments. Further, the inheritance of acquired characters and sexual selection had important implications for Darwin's understanding of how other-regarding ethics might prevail in an evolutionary framework that seemed to reward self-interest. In a short addendum to this essay I highlight just three of a number of Darwin's contemporaries who were impressed by this aspect of his work: the science popularizer Arabella Buckley, the Scottish Presbyterian scholar Henry Drummond and the anarchist geographer and naturalist Peter Kropotkin. In closing, I point to an extensive network of others who framed their concerns about both the ‘labour question’ and the ‘woman question’ in evolutionary terms, as a fruitful area for future research in this direction.


BJHS Themes ◽  
2021 ◽  
pp. 1-22
Author(s):  
Nasser Zakariya

Abstract Darwin in The Descent of Man deliberates over the question of progress in relation to three categories of traits – aesthetic, moral and intellectual – attending to their interplay. The later formulations of Thomas Henry Huxley and Alfred Russel Wallace shift and reframe the terms for weighing together progress and the relationship across these traits, downplaying the role of aesthetic assessments. Huxley and Wallace invoke ‘antagonisms’ countering, respectively, ‘ethical progress’ and ‘cosmic process’, ‘humanity – the essentially human emotion’ and ‘physical and even intellectual race-improvement’. Thereafter, evolutionary antagonisms reappear – whether to endorse, dismiss or overcome them – and they remain relevant in evolutionary arguments, whether made explicit or left implicit. Following a thread of ongoing appeals to this interplay of traits and corresponding antagonisms invoking Huxley's 1893 lecture ‘Evolution and ethics’, implicit differences appear in the treatment of aesthetic, moral and intellectual development. These treatments maintain the progress that their own ethical systems represented, even while granting moral variation and conceding independent/alternative notions of the beautiful. They generally took as granted the uniformity of intellectual judgements, where evolutionary progress was both ethical and intellectual/scientific, even when speculating on the development of different types of mind. As characteristic of future-oriented visions of progress by the first decades of the twentieth century, sexual selection was subsumed under natural selection.


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