Researching war-rape narratives

2017 ◽  
pp. 10-26
Author(s):  
Nena Močnik
Keyword(s):  
War Rape ◽  
2013 ◽  
Vol 10 (2) ◽  
pp. 358-373
Author(s):  
Louise Wilks

The representation of rape continues to be one of the most highly charged issues in contemporary cinema, and whilst many discussions of this topic focus on Hollywood movies, sexual violation is also a pervasive topic in British cinema. This article examines the portrayal of a female's rape in the British feature My Brother Tom (2001), a powerful and often troubling text in which the sexual violation of the teenage female protagonist functions as a catalyst for the events that comprise the plot, as is often the case in rape narratives. The article provides an overview of some of the key feminist academic discussions and debates that cinematic depictions of rape have prompted, before closely analysing My Brother Tom's rape scene in relation to such discourses. The article argues that the rape scene is neither explicit nor sensationalised, and that by having the camera focus on Jessica's bewildered reactions, it positions the audience with her, and powerfully but discreetly portrays the grave nature of sexual abuse. The article then moves on to examine the portrayal of sexual violation in My Brother Tom as a whole, considering the cultural inscriptions etched on the female body within its account of rape, before concluding with a discussion of the film's depiction of Jessica's ensuing methods of bodily self-inscription as she attempts to disassociate her body from its sexual violation.


2021 ◽  
pp. 1-23
Author(s):  
ÁNGEL ALCALDE

Abstract By examining the experience of rape in Spain in the 1930s and 1940s, this article explains how the Spanish Civil War and Franco's dictatorship dramatically increased the likelihood of women becoming victims of sexual assault. Contrary to what historians often assume, this phenomenon was not the result of rape being deliberately used as a ‘weapon of war’ or as a blunt method of political repression against women. The upsurge in sexual violence was a by-product of structural transformations in the wartime and dictatorial contexts, and it was the direct consequence, rather than the instrument, of the violent imposition of a fascist-inspired regime. Using archival evidence from numerous Spanish archives, the article historicizes rape in a wider cultural, legal, and social context and reveals the essential albeit ambiguous political nature of both wartime and post-war rape. The experience of rape was mostly shaped not by repression but structural factors such as ruralization and social hierarchization, demographic upheavals, exacerbation of violent masculinity models, the proliferation of weapons, and the influence of fascist and national-Catholic ideologies. Rape became an expression of the nature of power and social and gender relations in Franco's regime.


1994 ◽  
Vol 35 (7) ◽  
pp. 2-2
Author(s):  
David M Schneider
Keyword(s):  

2002 ◽  
Vol 74 (2) ◽  
pp. 123-142
Author(s):  
Michael Parsons

The purpose of this essay is to examine comments by Luther and Calvin on the rape narratives of the Old Testament against recent criticism that the Church has never really taken the crimes of abuse and rape seriously enough. Marie Fortune, whose criticism it is, questions the reason for the church’s apparent reticence in being clearly and unreservedly against these crimes. It is hoped that even limited reflection may suggest at least some understanding. It is found that for various reasons the logic of the reformers’ exposition actually directs them away from the crucial event of abuse. That logic, itself, is examined and questioned, suggesting its weakness – both exegetically and socially. It portrays a marred paradigm that the church today needs to reject.


Author(s):  
Nena Močnik
Keyword(s):  

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