A history of the Chinese Revolution

2014 ◽  
pp. 53-75
2017 ◽  
Vol 2 (1) ◽  
pp. 203-210
Author(s):  
Shellen Wu

It wasn't so long ago that histories of China's rocky transition to modernity featured a small and entirely male cast of characters. In the works of the first generation of American Sinologists, from John King Fairbank to his most famous students such as Joseph Levenson, a few men, from late Qing statesman Li Hongzhang 李鴻章 to reformers and revolutionaries like Kang Youwei 康有為, Sun Yatsen 孫中山, and Liang Qichao 梁啟超, loomed large over the narrative of the Chinese revolution. Into this lacuna Mary Rankin's rediscovery of the late Qing female martyr Qiu Jin 秋瑾 came as a thunderbolt. Her work opened up the possibility that perhaps the problem wasn't the absence of women in China's revolution but the failure of scholars to look for their contribution. Rankin's 1968 article on “The Tenacity of Tradition,” and her subsequent bookEarly Chinese Revolutionariespaved the way for a far more nuanced and complicated new social history of modern China.


Author(s):  
Laura De Giorgi

Velio Spano was an important member of the Italian Communist Party, who visited Communist China in the crucial period of Autumn 1949 and wrote the first book in Italian about the Chinese revolution. Often mentioned in works dedicated to the history of Sino-Italian relations, this event has never been thoroughly studied. The recent availability of Spano’s personal archives offer the possibility to better investigate his visit to China and to place it in the complex political environment of that period. This paper is a first attempt to use Spano's personal records about his stay to explore the actual reality of his experience and the implications of his presence in 1949 China.


Author(s):  
Qi Fu

For the past five months, I have been working on researching and digitizing a set of twenty-four Chinese papercut posters at W.D. Jordan Rare Books and Special Collections. Using the web publishing platform Omeka, the project combined the digital images of the papercut posters and all the metadata including title, translation, historical background and dimensions. This set of papercuts reflects the history of the Chinese revolution from the founding of the Chinese Communist Party to the establishment of People's Republic of China. This set includes the most representative events in all stages of the revolution creating a microcosm of the history of the Chinese people seeking liberation. Among these historical events, the majority of them were also displayed in the film “The East Is Red” which is a “song and dance epic” filmed in 1965 for celebrating the 15th anniversary of the founding of the People's Republic of China. The Chinese papercut posters online collection preserves and increases accessibility to these rare materials of which there is only one other collection online. By accessing to this site, more scholars can study this unique collection without time and location limitation. Website Link: http://postercollection.omeka.net/collections/show/1


1961 ◽  
Vol 13 (2) ◽  
pp. 210-230
Author(s):  
Robert Vincent Daniels

SPECIALISTS on Chinese communism are in the habit of brushing responsibility for strange or abhorrent phenomena off onto Soviet Russia. This may be largely justified; communism is clearly a foreign import in China, whatever the reasons for its success or the extent of its adaptation. But to an observer whose understanding of communism is based primarily on the study of Soviet Russia, the history of Chinese communism—now a full decade of national rule, following nearly thirty years of evolution—presents a number of peculiarities. Comparison with Russia suggests several lines of interpretation which may shed light on the past and present status of communism in China and the Far East.


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