One Branch of Moral Science: An Early Modern Approach to Public Policy 1

2017 ◽  
pp. 235-248
2004 ◽  
Vol 1 (2) ◽  
pp. 151-183 ◽  
Author(s):  
BRIAN COWAN

Seventeenth-century English virtuoso attitudes to the visual arts have often been contrasted with a putative eighteenth-century culture of connoisseurship, most notably in a still influential 1942 article by Walter Houghton. This essay revisits Houghton's thesis and argues that English virtuoso culture did indeed allow for an incipient notion of artistic connoisseurship but that it did so in a manner different from the French model. The first section details a virtuoso aesthetic in which a modern approach to the cultural heritage of antiquity was central. The instructive ethical and historical attributes of an art work were deemed more important than attribution to a master artist, although one can discern an incipient notion of a virtuoso canon of great artists. The second section examines the social and institutional position of the English virtuosi and argues that the lack of a Royal Academy of Arts in the French manner made virtuoso attitudes to the arts unusually receptive to outside influences such as the Royal Society and other private clubs and academies. It concludes by considering the ways in which some eighteenth-century concepts of taste and connoisseurship defined themselves in contrast to an earlier and wider-ranging virtuosity even if they failed to fully supplant it.


Author(s):  
Carlo Pietrobelli

Industrial clusters have developed in many regions and countries of Latin America. They have often been supported by active policies undertaken at the national (federal) and local levels, sometimes with the financial and technical assistance of international organizations. These experiences have been most remarkable, and share several elements of the ‘modern’ industrial policies that enjoy an increasing consensus in the literature. The vast experience of locally based forms of active policies that have proliferated in Latin America reflects a modern approach to industrial policies, with clever interactions of private and government sectors, a process of discovery of the necessary public policy inputs, and interactive design and implementation of these policies.


2013 ◽  
Vol 50 (3) ◽  
pp. 615
Author(s):  
Elizabeth Adjin-Tettey

An insured who wilfully damages insured property cannot seek indemnification under an insurance policy because the loss was not a fortuitous one and likely falls within an exclusion clause in the policy. This has historically been referred to as the criminal forfeiture principle, which holds that for public policy reasons a wrongdoer should not be able to benefit from his or her own wrongdoing. The question in situations like this is whether an innocent co-insured should also be barred from recovery for such loss. This article focuses on developments in the law relating to recovery by an innocent co-insured — namely amendments to the British Columbia Insurance Act. The author explores the history of the criminal forfeiture principle and also examines the modern contractual approach to interpreting insurance contracts. This article argues that the modern approach emphasizes property and contract law principles at the expense of protecting the reasonable expectations of an innocent co-insured. The author then examines a key provision in the British Columbia Insurance Act that intends to provide statutory protection for an innocent co-insured. Despite some disadvantages, the author argues that the benefits of the statutory protection outweigh any potential weaknesses.


2017 ◽  
Vol 26 ◽  
pp. 33-65
Author(s):  
Joanna Kozikowska

Toys of the Butcher: Slaughter Animals and Children’s Play in Early Mod-ern Dutch LiteratureThis article discusses cultural representations of slaughter animals from the early modern period, setting them against the post-modern approach to animals. The point of departure constitutes a con­temporary story about a girl eating the heart of a deer, which she has shot. Then the author moves on to a discussion of the poem ‘Kinder-spel’ 1618/1625 by the seventeenth-century Dutch poet Jacob Cats and focuses on the socio-cultural notions of humans and animals which these two texts present. When discussing the poem, the author elaborates on the symbolic meaning of two situations where children play with animal body parts — a game of knucklebones and playing with an inflated bladder. The interpretation of Cats’ text shows that the stereotypical social perceptions of slaughter animals which can be found in the early modern Dutch literature are in fact meant to offer a certain view on humans, by which their domination over the natural world and exploitation of animals is justified. The methodologies applied in this study involve the so-called ‘activist ecocriticism’ and the New Historicism, both being the reading methods, which emphasize the topicality of historical research. By placing Cats’ texts in a broad context, it is shown that the motif of children playing with animal body parts refers to early modern polemics about such issues as the relationship between the human and animal, the tension between culture and nature, as well as children and upbringing models.


ASHA Leader ◽  
2012 ◽  
Vol 17 (15) ◽  
pp. 23-23
Author(s):  
George Lyons
Keyword(s):  

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