AbstractThe commemoration of the Battle of Saratoga (1777) a century after the pivotal Revolutionary victory illuminates the imbrication of public and personal memory in the politics of late nineteenth-century patriotic commemoration. The fiscal challenges faced by the white elites who stewarded the project and the compromises they were forced to make expose the uncertainties of public commemorative projects, a theme overlooked in foundational scholarship on patriotic public memory. Given the frequent failure of monument projects in an era before governments led heritage planning, the significance of individuals to the fulfillment of ambitions warrants greater consideration. Using a microhistorical approach, this paper analyzes the Saratoga Monument Board members’ ambitions, promotional strategies, and improvisations, prompted in part by an issue unique to this Battle: how to deal with Benedict Arnold's significant role in the Americans’ victory over the English? The Board's sole female trustee, Ellen Hardin Walworth, confronted a similar challenge: how to remake her life after surviving a scandalous domestic tragedy? The interweaving of their stories and strategies highlights the ways in which the cultivation of Revolutionary memory served both political and personal attempts at reconstruction without fully managing to resolve the conflicted past. Thus, scholars must factor individuals’ unique connections to the past into the broader structural characteristics of patriotic commemoration in histories of public memory and its orchestration.
Setting the scene for heritage planning: perspectives from Europe
