scholarly journals Sacred Spaces in a Holy City. Crossing Religious Boundaries in Istanbul at the Turn of the Twenty-First Century

2019 ◽  
Vol 9 ◽  
pp. 34-56
Author(s):  
Méropi Anastassiadou-Dumont
Keyword(s):  
Cultural Diversity ◽  
Local Economy ◽  
First Century ◽  
Religious Practices ◽  
Nation State ◽  
Sacred Spaces ◽  
The 1950S ◽  
Twenty First Century ◽  
The City ◽  
Holy City

The article examines Muslim pilgrimages to Christian places of worship in Istanbul after the 1950s. It aims to answer whether and how the Ottoman heritage of cultural diversity fits or does not fit with the pattern of the nation-state. After a brief bibliographic overview of the issue of shared sacred spaces, the presentation assembles, as a first step, some of the key elements of Istanbul’s multi-secular links with religious practices: the sanctity of the city both for Christianity and Islam; the long tradition of pilgrimages and their importance for the local economy; meanings and etymologies of the word pilgrimage in the most common languages of the Ottoman space; and the silence of the nineteenth century’s Greek sources concerning the sharing of worship. The second part focuses more specifically on some OrthodoxGreek sacred spaces in Istanbul increasingly frequented by Muslims during the last decades.

Labels, Histories, Politics: Indian/South Asian Dance on the Global Stage

2008 ◽  
Vol 26 (2) ◽  
pp. 223-243 ◽  
Author(s):  
AVANTHI MEDURI
Keyword(s):  
South Asian ◽  
First Century ◽  
Nation State ◽  
The South ◽  
Global Networks ◽  
Indian Nation ◽  
The 1950S ◽  
Twenty First Century ◽  
The Uk

In this paper, I discuss issues revolving around history, historiography, alterity, difference and otherness concealed in the doubled Indian/South Asian label used to describe Indian/South Asian dance genres in the UK. The paper traces the historical genealogy of the South Asian label to US, Indian and British contexts and describes how the South Asian enunciation fed into Indian nation-state historiography and politics in the 1950s. I conclude by describing how Akademi: South Asian Dance, a leading London based arts organisation, explored the ambivalence in the doubled Indian/South Asian label by renaming itself in 1997, and forging new local/global networks of communication and artistic exchange between Indian and British based dancers and choreographers at the turn of the twenty-first century.

Staging Beckett: Constructing Histories of Performance

2014 ◽  
Vol 23 (1) ◽  
pp. 11-33 ◽  
Author(s):  
Anna McMullan ◽  
Trish McTighe ◽  
David Pattie ◽  
David Tucker
Keyword(s):  
First Century ◽  
Research Project ◽  
The 1950S ◽  
Twenty First Century ◽  
The Uk ◽  
Victoria And Albert Museum

This multi-authored essay presents some selected initial findings from the AHRC Staging Beckett research project led by the Universities of Reading and Chester with the Victoria and Albert Museum, London. For example, how did changes in economic and cultural climates, such as funding structures, impact on productions of Beckett's plays in the UK and Ireland from the 1950s to the first decade of the twenty-first century? The paper will raise historiographical questions raised by the attempts to map or construct performance histories of Beckett's theatre in the UK and Ireland.

Reflecting the Nation: Costa Rican Cinema in the Twenty-First Century

2019 ◽  
pp. 113-180
Author(s):  
Liz Harvey-Kattou
Keyword(s):  
Costa Rica ◽  
Youth Culture ◽  
Costa Rican ◽  
Point Of View ◽  
First Century ◽  
San Jose ◽  
The Uncanny ◽  
Marginalised Groups ◽  
Twenty First Century ◽  
The City

This chapter argues that cinema has been the primary creative vehicle to reflect on national – tico – identity in Costa Rica in the twenty-first century, and it begins with an overview of the industry. Considering the ways in which film is uniquely positioned to challenge social norms through the creation of affective narratives and through the visibility it can offer to otherwise marginalised groups, this chapter analyses four films by key directors. Beginning with an exploration of Esteban Ramírez’s Gestación, it considers youth culture, gender, and class as non-normative spaces in the city of San José. Similarly, Jurgen Ureña’s Abrázame como antes is then discussed from the point of view of its ground-breaking portrayal of trans women in the capital. Two films shot at the geographic margins of the nation are then discussed, with the uncanny coastline the focus of Paz Fábrega’s Agua fría de mar and the marginalized Afro-Costa Rican province of Limón the focus of Patricia Velásquez’s Dos aguas.

Athens and Sparta of the New World

2020 ◽  
pp. 79-116
Author(s):  
Dan-el Padilla Peralta
Keyword(s):  
Dominican Republic ◽  
New World ◽  
Ancient Greece ◽  
First Century ◽  
Nation State ◽  
Santo Domingo ◽  
Classical Greece ◽  
Classical Reception ◽  
Twenty First Century ◽  
Modern Nation State

This chapter reconstructs the reception and appropriation of ancient Greece and Rome in the Dominican Republic, tracing the long arc of classical reception from the foundation of the Spanish colony of Santo Domingo to the politics of the twenty-first-century nation-state. Two interlocking appropriations of classical Greece are documented and scrutinized: the glorification of colonial Santo Domingo by postcolonial Dominican elites as the “Athens of the New World,” and the celebration of the modern nation-state as the “Sparta of the New World” during the dictatorship of Rafael Leónidas Trujillo (1930–61). Both modes of scripting hispanophone Hispaniola as classically Greek turn out upon closer examination to derive their impetus from a racialized—and racist—cultural and nationalistic program whose imprint on Dominican debates about statehood and race remains visible to this day.

Introduction

City, State ◽  
2020 ◽  
pp. 1-16
Author(s):  
Ran Hirschl
Keyword(s):  
Policy Making ◽  
Large Degree ◽  
First Century ◽  
Constitutional Order ◽  
Twenty First Century ◽  
The City ◽  
Spatial Governance

This introductory chapter illustrates that, in many settings worldwide, hardwired constitutional arrangements reflect outdated concepts of spatial governance featuring constitutional division of competences adopted in a pre-megacity era and increasingly detached from twenty-first-century realities. Consequently, cities do not exist constitutionally. And with few exceptions, cities remain subjugated by a Westphalian constitutional order and by the state’s innate inclination to maintain jurisdictional primacy over its territory. National constitutions’ entrenched nature and innately statist outlook render the city systemically weak and to a large degree underrepresented. As extensive urbanization marches on, an ever-widening gap emerges between what is expected of a modern metropolis, and what cities can actually deliver in the absence of adequate standing, representation, taxation powers, or robust policy-making authority.

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