Cultural activism against inequalities: the experience of Quaderni Urbani in Bologna

2021 ◽  
pp. 17-28
Author(s):  
Alessio La Terra
Keyword(s):  
Cultural code ◽  
2020 ◽  
pp. 38-49
Author(s):  
PETR ANDREEVICH NEPLYUEV ◽  

This article is dedicated to the problem of historiography of historical and cultural activism in Late Soviet period. In the article there is a short review of Local Lore movement formation in USSR. Also, the main directions of research on the study of historical and cultural activism in Soviet, Russian and Western historical science are presented.


2013 ◽  
Vol 45 (1-2) ◽  
pp. 59-75
Author(s):  
Hilde Løvdal Stephens

Today, evangelical Christians in the U.S. are known for their passion for the so-called traditional family and engagement in political and cultural battles over children and child rearing. That has not always been the case. This article examines how parenting became a cultural and political battleground for evangelicals in the last decades of the 20th century. Conservative Protestants have engaged with politics and culture in the past. They supported the Prohibition movement; they opposed Darwin’s theory of evolution; they worried about the decadent culture of the 1920s. In the late 1900s, however, child rearing and parenting became a catch-all framework for all their concerns. Parenting took on new, profound meaning. Preachers like Billy Graham would reject his former notions that he was called to preach, saying he was first and foremost called to father. Evangelical Christian family experts like James Dobson and Larry Christenson linked parenting to social order. Family experts guided evangelicals in their political and cultural activism, telling them that the personal is political and that political issues can be solved one family at a time.


2018 ◽  

This edited volume provides a multifaceted investigation of the dynamic interrelations between visual arts and urbanization in contemporary Mainland China with a focus on unseen representations and urban interventions brought about by the transformations of the urban space and the various problems associated with it. Through a wide range of illuminating case studies, the authors demonstrate how innovative artistic and creative practices initiated by various stakeholders not only raise critical awareness on socio-political issues of Chinese urbanization but also actively reshape the urban living spaces. The formation of new collaborations, agencies, aesthetics and cultural production sites facilitate diverse forms of cultural activism as they challenge the dominant ways of interpreting social changes and encourage civic participation in the production of alternative meanings in and of the city. Their significance lies in their potential to question current values and power structures as well as to foster new subjectivities for disparate individuals and social groups.


Author(s):  
Maria Consuelo Forés Rossell

Shakespeare’s works have long been a place of cultural and political struggles, and continues to be so. Twenty-first century non-canonical fiction is appropriating Shakespeare for activist purposes. The present article will analyze this phenomenon, applying the concept of cultural capital, the theories of cultural materialism, intertextuality, and appropriation in relation to popular culture, in order to study how Shakespeare’s plays are being appropriated from more radically progressive positions, and resituated in alternative contexts. Among the plethora of Shakespearean adaptations of the last decades, non-canonical appropriations in particular offer brand new interpretations of previously assumed ideas about Shakespeare’s works, popularizing the playwright in unprecedented ambits and culturally diverse social spaces, while giving voice to the marginalized. Thus, through entertainment, non-canonical fiction products such as V for Vendetta and Sons of Anarchy recycle the Shakespearean legacy from a critical point of view, while using it as a political weapon for cultural activism, helping to make people aware of social inequalities and to inspire them to adopt a critical stance towards them, as free and equal citizens.


Author(s):  
Andreas Petrossiants

Considering the literature on feminist militancy and “domestic labor” of the late 1960s and early 70s from the perspective of Western visual culture, the artist Mierle Laderman Ukeles is undoubtedly a central figure. Surprisingly, however, her works have rarely been read through the lens of the international Wages for Housework movement. This essay proposes to read Ukeles’ cultural activism and work through the writing and political organizing of Silvia Federici, who also distanced herself from previously dominant and at times sectarian feminisms to articulate a pointedly (post-)autonomist feminism as a political project. The author is trying to grasp and describe the truly radical and imperative position that Ukeles activated, and continues to “maintain.”


2018 ◽  
Vol 13 (2) ◽  
pp. 157-165 ◽  
Author(s):  
Hio Tong Wong ◽  
Shih-Diing Liu

Situated in Hong Kong’s post-colonial context of political crisis, this article attempts to investigate the unfolding of cultural activism during the Umbrella Movement occurred in 2014. This 79-day occupy protest, triggered by the government’s restriction on universal suffrage, has released protesters’ creative potentials in performing their struggles through a variety of aesthetic forms and practices. Questioning the traditional way of conceiving protest movement in terms of violent confrontations with government or instrumentalism, this article addresses the performative role of cultural activism which has been largely ignored in the study of Hong Kong protest movement. Rather, we argue that the creative practices enacted during the Umbrella Movement constitute in themselves the message that contains its own politics and grammars. These practices have constructed the meaning of the movement through naming, and have created the collective joy and identity among participants in the formation of movement solidarity. This article suggests that cultural activism is the spirit and soul of the Umbrella Movement, which has opened up a temporary yet crucial political space for democratic struggle.


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