ARRHYTHMIA OF COLONNADES IN ROMAN BAROQUE ARCHITECTURE
The article considers the special rhythmic structure inherent in the facades of Roman baroque churches of the late 16th – 17th centuries. Select examples illustrate the relations typical of such architecture between the bottom diameter of columns (embates), intercolumniation, and column height. These relations include the classical ones, which are consistent with the theory of proportions of Pythagoras and the rules of Vitruvius, but the unusual arrhythmic techniques of the composition create a special dissonant resonance with human biorhythms and mental states within the space of Baroque architecture.
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1885 ◽
Vol 19
(486supp)
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pp. 7764-7764
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1999 ◽
Vol 1
(1)
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pp. 264-269
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2018 ◽
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