scholarly journals ARRHYTHMIA OF COLONNADES IN ROMAN BAROQUE ARCHITECTURE

Author(s):  
Viktor G. Vlasov

The article considers the special rhythmic structure inherent in the facades of Roman baroque churches of the late 16th – 17th centuries. Select examples illustrate the relations typical of such architecture between the bottom diameter of columns (embates), intercolumniation, and column height. These relations include the classical ones, which are consistent with the theory of proportions of Pythagoras and the rules of Vitruvius, but the unusual arrhythmic techniques of the composition create a special dissonant resonance with human biorhythms and mental states within the space of Baroque architecture.

2013 ◽  
Vol 44 (4) ◽  
pp. 271-277 ◽  
Author(s):  
Simona Sacchi ◽  
Paolo Riva ◽  
Marco Brambilla

Anthropomorphization is the tendency to ascribe humanlike features and mental states, such as free will and consciousness, to nonhuman beings or inanimate agents. Two studies investigated the consequences of the anthropomorphization of nature on people’s willingness to help victims of natural disasters. Study 1 (N = 96) showed that the humanization of nature correlated negatively with willingness to help natural disaster victims. Study 2 (N = 52) tested for causality, showing that the anthropomorphization of nature reduced participants’ intentions to help the victims. Overall, our findings suggest that humanizing nature undermines the tendency to support victims of natural disasters.


2007 ◽  
Author(s):  
Robert G. Cook ◽  
Hara A. Rosen

1926 ◽  
Vol 10 (4) ◽  
pp. 528-529
Author(s):  
No authorship indicated
Keyword(s):  

2018 ◽  
Vol 125 (3) ◽  
pp. 409-434 ◽  
Author(s):  
Tyler Burge

1999 ◽  
Vol 1 (1) ◽  
pp. 264-269 ◽  
Author(s):  
Ahmad Mukhtar Omar

Fāsila is a termed used to denote the last word in each Qur'anic āya. In this article, we explore this Qur'anic usage, examining in particular the connection between the choice of word, its semantic and rhythmic role in its immediate context, and its wider signification in the narrative. Previous writers on the subject drew attention to the apparent similarity between the fāṣila and the rhythmic schemes of poetry and rhyming prose. We argue that tire fāṣila, while certainly playing a role in the rhythmic structure of the text, has a wider significance, and that an examination of each occurrence underlines the organic connection between the ‘content’ of each sentence and its fāṣila. In a number of instances, it can be shown that the fāṣila and the rhythmic and semantic demands of the narrative account for differences between standard usage and the Qur'anic text. We discuss a number of specific instances of fāṣila, and, examine these in the light of the views of classical exegetes on this feature of the Qur'an.


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