The UIA and the Patronage of Internationalism: From the belle époque to the Second World War

2019 ◽  
Author(s):  
Christophe Verbruggen
Keyword(s):  
Second World War ◽  
Belle Epoque ◽  
World War ◽  
Belle Époque ◽  
Second World

scholarly journals Ion Valjan: With the Voice of Time. The Hypostasis of a Romanian Belle Epoque

2014 ◽  
Vol 6 (1) ◽  
pp. 25-34
Author(s):  
Ştefania Maria Custură
Keyword(s):  
Second World War ◽  
Past Century ◽  
Childhood And Adolescence ◽  
Belle Epoque ◽  
World War ◽  
National Theatre ◽  
Cultural Life ◽  
Belle Époque ◽  
The Voice ◽  
Second World

Abstract Ion Valjan is the literary pseudonym of Ion Al. Vasilescu (1881-1960), famous lawyer, playwright, writer of memoirs, publicist and politician. Dramatic author in the line of Caragiale, he was the manager of The National Theatre in Bucharest between 1923 and 1924, and general manager of theatres between 1923 and 1926. He wrote drama, he collaborated with Sburătorul, Vremea, Rampa, being appreciated by the exigent literary critique of the inter-war period. After the war, in 1950, he was involved in a political trial, accused of high treason, espionage for Great Britain, and got sentenced to 15 years imprisonment, where he died. Valjan is the author of the only theatrical show, played in a communist prison, Revista Piteşti 59. Ion Valjan’s memoirs, With the Voice of Time. Memories, written during the Second World War, represent a turn back in time, into the age of the author’s childhood and adolescence, giving the contemporary reader the chance to travel in time and space, the end of the nineteenth century and the first two decades of the past century projecting an authentic image, in the Romanian version of a Belle Epoque, interesting and extremely prolific for the Romanian cultural life. Also, evoking his childhood years spent in cities by the Danube (Călăraşi, Brăila, Turnu-Severin), Valjan unveils the harmonious meeting of different peoples and their mentalities, which transform the Danube Plain into an interethnic space of unique value.

Theatre Photography in Nineteenth Century France: Document, Archive or Pure Fiction?

2021 ◽  
Vol 66 (2) ◽  
pp. 47-72
Author(s):  
Arnaud Rykner
Keyword(s):  
Nineteenth Century ◽  
Second World War ◽  
Belle Epoque ◽  
World War ◽  
Nineteenth Century France ◽  
Media Object ◽  
Post Production ◽  
Belle Époque ◽  
Second World ◽  
World Exhibition

"Indoor performance photography, which was born in France on the occasion of the Paris World Exhibition in 1889, remains a problematic theatrical and media object to this day. But at the Belle Epoque and until the Second World War at least, it requires to be approached with all the more caution because it is always the fruit of multiple manipulations, either at the time of the making of the shots (mandatory posing of actors, specific lighting, etc.), or at the time of their “post-production” (printing, but especially edition in review or volume). A complex and particularly rich object that must be studied in its context (publications or archives), stage photography is then offered as much as a document to be deciphered as a fiction to be deconstructed. Keywords: theatre photography, France, Belle Epoque, document, photographic archives. "

Gender and the Second World War

2017 ◽  
Author(s):  
Corinna Peniston-Bird ◽  
Emma Vickers
Keyword(s):  
Second World War ◽  
World War ◽  
Second World

Kapitalistische Krisen mit und ohne systemischer Herausforderung.

2016 ◽  
Vol 46 (185) ◽  
pp. 543-560 ◽  
Author(s):  
Ingo Schmidt
Keyword(s):  
World Market ◽  
Second World War ◽  
Deep Penetration ◽  
World War ◽  
Major Overhaul ◽  
Domestic Markets ◽  
Global Restructuring ◽  
Social Divisions ◽  
Class Power ◽  
Second World

This article draws on Marxist theories of crises, imperialism, and class formation to identify commonalities and differences between the stagnation of the 1930s and today. Its key argument is that the anti-systemic movements that existed in the 1930s and gained ground after the Second World War pushed capitalists to turn from imperialist expansion and rivalry to the deep penetration of domestic markets. By doing so they unleashed strong economic growth that allowed for social compromise without hurting profits. Yet, once labour and other social movements threatened to shift the balance of class power into their favor, capitalist counter-reform began. In its course, global restructuring, and notably the integration of Russia and China into the world market, created space for accumulation. The cause for the current stagnation is that this space has been used up. In the absence of systemic challenges capitalists have little reason to seek a major overhaul of their accumulation strategies that could help to overcome stagnation. Instead they prop up profits at the expense of the subaltern classes even if this prolongs stagnation and leads to sharper social divisions.

Zabiegi likwidujące skutki obrzezania wykonywane w Warszawie w czasie drugiej wojny światowej. Wstępna próba opisu zjawiska

2017 ◽  
pp. 437-446
Author(s):  
Maria Ciesielska
Keyword(s):  
Second World War ◽  
Tissue Preparation ◽  
World War ◽  
Medical Practitioners ◽  
Reconstruction Surgery ◽  
Repair Operation ◽  
Manual Treatment ◽  
Operating Technique ◽  
Almost All ◽  
Second World

Men’s circumcision is in many countries considered as a hygienic-cosmetic or aesthetic treatment. However, it still remains in close connection with religious rites (Judaism, Islam) and is still practiced all over the world. During the Second World War the visible effects of circumcision became an indisputable evidence of being a Jew and were often used especially by the so-called szmalcownicy (blackmailers). Fear of the possibility of discovering as non-Aryan prompted many Jews hiding on the so-called Aryan side of Warsaw to seek medical practitioners who would restore the condition as it was before the circumcision. The reconstruction surgery was called in surgical jargon “knife baptizing”. Almost all of the procedures were performed by Aryan doctors although four cases of hiding Jewish doctors participating in such procedures are known. Surgical technique consisted of the surgical formation of a new foreskin after tissue preparation and stretching it by manual treatment. The success of the repair operation depended on the patient’s cooperation with the doctor, the worst result was in children. The physicians described in the article and the operating technique are probably only a fragment of a broader activity, described meticulously by only one of the doctors – Dr. Janusz Skórski. This work is an attempt to describe the phenomenon based on the very scanty source material, but it seems to be the first such attempt for several decades.

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