International Singularity in Sequential Art: The Graphic Novel in the United States, Europe, and Japan

2014 ◽  
Keyword(s):  
United States ◽  
The United States ◽  
Graphic Novel ◽  
Sequential Art

All By Myself

2019 ◽  
pp. 131-147
Author(s):  
Michelle Ann Abate
Keyword(s):  
United States ◽  
The United States ◽  
Sequential Art ◽  
Core Feature ◽  
History Of

This chapter challenges the long-standing exclusion of single-panel comics from being seen as comics because they do not contain what is commonly regarded as a core feature of the genre: images arranged in a sequence. Accordingly, it offers not merely a defense of but what might even be called a manifesto for single-panel comics as comics. Titles belonging to this category have played an important role in the origins, evolution, and popularization of the genre in the United States. They have embodied some of the most successful and acclaimed works in the history of the medium. In many respects, sequential art as we know it would not be the same without comics that consist of only one panel. Accordingly, this chapter moves single-panel comics back into the genre where they belong. Single-panel comics are not simply comics; they are often examples of the medium at its most concentrated, controlled, and efficient.

Divine Comics

2017 ◽  
Vol 10 (1) ◽  
pp. 94-109
Author(s):  
Ronald de Rooy
Keyword(s):  
United States ◽  
Popular Culture ◽  
Comparative Analysis ◽  
Video Game ◽  
The United States ◽  
Divine Comedy ◽  
Graphic Novel ◽  
European Tradition ◽  
The Divine Comedy ◽  
Visual Reception

Dante’s multifaceted cultural reception includes many comics adaptations. Against the background of a strong tradition of illustrating and visualising Dante, this article proposes a comparative analysis of significant contemporary comics adaptations from Europe and the United States. Recent European Dante comics generally adopt largely reverent modes of illustration, showing less aggressive forms of adaptation than their US counterparts. The text of Dante’s poem remains of great importance, and artists often refer to certain traditional milestones in Dante’s visual reception. American Dante comics are more firmly rooted in popular culture, adopting reductive adaptation methods to a greater extent, and are frequently embedded in transmedial constellations. Where the highbrow European tradition of Dante’s visual reception does shine through, it is always with strong ironic undertones. Especially interesting in this respect are the toy theatre/puppet movie Dante’s Inferno directed by Sean Meredith, Seymour Chwast’s graphic novel The Divine Comedy and the popular video game Dante’s Inferno.

The Doctor versus the Dagger: Comics Reading and Cultural Memory

PMLA ◽  
2015 ◽  
Vol 130 (3) ◽  
pp. 631-647 ◽  
Author(s):  
Christopher Pizzino
Keyword(s):  
United States ◽  
Cultural Memory ◽  
The United States ◽  
Graphic Novel ◽  
Paradoxical Situation ◽  
History Of

While the graphic novel has gained a measure of respectability in the United States, the medium of which it is a part has not. Even in the claim that comics are “not just for kids anymore,” adult comics readers are still stereotyped as immature. his paradoxical situation calls for a new assessment of the midcentury moment when comics were attacked and threatened with censorship and of the igure of Fredric Wertham, a famous anticomics crusader who is still hated in comics culture today. Far from being symptoms of immaturity, as they are sometimes described, attacks on Wertham are evidence of the longterm efects of illegitimacy on the experiences of comics readers and creators. Subject even now to regulatory discourses of maturity, contemporary comics are best understood not as a literature reaching adulthood but as the basis of a vital literacy still struggling with a long history of marginalization.

Correlative microscopy in distrubuted (client/server) computing environments: tools for catalyzing the rapid dissemination of information about the cell biology of the human prostate

1995 ◽  
Vol 53 ◽  
pp. 682-683
Author(s):  
A. Hakam ◽  
J.T. Gau ◽  
M.L. Grove ◽  
B.A. Evans ◽  
M. Shuman ◽  
...  
Keyword(s):  
United States ◽  
Cell Biology ◽  
Tissue Bank ◽  
The United States ◽  
Prostate Adenocarcinoma ◽  
Correlative Microscopy ◽  
Client Server ◽  
Critical Elements ◽  
Transplant Organ

Prostate adenocarcinoma is the most common malignant tumor of men in the United States and is the third leading cause of death in men. Despite attempts at early detection, there will be 244,000 new cases and 44,000 deaths from the disease in the United States in 1995. Therapeutic progress against this disease is hindered by an incomplete understanding of prostate epithelial cell biology, the availability of human tissues for in vitro experimentation, slow dissemination of information between prostate cancer research teams and the increasing pressure to “ stretch” research dollars at the same time staff reductions are occurring.To meet these challenges, we have used the correlative microscopy (CM) and client/server (C/S) computing to increase productivity while decreasing costs. Critical elements of our program are as follows:1) Establishing the Western Pennsylvania Genitourinary (GU) Tissue Bank which includes >100 prostates from patients with prostate adenocarcinoma as well as >20 normal prostates from transplant organ donors.

Digital image acquisition, processing, and analysis in a polymer microscopy laboratory

1994 ◽  
Vol 52 ◽  
pp. 454-455
Author(s):  
Vinod K. Berry ◽  
Xiao Zhang
Keyword(s):  
United States ◽  
Image Analysis ◽  
Digital Image ◽  
Image Acquisition ◽  
Image Transmission ◽  
The United States ◽  
Quantitative Image Analysis ◽  
Quantitative Image

In recent years it became apparent that we needed to improve productivity and efficiency in the Microscopy Laboratories in GE Plastics. It was realized that digital image acquisition, archiving, processing, analysis, and transmission over a network would be the best way to achieve this goal. Also, the capabilities of quantitative image analysis, image transmission etc. available with this approach would help us to increase our efficiency. Although the advantages of digital image acquisition, processing, archiving, etc. have been described and are being practiced in many SEM, laboratories, they have not been generally applied in microscopy laboratories (TEM, Optical, SEM and others) and impact on increased productivity has not been yet exploited as well.In order to attain our objective we have acquired a SEMICAPS imaging workstation for each of the GE Plastic sites in the United States. We have integrated the workstation with the microscopes and their peripherals as shown in Figure 1.

Silence of the Land: On the Historical Irrelevance of Territory to Congressional Districting and Political Representation in the United States

2001 ◽  
Vol 15 (01) ◽  
pp. 53-87 ◽  
Author(s):  
Andrew Rehfeld
Keyword(s):  
United States ◽  
House Of Representatives ◽  
Political Representation ◽  
The United States ◽  
Representative Government ◽  
Congressional District ◽  
Congressional Districts ◽  
Communities Of Interest

Every ten years, the United States “constructs” itself politically. On a decennial basis, U.S. Congressional districts are quite literally drawn, physically constructing political representation in the House of Representatives on the basis of where one lives. Why does the United States do it this way? What justifies domicile as the sole criteria of constituency construction? These are the questions raised in this article. Contrary to many contemporary understandings of representation at the founding, I argue that there were no principled reasons for using domicile as the method of organizing for political representation. Even in 1787, the Congressional district was expected to be far too large to map onto existing communities of interest. Instead, territory should be understood as forming a habit of mind for the founders, even while it was necessary to achieve other democratic aims of representative government.

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