scholarly journals E OLA KA ‘ŌLELO HAWAI‘I: Protecting the Hawaiian Language and Providing Equality for Kānaka Maoli

Author(s):  
Troy J.H. Andrade
Author(s):  
Gregory Rosenthal

In the century from the death of Captain James Cook in 1779 to the rise of the sugar plantations in the 1870s, thousands of Kānaka Maoli (Native Hawaiian) men left Hawaiʻi to work on ships at sea and in nā ʻāina ʻē (foreign lands). Beyond Hawaiʻi tells the story of these forgotten indigenous migrant workers and their experiences of global capitalism. Each chapter tells a unique narrative of a different Pacific Ocean industry and those Hawaiian workers who traveled and toiled there: from sandalwood harvesting to whaling to guano mining to gold mining—in Hawaiʻi, California, the Arctic Ocean, China, and beyond. Using the writings of the workers themselves, published in nineteenth-century Hawaiian-language newspapers, Beyond Hawaiʻi argues that Native Hawaiian migrant workers and the global capitalist economy they served are essential to understanding how the world’s greatest ocean became a “Hawaiian Pacific World”—the world that Hawaiian labor made.


Author(s):  
Huihui Kanahele-Mossman ◽  
Marina Karides

Kia’i (protectors) opposed to the building of a Thirty Meter Telescope on the summit of Mauna Kea, a profoundly sacred site and ecologically vital one, impeded its construction to date. The sanctity of Mauna Kea and its implications for Hawai’i’s sovereignty and land ownership are central to the struggle, yet what are the Indigenous ecological laws of Kanaka Maoli (Native Hawaiian) that ground opposition to the Thirty Meter Telescope? To construct a land stewardship policy, the Edith Kanaka’ole Foundation leadership bridged Papakū Makawalu, a Kanaka Maoli methodology, with grounded theory. Edith Kanaka’ole Foundation leaders organized a series of events where experts collectively and individually merged the two methods to analyse chants. Our article presents a discussion of (a) the struggles over land use on Mauna Kea, (b) the processes for merging methodological traditions, and (c) reflections on Kīho’iho Kānāwai (restoring Kānāwai for Island Stewardship), the final document of Honuaiākea (Earth in Expanse).


Itinerario ◽  
2017 ◽  
Vol 41 (2) ◽  
pp. 253-274
Author(s):  
John W. Troutman

In the late nineteenth century, Kānaka Maoli (Native Hawaiians) physically modified guitars and created a new technique for playing them. In the years that followed, hundreds of Hawaiian troupes, engaging new entertainment circuits that crisscrossed the globe, introduced the world to their “Hawaiian steel guitar,” from Shanghai to London, Kolkata to New Orleans. While performing Hawaiianmele, or songs, with their instrument, they demonstrated new virtues for the guitar’s potential in vernacular and commercial music making in these international markets. Based upon archival research, this essay considers the careers of several Hawaiian guitarists who travelled the world in the early twentieth century, connecting local soundscapes through the proliferation of an indigenous technology.


2021 ◽  
Vol 2 (1) ◽  
pp. 3.1-3.12
Author(s):  
N. Mahina Tuteur

This article examines the environmental impacts of the US military presence in Hawaii, looking specifically at the federal government’s power to condemn land for a ‘public purpose’ under the US Constitution. In 2018, the Hawaii Supreme Court ruled that the State of Hawaii failed its duty to properly manage 23,000 acres of lands leased to the military at Pōhakuloa and must take an active role in preserving trust property. With the expiration of this lease (and several others) approaching in 2029, controversy is stirring as to whether the military will simply condemn these lands if the cost of clean-up is greater than the land’s fair-market value at the expiration of the lease. In other words, as long as it remains cheaper for the military to pollute and condemn than it is for it to restore, what options do we have for legal and political recourse? Considering grassroots movements’ strategic use of media and legal action through an environmental justice lens, this article provides a starting point to consider avenues for ensuring proper clean-up of these lands, and ultimately, negotiating for their return to Kānaka Maoli.


2020 ◽  
Vol 2 (1) ◽  
pp. 78-91
Author(s):  
Alexander Casey

In 1976, John Dominis Holt published what would be considered the first novel by a Kanaka Maoli [Native Hawaiian] author in English, Waimea Summer. This coming-of-age narrative set in 1930’s Hawai‘i follows fourteen-year-old Mark Hull, a half White, half Kanaka Maoli boy who experiences a series of hauntings on his uncle’s farm, all the while grappling with a burgeoning queer identity and conflicted cultural loyalties. In the post American-occupied Hawai‘i, the teachings of Christian missionaries and anti-sodomy laws have all but eradicated the aikāne [homosexual] relationships practiced by the ali‘i [royals] of Marks’ genealogy, and yet the boy’s queer desires refuse to die. In this paper, the novel is interpreted through Laura Westengard’s theory of the queer Gothic, in which concepts of the American nuclear heterosexual family are challenged by the burgeoning past, thus returning the narrative and agency to the queer Indigenous subject.


2020 ◽  
Vol 13 (3) ◽  
pp. 405-426
Author(s):  
Ida Yoshinaga

This article examines how a Native Hawaiian activist’s inventive self-representational tactics, deployed within corporate mass media, have enriched North American pop-culture discourses on the Kanaka Maoli independence movement. Analysis focuses on the convergent (that is, transmedial or purposefully cross-medial) self-representational efforts of Dennis ‘Bumpy’ Pu‘uhonua Kanahele, who rose to fame as one of several notable organisers in the Hawaiian sovereignty movement during the 1990s. Several film and television texts became targets of Kanahele’s indigenous media interventions into commercial cinematic genre storytelling across different narrative platforms beginning in the 2010s. Applying a utopian reading that brings out Kanahele’s Indigenous Futurist interventions, this article offers readings of the theatrical feature film Aloha (2015) and a 2017 episode of Hawaii Five-o. Both texts visually focalise Pu‘uhonua o Waimānalo, the land base of Kanahele’s sovereignty movement known as the Nation of Hawai‘i, which gets positioned within these narratives as a Kanaka Maoli utopia providing refuge for indigenous Hawaiians away from the predation of both rampant capitalism and Western empire.


2010 ◽  
Vol 7 (2) ◽  
pp. 207-236 ◽  
Author(s):  
Rebecca Luning ◽  
Lois Yamauchi

Papahana Kaiapuni is a K-12 public school program in which the Hawaiian language is the medium of instruction. In 1987, parents and language activists started the program in response to the dwindling number of speakers that resulted from a nearly century-long ban on the indigenous language. This study examined how participation in this indigenous heritage language program influenced students and their families. Data included interviews with 12 adolescent students and their family members. Results suggested that the program promoted students’ learning about and practicing traditional Hawaiian values, and influenced cultural pride among family members. Participation in the program also encouraged youths and their family members to become politically active around Hawaiian cultural issues. Unlike the more typical process in which culture is passed down from the older to the younger generations, participants viewed Kaiapuni students as the carriers of the culture and language, teaching older family members about these topics. Informants also reported that Kaiapuni promoted positive community views about both Hawaiian language and culture revitalization efforts.


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