scholarly journals Glant, Tibor. 2013. "Amerika, a csodák és csalódások földje." (America, the Land of Wonders and Disappointments.)

2015 ◽  
Vol 7 ◽  
pp. 296-299
Author(s):  
Susan Glanz

Glant, Tibor. 2013. Amerika, a csodák és csalódások földje. Az Amerikai Egyesült Államok képe a hosszú XIX. század magyar utazási irodalmában (America, the Land of Wonders and Disappointments - the Picture of the United States of America in the Hungarian Travel Literature of the Long Nineteenth Century). Debrecen: University of Debrecen Press. 259 pp. Reviewed by Susan Glanz, St. John's University

1996 ◽  
Vol 1 (1) ◽  
pp. 3-24 ◽  
Author(s):  
Alan Rodger

This article is the revised text of the first W A Wilson Memorial Lecture, given in the Playfair Library, Old College, in the University of Edinburgh, on 17 May 1995. It considers various visions of Scots law as a whole, arguing that it is now a system based as much upon case law and precedent as upon principle, and that its departure from the Civilian tradition in the nineteenth century was part of a general European trend. An additional factor shaping the attitudes of Scots lawyers from the later nineteenth century on was a tendency to see themselves as part of a larger Englishspeaking family of lawyers within the British Empire and the United States of America.


2001 ◽  
Vol 18 (1) ◽  
pp. 107-109
Author(s):  
Juliane Hammer

How do Arab travelers view the US? Much has been written about how westerntravelers and scholars have seen and described the Orient, thereby not onlycreating an image but also transforming the reality of it. Looking at this anthologyone is reminded of Said's book Orienta/ism and inspired to ask whether asimilar process takes place in reverse. Not in terms of change but certainly increating an image of the unfamiliar as the other simultaneously admired andrejected.Kamal Abdel-Malek has collected and edited texts of twenty-seven Arab visitorsto the United States. Some came as students, others as accomplished scholars orcurious visitors. Each text is an excerpt of a longer text, usually a book, and allbooks were originally published in Arabic and have not been translated intoEnglish before. Also, as Abdel-Malek points out in his preface, the collectionrepresents most of the travel literature he was able to locate in Arabic and iscompleted by a list of all Arabic sources. Thus, this collection allows the readeraccess to a genre of Arabic literature otherwise not available.The travel accounts are organized in five sections and chronologically by year ofpublication within each section.The ftrst section is titled America in the Eyes of a Nineteenth-Century Amb andcontains one account of an Arab traveler to the US published in I 895. The authorpresents the reader with a comparison of what Arabs and Americans findimportant and how these preferences are diametrically opposed in most cases.In the second section Abdel-Malek has gathered a variety of accounts under thetitle The Making of an Image: America as the Unchanged Other, Ame1ica as theSeductive Female. The most interesting piece of this section is probably that ofSayyid Qutb, who studied in the US between 1948 and 1950 and published hisaccount under the title The America I have seen. Much of what he noted about theUS ln the first half of the 20th century, in my opinion, still holds true today. Qutbconcludes: "All that requires mind power and muscle are where American geniusshines, and all that requires spirit and emotion are where American naivete andprimitiveness become apparent .... All this does not mean that Americans are anation devoid of virtue, or else, what would have enabled them to live? Rather, itmeans that America's virtues are the virtues of production and organization, andnot those of human and social morals." (p. 26f.) ...


2021 ◽  
Author(s):  
Krista Keller

The painted background, as a piece of photographic equipment, has rarely bee studied apart form its decorative function in portraits. This thesis addresses the history, construction, and use of the painted background within studio portrait photography during the latter half of the nineteenth century as revealed from examining advertisements for painted backgrounds. 1,096 advertisements for painted backgrounds were reviewed in nine periodicals published in the United States of America from 1856 to 1903, all taken from the Richard and Ronay Menschel Library at George Eastman House. This material has been compiled into a comprehensive index revealing an increase in the use of painted background within portrait photography during this time period. The analysis of this research also provides information about the history of painted backgrounds, companies advertising backgrounds, sizes, styles, and costs of backgrounds, and ways companies shipped their backgrounds throughout this era.


2021 ◽  
Author(s):  
Krista Keller

The painted background, as a piece of photographic equipment, has rarely bee studied apart form its decorative function in portraits. This thesis addresses the history, construction, and use of the painted background within studio portrait photography during the latter half of the nineteenth century as revealed from examining advertisements for painted backgrounds. 1,096 advertisements for painted backgrounds were reviewed in nine periodicals published in the United States of America from 1856 to 1903, all taken from the Richard and Ronay Menschel Library at George Eastman House. This material has been compiled into a comprehensive index revealing an increase in the use of painted background within portrait photography during this time period. The analysis of this research also provides information about the history of painted backgrounds, companies advertising backgrounds, sizes, styles, and costs of backgrounds, and ways companies shipped their backgrounds throughout this era.


2010 ◽  
Vol 1 (2) ◽  
Author(s):  
Justin J Morris

Modern history has looked on the United States of America as a country with a very distinct and proud national heritage and identity, though this was not always so. When founded in 1776, America was a nation that had not yet developed the identity and customs that would soon come to define the country nationally and internationally. The articulation of this distinct identity fell to the artist class and, in particular, first and second generation American painters. Painters such as Thomas Eakins, Thomas Cole, and the Hudson River School of artists pulled from their natural surroundings to create art that would foster pride in the values of peace, liberty, and freedom. Without these early painters, the United States would not have the strong identity that is so well known today.


Author(s):  
S. Suryadi

The invention of sound recording technology in the nineteenth century was a modern miracle. Making possible the storage and preservation of sounds across time and distance, which previously could only be dreamed of, this invention contributed significantly to the developing entertainment world. Thomas Alva Edison first realized this dream in 1877 when he invented the tin-foil phonograph, which then inspired other scientists to perfect and develop his invention. During the last two decades of the 1800s sound recording machines were exhibited outside the United States of America, first in Europe and then in Australia and Asia. In Europe the machine was first demonstrated at the Academy of Science in Paris on 11 March 1878, where a French professor named Bonjour accused Edison of cheating. He stated that Edison was a ventriloquist.


1931 ◽  
Vol 25 (4) ◽  
pp. 658-669 ◽  
Author(s):  
Leland J. Gordon

The motive force back of immigration into the United States has shown interesting variations. Appealing first to victims of religious tyranny as a haven, the United States of America assumed a new importance in the middle of the nineteenth century as a refuge for victims of political tyranny, and somewhat later for individuals seeking relief from economic poverty. Its democratic form of government offered an undreamed of freedom to millions of politically oppressed people, and its marvelous stores of natural wealth held forth fabulous opportunities for an immigrant to improve his material well-being. The cumulative and collective effects of these inducements resulted in an increasing annual influx of immigrants seeking surcease from oppression of one kind or another which culminated in the most extensive movement of people from one continent to another ever recorded by history.


Sign in / Sign up

Export Citation Format

Share Document