scholarly journals COURTS MARTIAL AND THE CODE OF MILITARY JUSTICE OF THE ROMANIAN ARMY IN WORLD WAR ONE

2021 ◽  
Vol 1 (72) ◽  
pp. 365-380
Author(s):  
Liviu CORCIU

The century that passed over the memories of the Great War, as it was called in the era, should allow all of us, no matter what side we had chosen at that time, to think on allaspects of the day-by-day life in the frontline. And to admit as well, that not all the soldiers and officers who had taken part in, were heroes. They were normal people, with hearts and feelings, trapped in an abnormal environment, fighting for their side of “King and Country” against all destructive means of the industrial war. So, it was of great importance to maintain a proper discipline among those troops which were sent day after day in slaughter attacks. And for this reason, was used the military justice and the Code of military justice, named differently by country, but having the same role: to support the war effort. One of the supportive elements was the preemptive effect, the deterrence of any potential act of breaking the discipline. Equally counted the way this contribution came into effect.Keywords: military justice; discipline; court martial; world war; war effort.

Author(s):  
Vanda Wilcox

The Italian Empire and the Great War brings an imperial and colonial perspective to the Italian experience of the First World War. Italy’s decision for war in 1915 built on its imperial ambitions from the late 19th century onwards and its conquest of Libya in 1911–12. The Italian empire was conceived both in conventional terms as a system of settlement or exploitation colonies under Italian sovereignty, and as an informal global empire of emigrants; both were mobilized in support of the war in 1915–18. The war was designed to bring about ‘a greater Italy’ both literally and metaphorically. In pursuit of global status, Italy endeavoured to fight a global war, sending troops to the Balkans, Russia, and the Middle East, though with limited results. Italy’s newest colony, Libya, was also a theatre of the Italian war effort, as the anti-colonial resistance there linked up with the Ottoman Empire, Germany, and Austria to undermine Italian rule. Italian race theories underpinned this expansionism: the book examines how Italian constructions of whiteness and racial superiority informed a colonial approach to military occupation in Europe as well as the conduct of its campaigns in Africa.


Author(s):  
Mariusz Guzek

Polish film life in the Eastern Borderlands of the former Republic of Poland is replete with numerous white spots. During World War One, however, activity was quite intense, as evidenced by book-length studies on Vilnius, Lviv and even Kiev. Minsk, the future capital of Belarus, also had its own film-related Polish culture. The article focuses on the functioning of Minsk cinemas and their repertoire, as well as the Polish accents associated with them, which repeatedly had a mobilizing and identitarian character around which the national community of this provincial city was organized. Minsk’s border status means its cinematographic ancestry can be claimed by various national cinematographies, including Russian and Belarusian, but the source query and resulting findings clearly indicate that in the years of the Great War, this center was most strongly associated with Polish culture


2021 ◽  
Author(s):  
◽  
Coralie Clarkson

<p>The focus of this thesis is the lives of New Zealand's returned Great War soldiers. This thesis explores the experiences of men who did not successfully repatriate as a counterpoint to the experiences of those who did, and argues that men's return to New Zealand and their post war lives were shaped by many factors including access to employment and good health. Many returned soldiers were able to resume their lives on return and led relatively happy and successful lives. For these men, their success seems to have come from the ability to find or resume employment, good health, family support, and financial support. For those who did not, one or more of these factors was often missing, and this could lead to short or long term struggle. The 1920s form the backdrop of this thesis, and were a time of uncertainty and anxiety for returned men and their families. The disillusionment of the 1920s was exacerbated by men's nostalgia for New Zealand which they built up during the war. Tens of thousands of men returned to New Zealand from war with dreams and hopes for the future. The horrors of war had given men an idealistic view of peaceful New Zealand, and dreams of home comforts and loved ones had sustained these men through their long absence. For those who returned to find life difficult, the idealistic view of New Zealand as a land of simplicity and happiness would have been hard to maintain. Chapter 1 demonstrates the idealisation of New Zealand and 'home' built up by soldiers and their families during the war. Chapters 2, 3 and 4 use the lenses of employment, illness – specifically tuberculosis – and alcoholism to argue that for many men and their families, the 1920s were an extension of the anxieties and separation of the Great War years. Sadly, for some, their lives were forever marred by the spectre of war and what their absence from home cost them.</p>


2015 ◽  
Vol 6 (3) ◽  
pp. 83-95
Author(s):  
John Maynard

This paper seeks to aid and open further discussion on the impact upon Aboriginal communities and lives during and after World War One. We now know that over a thousand Aboriginal men enlisted and went overseas to fight for their so-called country during the Great War and that many made the ultimate sacrifice. But what was happening at home to their families and communities whilst they were away? Did they receive just recognition on their return home? These are some of the questions this paper will reveal and analyse.


2014 ◽  
Vol 10 (2) ◽  
pp. 1-4
Author(s):  
Milisav Savić

Crnjanski’s Ithaca and Comment, published forty years after the collection of poems about World War One entitled Lyrics of Ithaca are considered as a fragmented autobiographical novel about the poet's participation in the Great War.Although he found himself at the front, Crnjanski rarely describes battles, even less cruelties of war. He is the narrator of the war's echo. Both the poetic and prosaic story is linked by an idea about the meaninglessness of war. Crnjanski's anti-war stance in Ithaca is also present in the novel Diary About Čarnojević - Crnjanski's ‘war novel’. Ithaca and Comments is the first Serbian postmodern book which banishes borders between genres.


2006 ◽  
Vol 9 (1) ◽  
pp. 105-124 ◽  
Author(s):  
Linda J. Quiney

Abstract The experience of some 500 Canadian and Newfoundland women who served overseas as Voluntary Aid Detachment (VAD) nurses during the Great War has been eclipsed by the British record. Sent as auxiliary assistants to trained nurses in the military hospitals, Canadian VADs confronted a complex mix of emotional, physical, and intellectual challenges, including their “colonial” status. As casually trained, inexperienced amateurs in an unfamiliar, highly structured hospital culture, they were often resented by the overworked and undervalued trained nurses, whose struggle for professional recognition was necessarily abandoned during the crisis of war. The frequently intimate physical needs of critically ill soldiers also demanded a rationalisation of the VAD's role as “nurse” within a maternalist framework that eased social tensions for both VAD and patient. As volunteers assisting paid practitioners, the Canadian VAD experience offers new insights into a critical era of women's developing professional identities.


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