Introduction

Author(s):  
Larry Eugene Rivers

This introductory chapter explores slave resistance in Florida while incorporating perspectives that reach beyond its borders to embrace a regional and even larger context. In doing so, it builds upon the foundation laid by John Hope Franklin and Loren Schweninger and also upon the works of scholars such as Jane Landers, Michael Gomez, John Blassingame, Lawrence Levine, Margaret Washington Creel, Walter Johnson, Sterling Stuckey, Freddie Parker, and Gwendolyn Hall. Taken together, these historians of slavery, among other things, offered highly useful tools for conceptualizing and analyzing the slave′s experience in the Old South and beyond. These authors note that a supportive African, Caribbean, and African American culture helped slaves to maintain a sense of agency and humanity.

1998 ◽  
Vol 84 (4) ◽  
pp. 1471
Author(s):  
V. P. Franklin ◽  
Jack Salzman ◽  
David Lionel Smith ◽  
Cornel West

1995 ◽  
Vol 82 (3) ◽  
pp. 1174
Author(s):  
Craig Werner ◽  
Genevieve Fabre ◽  
Robert O'Meally

1997 ◽  
Vol 25 (1) ◽  
pp. 54-57
Author(s):  
Joyce Russell-Robinson

Alice Walker and former Democratic Congresswoman Pat Schroeder of Colorado have something in common. Both advocate the cessation of female circumcision in African countries, and both tout themselves as feminists, though Walker, borrowing from African American culture, prefers to be labeled as a womanist. What the elders had in mind when they described young African American women as “womanish,” or as “omanish,” the eclipsed form of that same word, was that such girls were too fast, or that they obtruded upon areas that were not their business. While Schroeder cannot properly be called a womanist (to do so would be to misapply the term), one can say that, similar to Alice Walker, Schroeder is putting herself into other people’s business, specifically the business of female circumcision in African communities.


Author(s):  
Susan Scott Parrish

This chapter considers the question of what made the recent disaster called Katrina in 2005, and its mediation, distinct from its 1927 forerunner. It argues that what was most different about the two events is that artists and commentators in 2005 could be more openly critical of the racial and class dimensions of their disaster before a multiracial mass audience. The chapter also considers a poem that appeared in print in April 1927, which must have seemed a providential coincidence to many readers. The poem, called “Noah Built the Ark,” moves from the halcyon days in Eden to the point at which “God got sorry that he ever made man.” Like other works of the Harlem Renaissance, the poem called upon the currency of folk form to create a public awareness of traditions within African American culture.


Sign in / Sign up

Export Citation Format

Share Document