Word Warrior

Author(s):  
Sonja D. Williams

Posthumously inducted into the National Radio Hall of Fame in 2007, Richard Durham creatively chronicled and brought to life the significant events of his times. Durham's trademark narrative style engaged listeners with fascinating characters, compelling details, and sharp images of pivotal moments in American and African American history and culture. This book draws on archives and hard-to-access family records, as well as interviews with family and colleagues, to illuminate Durham's astounding career. Durham paved the way for black journalists as a dramatist and a star investigative reporter and editor for the pioneering black newspapers the Chicago Defender and Muhammed Speaks. Talented and versatile, he also created the acclaimed radio series Destination Freedom and Here Comes Tomorrow and wrote for popular radio fare like The Lone Ranger. Incredibly, Durham's energies extended still further—to community and labor organizing, advising Chicago mayoral hopeful Harold Washington, and mentoring generations of activists.

Author(s):  
Matthew Delmont

Black Quotidian: Everyday History in African-American Newspapers [blackquotidian.com] is a digital humanities project designed to highlight moments from ordinary lives in African American history. Each day I post at least one Black newspaper article from that date in history, accompanied by a brief commentary. Taking the ordinary aspects of African American history seriously means recognizing the richness and diversity of Black lives, cultures, and communities. I continue to be surprised by the amazing stories that live in the archives of Black newspapers. Black Quotidian brings several hundred of these stories to web audiences, and, in the process, the project is changing how I think about, write about, and teach African American history.


2006 ◽  
Author(s):  
Adams Greenwood-Ericksen ◽  
Stephen M. Fiore ◽  
Rudy McDaniel ◽  
Sandro Scielzo ◽  
Janis A. Cannon-Bowers ◽  
...  

Author(s):  
Melani McAlister

In October 2017, hundreds of faculty, friends, and former students gathered at the National Museum of African American History and Culture (NMAAHC) to remember James Oliver “Jim” Horton. It was a fitting gathering place. As the museum’s director, Lonnie Bunch, commented, Jim’s legacy is everywhere at the museum, from the fact that several of his former doctoral students are now curators to the foundational commitment of the museum itself: that African American history is not a local branch of US history but integral to its core. Jim always insisted in his lectures and classes and on his many TV appearances and public engagements that “American history is African American history.” 


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