We live in a new era -the Anthropocene-. And in a new society with its corresponding mentality and consciousness. But, we keep representing and interpreting the landscape, mainly, through the codes inherited from the Romanticism. This research will address artistic proposals that unite videoart and landscape.
After reviewing the wide actual art panorama, we have identified a new type of landscape in the Contemporary Art. A landscape that does represent our society through its typical formal and conceptual codes, and that projects the vision and mentality of the Anthropocene’s society. We have identified a group of practices that by using the new technologies, the concerns of the 21st Century’s society and the new languages that characterize the technological era, such as the audiovisual, are creating a new landscape tradition. Resources like the moving imaging, the immersion feeling, the sensoriality or the audiovisual language are intrinsic to the society of the technological era.
On other hand, we truly believe that this resurgence of Landscape in the Postmodernity is related to the environmental crisis that we are living. We have noticed that throughout the ages, after periods of big technoscientific development, humans have always gone back to Nature. Actually, Landscape have experienced its most golden periods after epochs of big development, like the 17th Century with the first recognised landscape paintings by Jacob van Ruysdael and Claude de Lorraine, or in the 19th Century with the romantic Landscape. We do not think that this is chance and for this reason, we will also study these landscapes from an anthropological perspective, a point of view that art historians have always ignorated so far[1].
[1] This paper is an extended version of the conference given at the 6th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2019 in Vienna, April 11-14th 2019. <https://doi.org/10.5593/sgemsocial2019V/6.1>
Research Participation Improves Student's Exam Performance
