Bolesław Leśmian in Italy: Milo De Angelis and his heavenly journey

Tekstualia ◽  
2021 ◽  
Vol 1 (7) ◽  
pp. 63-72
Author(s):  
Patrycja Polanowska
Keyword(s):  
Artistic Creativity ◽  
Literary Magazine ◽  
Italian Author ◽  
Point Of Reference

The artistic creativity of Bolesław Leśmian – remarkably colourful, musical, and philosophically versatile – has endeared him to readers worldwide over the course of a century. In spite of many socio-political barriers, Leśmian’s poetry become a point of reference, as was the case in Italy in the 1970s. At this time a fi rst encounter with the works of the Polish artist became a crucial moment for a young poet – Milo De Angelis. After a stay in Warsaw, De Angelis founded a literary magazine called “Niebo”, number 11 of which was entirely dedicated to Leśmian, whose visions profoundly infl uenced the poetics of the Italian author, even in later years.

Unexpected artistic creativity

1999 ◽  
Vol 41 (3) ◽  
pp. 211-211
Author(s):  
Neil Gordon
Keyword(s):  
Artistic Creativity

Friedrich Nietzsche

2018 ◽  
Author(s):  
Vanessa Lemm
Keyword(s):  
Friedrich Nietzsche ◽  
Michel Foucault ◽  
Gilles Deleuze ◽  
Georges Bataille ◽  
Giorgio Agamben ◽  
Eternal Recurrence ◽  
German Philosopher ◽  
Point Of Reference

Readers of Giorgio Agamben would agree that the German philosopher Friedrich Nietzsche (1844–1900) is not one of his primary interlocutors. As such, Agamben’s engagement with Nietzsche is different from the French reception of Nietzsche’s philosophy in Michel Foucault, Gilles Deleuze and Georges Bataille, as well as in his contemporary Italian colleague Roberto Esposito, for whom Nietzsche’s philosophy is a key point of reference in their thinking of politics beyond sovereignty. Agamben’s stance towards the thought of Nietzsche may seem ambiguous to some readers, in particular with regard to his shifting position on Nietzsche’s much-debated vision of the eternal recurrence of the same.

¿Libertad y/o planificacion? Releyendo a Karl Mannheim en su cincuentenario

1970 ◽  
Vol 2 ◽  
Author(s):  
Juan Ramón Tirado Rozúa
Keyword(s):  
Fiftieth Anniversary ◽  
Democratic Process ◽  
Karl Mannheim ◽  
Mass Society ◽  
Formal Procedure ◽  
Point Of Reference

RESUMENEl presente artículo trata de poner de manifiesto con motivo del cincuentenario de la muerte de K. Mannheim la actualdiad de su pensamiento del período anglosajón. Se analiza cómo los procesos históricos fruto del desarrollo desproporcionado de las capacidades humanas -moral e instrumental- han abocado en la sociedad masa. También se trata de poner de manifiesto el nuevo sentido de la libertad y la planificación en las sociedades altamente desarrolladas, así como las nuevas posibilidades de democratización que se abren en su seno, tomando como marco de referencia una "democracia militante" cuyo fundamento es la convicción básica de que el proceso democrático no es un mero procedimiento formal.PALABRAS CLAVEMANNHEIM-LIBERTAD-PLANIFICACIONABSTRACTOn the ocassion of the fiftieth anniversary of the death of K. Mannheim, this paper tries to highlight the presnet day validity of his ideas of the last period. i analyze how historic processed caused by disproportionate development of human capacities- both moral and instrumental- have led to a "mass society". I also try to point out the new sense that the concepts of freedom and planning acquire in highly developed societies and also the new posibilities of democratization that emerge in the heart of these, taking as a point of reference a militant democracy" whose foundation is the basic conviction that the democratic process is not a mere formal procedure. KEYWORDSMANNHEIM-FREEDOM-PLANNING

Presence in Absence

2011 ◽  
Vol 56 (2) ◽  
pp. 79-100
Author(s):  
Rachel Esner
Keyword(s):  
19Th Century ◽  
Social Structures ◽  
Artistic Creativity ◽  
Oder Eine ◽  
Exhibition Space ◽  
Working Space ◽  
Romantic Era ◽  
Sozialer Raum ◽  
The 19Th Century ◽  
Artistic Self

Seit der Epoche der Romantik bringen viele der Diskurse, die künstlerische Kreativität betreffen, den Künstler und seinen Arbeitsraum zusammen: Die Werkstatt wird als ein Spiegel des Künstlers und seines Werks angesehen, als ein Heiligtum, ein sozialer Raum oder eine Ausstellungsfläche. Ein populärer bildlicher Topos der Zeit war die Darstellung des leeren Ateliers. Der vorliegende Beitrag versteht das Bild des leeren Ateliers im 19. Jahrhundert als ein Selbstporträt des Künstlers. Er untersucht, wie die Darstellung des Raums und seiner Objekte dem Gemälde die Präsenz des Künstlers einschreiben und sein bzw. ihr künstlerisches  Selbstverständnis innerhalb der sich verändernden künstlerischen und sozialen Strukturen der Epoche wiedergeben.<br><br>From the Romantic era onward, many of the discourses surrounding artistic creativity have merged the artist and his working space: the place of work is viewed as the mirror of the man and his oeuvre, a sanctuary, a social or an exhibition space. A popular topos in this context was the view of the empty studio. This paper explores the 19th-century empty studio image as a self-portrait of the artist. It examines how the depictions of the space and its objects work to inscribe the artist’s presence, and to express his or her  artistic self-conception and identity within the changing artistic-social structures of the period.

Teleological versus Non-Teleological Perspectives in Financial Statement: The Debate between Chambers and Onida

2017 ◽  
Vol 44 (2) ◽  
pp. 157-179
Author(s):  
Enrico Gonnella ◽  
Lucia Talarico
Keyword(s):  
Accounting Information ◽  
Financial Statement ◽  
Pure Science ◽  
Scientific Debate ◽  
Multiple Realities ◽  
Italian Journal ◽  
Italian Author ◽  
Objective Being ◽  
Chartered Accountants ◽  
Jel Classifications

ABSTRACTThis paper examines the scientific debate that took place in 1973 in the journal Rivista dei Dottori Commercialisti (Italian Journal of Chartered Accountants) between Pietro Onida and Raymond J. Chambers concerning the nature of financial statement information. Our research revealed that Onida was the advocate of a teleological theory of the financial statement, whereas Chambers supported the perfect neutrality of accounting information. Going back to theoretical precedents, the thoughts of the two scholars have different ontological and epistemological assumptions. If, ontologically, Chambers conceives reality as unique and objective, being inspired by the neopositivism of the “received view,” Onida admits the existence of multiple realities by adopting an interpretivist perspective. Epistemologically, the Australian scholar approaches accounting as a pure science by leveraging its deductive moment rather than empirical recognition, whereas the Italian author conceives accounting as an “application science” and adopts a method where the inductive approach prevails.JEL Classifications: M40; M41; M49.

Once and Future Kingdoms

2018 ◽  
Author(s):  
Donald Mackenzie
Keyword(s):  
English History ◽  
Magna Carta ◽  
Byronic Hero ◽  
Point Of Reference

The first half of this chapter considers responses to kingdoms lost (whether to union or partition) in texts from Scott and Mickiewicz. Redgauntlet as Byronic Hero leads into Konrad Wallenrod, and the latter on to Mickiewicz’s responses (mythmaking, satiric, elegiac, and idyllic) to the failure of the Polish Insurrection of 1830–1. The second half considers, in texts from Ivanhoe to Kipling and Buchan, a myth of English history as organic assimilation into union. It sketches a historiographical context for that myth, and analyses challenges to it: the narrative within Puck of Pook’s Hill that climaxes in Magna Carta, or Buchan’s myth of Old England. Concepts of the elegiac, the duplex homo, historical mythmaking and the counter-kingdom organize both halves. Conrad is a point of reference; and the close brings the discussion under an Arthurian rubric of once and future kingdoms.

scholarly journals Unequal discursivities and the symbolic capital of Malaysian Indian scholarship

2021 ◽  
Vol 2021 (267-268) ◽  
pp. 241-251
Author(s):  
Shanthini Pillai
Keyword(s):  
Symbolic Capital ◽  
Indian Community ◽  
Indian Identity ◽  
The Subject ◽  
Point Of Reference

Abstract This paper engages with the aspects of discursive hegemony in terms of both Metropolitan and disciplinary position and privilege, using the sociology of the language that has been produced on Malaysian Indian identity as my point of reference. It contends that these observations and articulations are able to rise to the surface more easily when they are securely located within disciplinary domains often related to determinacy. I argue that viewed as a whole, it becomes apparent that these discourses are coloured by the subjective desire of the accumulation of knowledge on the subject matters of their writings. As such, they are as much stories that are told of the Malaysian Indian community as those found in literary narratives and can ultimately lead to unequal discursivities.

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