Robert Sengstacke Abbott, 1868–1940

Author(s):  
Myiti Sengstacke Rice

From its inception the African American press was a major voice in the African American struggle against violence and discrimination. The unquestioned dean of the black press was Robert Abbott, publisher of the Chicago Defender. This chapter examines two aspects of Abbott’s life. First, it analyzes how Abbott developed and implemented his vision for building a successful business in an environment hostile to black entrepreneurial success. In doing so he helped lay the foundation of the Chicago network of mutually supporting black business people and demonstrated through his actions their role in the community. Second it illustrates how, through the Defender, Abbott and his paper served as an inspirational and intellectual leader in African American’s struggle for rights in Chicago and throughout the United States.

Author(s):  
Kim Gallon

The term “Black Press” is an umbrella term that includes a diverse set of publications that include a small number of religious and mostly secular magazines and newspapers published by Black people in the United States from 1827 to the present. While religious newspapers are an integral part of the Black Press cultural tradition, of particular interest is how papers outside of formal Black religious dominations and institutions negotiated their self-defined racial uplift mission with their desire to attract readers to purchase and read newspapers. This focus does not deny the tremendous significance of Black religious print culture and the role it played in conveying African American cultural expression. Nineteenth-century religious papers like the Christian Recorder (1852–) were instrumental to the publication of early Black literature. Focusing on a small number of religious publications, then, provides a window into how they worked in conjunction with secular newspapers to define Black life in the United States. A newspaper is defined as “Black” if the publisher and principal editor or editors characterized themselves as such. Immigrant and foreign-language Black newspapers published in the United States were closer to the immigrant press. The history of the Black Press in the United States is simultaneously rooted in uplift and protest against racial injustice. Two Black abolitionists—Presbyterian minister Samuel E. Cornish and John B. Russwurm, one of the nation’s first African American college graduates—created the first Black newspaper, Freedom’s Journal, in 1827 to promote self-help and respond to anti-Black attacks in white papers. The first issue of Freedom’s Journal famously related the sentiments of its founders: “We wish to plead our own cause. Too long have others spoken for us. Too long has the public been deceived by misrepresentations in things which concern us dearly.” Indeed, Cornish and Russwurm’s statements define close to 200 years of Black journalism that created the necessary political and social space for African Americans to recover their humanity. Despite the significant role the Black Press has and continues to play, to some degree, the cultural history of the Black Press is underexamined relative to the emphasis that historians place on the race advocacy and protest mission of African American newspapers. Close examination reveals that the Black Press’s power lay not only in its capacity to assert the rights and humanity of Black people through agitation but also in the ways it reinforced and amplified the unique and lively culture of African Americans. To this end, the Black Press created a countercultural public of Black peoples’ image and identity that was equally instrumental in refuting the discrimination they faced in American society.


Author(s):  
Anthony B. Pinn

This chapter explores the history of humanism within African American communities. It positions humanist thinking and humanism-inspired activism as a significant way in which people of African descent in the United States have addressed issues of racial injustice. Beginning with critiques of theism found within the blues, moving through developments such as the literature produced by Richard Wright, Lorraine Hansberry, and others, to political activists such as W. E. B. DuBois and A. Philip Randolph, to organized humanism in the form of African American involvement in the Unitarian Universalist Association, African Americans for Humanism, and so on, this chapter presents the historical and institutional development of African American humanism.


Slavic Review ◽  
2021 ◽  
Vol 80 (2) ◽  
pp. 245-257
Author(s):  
Korey Garibaldi ◽  
Emily Wang

This essay investigates interconnections between the novelist, Henry James, Ivan Turgenev, and Aleksandr Pushkin and identifies the racial subtext of these associations. Several scholars have connected Pushkin and James. But none of this scholarship has speculated on whether it was the poet's African heritage that was at the root of hidden connections between these authors. Moreover, though most scholarship on Pushkin's reception in the United States focuses on twentieth-century African American literature, his African heritage was publicized much earlier. In fact, nineteenth-century commentators on both sides of the Atlantic frequently discussed Pushkin's racial heritage as a canonical European writer of African descent. This essay recovers how Henry James used Pushkin's daughter, the morganatic Countess Merenberg, as a model for the racially ambiguous “morganatic” Baroness Münster in The Europeans (1878). A decade later, James seems to have invoked the Countess Merenberg once more in his rewriting of Pushkin's “The Queen of Spades” (1833) in The Aspern Papers (1888). While James publicly attributed Byron and Shelley as inspirations, the discourse surrounding the African heritage of Pushkin and his heirs helps explain why the novelist minimized and erased the racial lineage at the center of The Europeans and The Aspern Papers.


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