The Royal Louis (1668), a Sailing Masterpiece

2021 ◽  
Vol 163 (A3) ◽  
Author(s):  
Claudia Tacchella

The French Navy’s finest hour began in the seventeenth century when Colbert became the Prime Minister and decided to improve the national shipyards. Despite poor starting conditions, the results of Colbert’s efforts led France to be one of the major players in the struggle for naval power. At that moment, European shipbuilding had a change in construction techniques mostly in warships. In France, this change also involved vessels aesthetics. Indeed, shipwrights’ tasks were not only to build ships with great naval skills, but vessels had also to be aesthetically striking and eye-catching in order to show to the world Roy Soleil’s power and wealth. Many vessels were built in that style and the Royal Louis was one of the largest vessels built in 1668 at the Toulon. With particular attention to the Royal Louis, the essay aims to analyze several aspects of the world surrounding those floating masterpieces.

2020 ◽  
Author(s):  
Claudia Tacchella

The French Navy’s finest hour began in the seventeenth century, when Colbert became the Prime Minister and decided to improve the national shipyards. Despite poor starting conditions, the results of Colbert’s efforts led France to be one of the major players in the struggle for naval power. In that moment, the European shipbuilding had a changing in construction techniques mostly in warships. In France, this changing also involved vessels aesthetics. Indeed, shipwrights’ tasks were not only to build ships with great naval skills, but vessels had also to be aesthetically striking and eye-catching in order to show at the world the Roy Soleil’s power and wealth. Many vessels were built in that style and the Royal Louis was one of the largest vessels built in 1668 at the Toulon. With particular attention to the Royal Louis, the essay aims to analyze several aspects of the world surrounding those floating masterpieces.


Author(s):  
Khansaa Zaki Shams Al-Din Al-Rawi , Wassam Hadi Akkar Tamimi

It provoked the reform movement that took place in Japan era (Meiji Meiji- enlightened judgment), in the nineteenth century, the great admiration and great interest from the presence of some researchers, trying to decipher the secrets of the success of the Japanese experience and superiority dazzling and fast on the rest of the world. Some might gather that the success of that experience is the result of a vehicle and a complex of social, economic, political, intellectual and cultural developments experienced by Japan since the seventeenth century, invested by reform leaders and became the starting point of the Renaissance and modern Japanese point of strength. The highlight of the reform leaders in the Meiji era is (Hirobumi Ito), who make unremitting efforts to promote Japan all the magazines for their arrival into the ranks of major powers at the time. Accordingly, the search section on three axes, first touched on the upbringing, education and positions Tolha Hirobumi Ito even in 1881, and the second dealt with his contribution to the age of the Japanese Constitution in 1889, while said third axis his role as prime minister and end his political career in 1909.


2015 ◽  
Vol 12 (4) ◽  
pp. 496-514
Author(s):  
Christophe Van Eecke

When Ken Russell's film The Devils was released in 1971 it generated a tidal wave of adverse criticism. The film tells the story of a libertine priest, Grandier, who was burnt at the stake for witchcraft in the French city of Loudun in the early seventeenth century. Because of its extended scenes of sexual hysteria among cloistered nuns, the film soon acquired a reputation for scandal and outrage. This has obscured the very serious political issues that the film addresses. This article argues that The Devils should be read primarily as a political allegory. It shows that the film is structured as a theatrum mundi, which is the allegorical trope of the world as a stage. Rather than as a conventional recreation of historical events (in the tradition of the costume film), Russell treats the trial against Grandier as a comment on the nature of power and politics in general. This is not only reflected in the overall allegorical structure of the theatrum mundi, but also in the use of the film's highly modernist (and therefore timeless) sets, in Russell's use of the mise-en-abyme (a self-reflexive embedded play) and in the introduction of a number of burlesque sequences, all of which are geared towards achieving the film's allegorical import.


Author(s):  
Justin E. H. Smith

Though it did not yet exist as a discrete field of scientific inquiry, biology was at the heart of many of the most important debates in seventeenth-century philosophy. Nowhere is this more apparent than in the work of G. W. Leibniz. This book offers the first in-depth examination of Leibniz's deep and complex engagement with the empirical life sciences of his day, in areas as diverse as medicine, physiology, taxonomy, generation theory, and paleontology. The book shows how these wide-ranging pursuits were not only central to Leibniz's philosophical interests, but often provided the insights that led to some of his best-known philosophical doctrines. Presenting the clearest picture yet of the scope of Leibniz's theoretical interest in the life sciences, the book takes seriously the philosopher's own repeated claims that the world must be understood in fundamentally biological terms. Here it reveals a thinker who was immersed in the sciences of life, and looked to the living world for answers to vexing metaphysical problems. The book casts Leibniz's philosophy in an entirely new light, demonstrating how it radically departed from the prevailing models of mechanical philosophy and had an enduring influence on the history and development of the life sciences. Along the way, the book provides a fascinating glimpse into early modern debates about the nature and origins of organic life, and into how philosophers such as Leibniz engaged with the scientific dilemmas of their era.


2014 ◽  
Vol 39 (1) ◽  
Author(s):  
Jan Kurowiak

AbstractAs a work of propaganda, graphics Austroseraphicum Coelum Paulus Pontius should create a new reality, make appearances. The main impression while seeing the graphics is the admiration for the power of Habsburgs, which interacts with the power of the Mother of God. She, in turn, refers the viewer to God, as well as Franciscans placed on the graphic, they become a symbol of the Church. This is a starting point for further interpretation of the drawing. By the presence of certain characters, allegories, symbols, we can see references to a particular political situation in the Netherlands - the war with the northern provinces of Spain. The message of the graphic is: the Spanish Habsburgs, commissioned by the mission of God, they are able to fight all of the enemies, especially Protestants, with the help of Immaculate and the Franciscans. The main aim of the graphic is to convince the viewer that this will happen and to create in his mind a vision of the new reality. But Spain was in the seventeenth century nothing but a shadow of former itself (in the time of Philip IV the general condition of Spain get worse). That was the reason why they wanted to hold the belief that the empire continues unwavering. The form of this work (graphics), also allowed to export them around the world, and the ambiguity of the symbolic system, its contents relate to different contexts, and as a result, the Habsburgs, not only Spanish, they could promote their strength everywhere. Therefore it was used very well as a single work of propaganda, as well as a part of a broader campaign


Author(s):  
Thomas G ALTURA ◽  
Yuki HASHIMOTO ◽  
Sanford M JACOBY ◽  
Kaoru KANAI ◽  
Kazuro SAGUCHI

Abstract The ‘sharing economy’ epitomized by Airbnb and Uber has challenged business, labor, and regulatory institutions throughout the world. The arrival of Airbnb and Uber in Japan provided an opportunity for Prime Minister Abe’s administration to demonstrate its commitment to deregulation. Both platform companies garnered support from powerful governmental and industry actors who framed the sharing economy as a solution to various economic and social problems. However, they met resistance from actors elsewhere in government, the private sector, and civil society, who constructed competing frames. Unlike studies that compare national responses to the sharing economy, we contrast the different experiences and fates of Airbnb and Uber within a single country. Doing so highlights actors, framing processes, and within-country heterogeneity. The study reveals the limits of overly institutionalized understandings of Japanese political economy. It also contributes to current debates concerning Prime Minister Abe’s efforts at implementing deregulation during the 2010s.


2012 ◽  
Vol 19 (1) ◽  
pp. 79-99
Author(s):  
Gaurav Kumar Jha ◽  
Amrita Banerjee

Despite long historical ties, post-colonial relations between India and Myanmar have fluctuated between magnanimity and mistrust. While India often stood for high moral grounds and promotion of democracy, it did so at the cost of losing Myanmar to China. This affected both India and Myanmar adversely: while New Delhi’s economic, energy and security interests were hurt, isolated Yangon became more China-dependent. However, since the early 1990s, domestic developments in Myanmar and post-Cold War structural changes in the world order necessitated conditions for cooperation and mutual gains. It appears that blatant domestic suppression in, and international seclusion of, Myanmar is not desirable. Having witnessed two eras of magnanimity and mistrust, Prime Minister Manmohan Singh’s visit to Myanmar in 2012 heralds a prospective era of market interdependence while opening Pandora’s box: can India get a better share of Myanmar’s commercial possibilities without compromising its core interests in promoting democracy, development and diaspora protection?


1927 ◽  
Vol 5 (3) ◽  
pp. 133-142 ◽  
Author(s):  
B. G. Peters

This eelworm, only just visible to the naked eye, and quite common in vinegar in all parts of the world, has long been known to zoologists, and indeed was an object of keen interest and discussion to the naturalists of the seventeenth century. Petrus Borellus [3], for instance, enthusiastic over the recent adoption of the microscope for researches in natural history, published in 1656 his “Observationum Microcospicarum Centuria,” in which he leads off with a note “De Vermibus aceti.” In the twelfth edition of the “Systema Naturae” (1767), Linnaeus included a species redivivum in that final genus of the Regnum Animale so appropriately named Chaos. This species of animal he says, “Habitat in Aceto & Glutine Bibliopegorum.”.


1950 ◽  
Vol 6 (3) ◽  
pp. 359-362
Author(s):  
Herbert Eugene Bolton

It is a Great Honor for one who lives in the Wild West to be asked to speak in the cultured capital of our country, for California is remote. In fact, it came into history as “the most outlandish place in the World,” and in some quarters so it is still regarded. A wealthy Italian Duchess, in the seventeenth century, told her Father Confessor that she wished to endow a mission for the heathen. Being asked where she wished it established, she replied, “In the most outlandish place in all the world.” The Jesuits consulted their geography and concluded that the most outlandish place in all the world was California, and there the mission was founded. Father Kino had a long correspondence with the same Duchess, and for their letters the Huntington Library, a few years ago, paid $18,000. Bigger sums have been paid for letters written to a lady, but seldom for letters written to a lady by a Jesuit priest.


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