scholarly journals Motion Feature Quantification of Different Roles in Nihon-Buyo Dance

Author(s):  
Mamiko Sakata ◽  
Mieko Marumo ◽  
Kozaburo Hachimur
Keyword(s):  
Author(s):  
Xiuhua Hu ◽  
Yuan Chen ◽  
Yan Hui ◽  
Yingyu Liang ◽  
Guiping Li ◽  
...  

Aiming to tackle the problem of tracking drift easily caused by complex factors during the tracking process, this paper proposes an improved object tracking method under the framework of kernel correlation filter. To achieve discriminative information that is not sensitive to object appearance change, it combines dimensionality-reduced Histogram of Oriented Gradients features and Lab color features, which can be used to exploit the complementary characteristics robustly. Based on the idea of multi-resolution pyramid theory, a multi-scale model of the object is constructed, and the optimal scale for tracking the object is found according to the confidence maps’ response peaks of different sizes. For the case that tracking failure can easily occur when there exists inappropriate updating in the model, it detects occlusion based on whether the occlusion rate of the response peak corresponding to the best object state is less than a set threshold. At the same time, Kalman filter is used to record the motion feature information of the object before occlusion, and predict the state of the object disturbed by occlusion, which can achieve robust tracking of the object affected by occlusion influence. Experimental results show the effectiveness of the proposed method in handling various internal and external interferences under challenging environments.


2021 ◽  
pp. 1-1
Author(s):  
Qiang An ◽  
Shuoguang Wang ◽  
Lei Yao ◽  
Wenji Zhang ◽  
Hao Lv ◽  
...  

2018 ◽  
Vol 9 (1) ◽  
pp. 44-51
Author(s):  
Ami Skånberg Dahlstedt

Abstract Dance practice is often hidden inside dance studios, where it is not available for dialogue or interdisciplinary critique. In this paper, I will look closer at one of the accents that my body has held since the year 2000. To Swedish dance academies, it is perhaps the most foreign accent I have in my dance practice. It has not been implemented as ‘professional dance’ in Western dance studios. This foreign accent is called Nihon Buyō, Japanese dance, also known as Kabuki dance. Nihon Buyō, Nō or Kabuki are local performing arts practices for professional performers in Japan. A few foreigners are familiar with these practices thanks to cultural exchange programmes, such as the yearly Traditional Theatre Training at Kyoto Art Centre. There is no religious spell cast over the technique or a contract written that it must be kept secret or that it must not leave the Japanese studio or the Japanese stage. I will compare how dance is being transmitted in the studio in Kyoto with my own vocational dance education of many years ago. Are there similarities to how the female dancer’s body is constructed? Might there be unmarked cultural roots and invisible originators of the movements we are doing today in contemporary dance?


Author(s):  
Kun Wang ◽  
Julian Hinz ◽  
Yue Zhang ◽  
Tod R. Thiele ◽  
Aristides Arrenberg

2008 ◽  
Vol 13 (2) ◽  
pp. 214-221
Author(s):  
Soon-Young Lee ◽  
Chang-Su Kim ◽  
Sang-Uk Lee

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