The Patriarchs

2019 ◽  
pp. 5-32
Author(s):  
Philip Nash
Keyword(s):  
Twentieth Century ◽  
Foreign Service ◽  
Early Twentieth Century ◽  
Limited Opportunity ◽  
Male Dominated

This chapter explores the male-dominated US diplomatic world in the early twentieth century. US diplomats and ambassadors formed an exclusive and insular elite, sticklers for protocol and sensitive to the stereotype of the delicate, effeminate, even gay “striped-pants boys.” They excluded women from their world for a variety of reasons; only secretaries and diplomatic spouses, who played vital if unsung roles, were admitted. The first female ambassadors are introduced (appointed by Hungary and the USSR), as is the first female US Foreign Service Officer, Lucile Atcherson, appointed in 1922. She and her tiny cohort of female diplomats faced discrimination and limited opportunity. In 1933, male diplomats had no reason to expect the appointment of a female ambassador.

scholarly journals “Doing Something Silly”: The Uses of Humour by the Women's Social and Political Union, 1903–1914

2007 ◽  
Vol 52 (S15) ◽  
pp. 259-274 ◽  
Author(s):  
Krista Cowman
Keyword(s):  
Twentieth Century ◽  
Social Protest ◽  
Political Union ◽  
Political Dissent ◽  
Political Behaviour ◽  
Political Campaigning ◽  
Early Twentieth Century ◽  
Male Dominated

Investigations into uses of humour associated with the militant suffrage campaign of the Women's Social and Political Union have been largely concerned with the satirizing of suffragettes. The uses that suffragettes themselves made of humour as a considered political tactic have been less considered. This paper explores three ways in which suffragettes turned humour to their advantage during their campaign: by deliberately adopting “silly” behaviours as a counterpoint to over-formal and male dominated Edwardian politics; by quick-witted retorts to hecklers who sought to disrupt suffragette meetings and finally as a means of venting private political dissent and alleviating some of the stresses of hectic political campaigning. The exploration of humour within the WSPU's work reveals some of the links between humour and social protest in the early twentieth century, and considers the extent to which its use in public political behaviour might be gendered.

Some Polish Composers of To-Day

Tempo ◽  
1948 ◽  
pp. 25-28
Author(s):  
Andrzej Panufnik
Keyword(s):  
Twentieth Century ◽  
Fertile Soil ◽  
Early Twentieth Century ◽  
Progressive Group ◽  
Karol Szymanowski

It is ten years since KAROL SZYMANOWSKI died at fifty-four. He was the most prominent representative of the “radical progressive” group of early twentieth century composers, which we call “Young Poland.” In their manysided and pioneering efforts they prepared the fertile soil on which Poland's present day's music thrives.

V1214: Edward Loughborough Keyes: An Early Twentieth Century Leader In Urology

2004 ◽  
Vol 171 (4S) ◽  
pp. 320-320
Author(s):  
Peter J. Stahl ◽  
E. Darracott Vaughan ◽  
Edward S. Belt ◽  
David A. Bloom ◽  
Ann Arbor
Keyword(s):  
Twentieth Century ◽  
Early Twentieth Century

New insights into the controversy surrounding marine biological laboratory (Marine Station) facilities in the Firth of Clyde in the early twentieth century

2015 ◽  
Vol 42 (1) ◽  
pp. 165-170
Author(s):  
P. G. Moore
Keyword(s):  
Twentieth Century ◽  
Early Years ◽  
Marine Biological Laboratory ◽  
Biological Station ◽  
Marine Biological ◽  
Biological Laboratory ◽  
Early Twentieth Century ◽  
Marine Station ◽  
Regius Professor ◽  
Adjacent Island

Three letters from the Sheina Marshall archive at the former University Marine Biological Station Millport (UMBSM) reveal the pivotal significance of Sheina Marshall's father, Dr John Nairn Marshall, behind the scheme planned by Glasgow University's Regius Professor of Zoology, John Graham Kerr. He proposed to build an alternative marine station facility on Cumbrae's adjacent island of Bute in the Firth of Clyde in the early years of the twentieth century to cater predominantly for marine researchers.

Revaluations through Dance: Friedrich Nietzsche's Thought in Isadora Duncan's Speech The Dance of the Future

2019 ◽  
Vol 37 (2) ◽  
pp. 206-219
Author(s):  
Meindert E. Peters
Keyword(s):  
Twentieth Century ◽  
The Body ◽  
Eternal Recurrence ◽  
Early Twentieth Century ◽  
Starting Point ◽  
The Future ◽  
The Mind

Friedrich Nietzsche's influence on Isadora Duncan's work, in particular his idea of the Dionysian, has been widely discussed, especially in regard to her later work. What has been left underdeveloped in critical examinations of her work, however, is his influence on her earlier choreographic work, which she defended in a famous speech held in 1903 called The Dance of the Future. While commentators often describe this speech as ‘Nietzschean’, Duncan's autobiography suggests that she only studied Nietzsche's work after this speech. I take this incongruity as a starting point to explore the connections between her speech and Nietzsche's work, in particular his Thus Spoke Zarathustra. I argue that in subject and language Duncan's speech resembles Nietzsche's in important ways. This article will draw attention to the ways in which Duncan takes her cues from Nietzsche in bringing together seemingly conflicting ideas of religion and an overturning of morality; Nietzsche's notion of eternal recurrence and the teleology present in his idea of the Übermensch; and a renegotiation of the body's relation to the mind. In doing so, this article contributes not only to scholarship on Duncan's early work but also to discussions of Nietzsche's reception in the early twentieth century. Moreover, the importance Duncan ascribes to the body in dance and expression also asks for a new understanding of Nietzsche's own way of expressing his philosophy.

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