Introduction

Author(s):  
James C. Nicholson

On October 20, 1923, at Belmont Park in New York, Kentucky Derby champion Zev toed the starting line alongside Epsom Derby winner Papyrus, England's top three-year-old colt. Few happenings had ever been covered so closely by American newspapers as the spectacle officially dubbed the International Race. The extraordinary hype surrounding the event was even more notable considering that only a few years earlier Thoroughbred racing had been on the brink of Progressive-era extinction in the United States. But following a post-World War I political sea change in the United States, in what would later be remembered as a "golden age" of sport, Americans rallied around the horse that was, in the words of its owner Harry F. Sinclair, "racing for America," while Sinclair was engaged in a scheme to defraud the United States of millions of barrels of publicly owned oil in one of the most notorious instances of political corruption in American history -- the Teapot Dome scandal. America First examines the postwar revival of American horseracing, culminating in the intercontinental showdown between Zev and Papyrus, that captured some of the incongruity and contradiction of 1920s America.

Author(s):  
John Kenneth Galbraith ◽  
James K. Galbraith

This chapter examines the end of the international gold standard during World War I. The creation of the Federal Reserve System—with its idea of centralized banking carried out by twelve central banks—ended the United States's long struggle to perfect a sensible, conservative monetary system. Everywhere in the industrial countries money of whatever kind was now exchangeable, without pretense or delay, into gold. The chapter considers how the major industrial participants—Germany, France, Britain, Austria—suspended specie payments and went off the gold standard when World War I broke out; the dumping of securities on the New York market in the first nervous days of the war; the shutdown of the New York Stock Exchange; and how the United States eventually abandoned the gold standard. The increase in whole prices in the United States during all the war years is also discussed.


Author(s):  
Barbara McCloskey

George Grosz was a leading artist of Germany’s early 20th-century expressionist, Dada, and New Objectivity movements. His works from this period remain celebrated examples of the modernist avant-garde. Grosz began his career as a student at the Dresden Academy of Art in 1909. In 1912, he moved to Berlin, abandoned the academic rigor of his earlier work, and became part of the Expressionist avant-garde. His paintings and drawings soon adopted the fractured planes, vivid color, and psychologically troubled content of Expressionist art. Grosz became politically radicalized by the outbreak of World War I in 1914. He helped to found Berlin Dada during the war years. His irreverent cut and paste Dada collages of this period assailed not only the concept of ‘‘art,’’ but also the vaunted notions of culture, militarism, and national pride that were part of a German social order Grosz had come to despise. At the end of World War I, Grosz joined the German Communist Party and became its leading artist. He fled to the United States in order to escape persecution after Hitler’s appointment as Chancellor in 1933. Grosz settled in New York, where he pursued his art under the utterly changed circumstances of exile.


2009 ◽  
Vol 47 (1) ◽  
pp. 213-217

Michael D. Bordo of Rutgers University and NBER reviews “When Washington Shut Down Wall Street: The Great Financial Crisis of 1914 and the Origins of America’s Monetary Supremacy” by William L. Silber,. The EconLit Abstract of the reviewed work begins “Traces Treasury Secretary William Gibbs McAdoo’s triumph over a monetary crisis at the outbreak of World War I that threatened the United States with financial disaster. Explores how McAdoo responded to the twin threats of external gold drain to Europe and the internal drain of currency from banks that were triggered by the outbreak of war. Silber is Marcus Nadler Professor of Finance and Economics at the Stern School of Business, New York University. Index.”


1971 ◽  
Vol 12 (2) ◽  
pp. 104-118
Author(s):  
John Harrop

On April 7, 1919, almost exactly two years after the United States had entered World War I, the Vieux-Colombier theatre gave its final performance in New York, where it had spent the last eighteen months of the war presenting two seasons of repertory. The rather surprising presence of Jacques Copeau's troupe in New York at this time can be largely attributed to the war itself. Copeau had first been dispatched on a lecture tour in January of 1917 by the French Ministry of Fine Arts, with the aim of “countering German propaganda in the realm of culture,” strengthening ties between France and the United States, and stemming the tide of pro-German feeling then running in America. Though Copeau had already performed a similar task in Switzerland and was aware of the significance of his brief, his approach was subtle. Clayton Hamilton tells us that in the six lectures he delivered Copeau “talked to us of art and Molière, and said no word about the war … talked to us only about Truth and Beauty in the midst of many things succumbing momentarily to death. We welcomed Jacques Copeau because he wore the face of Dante.…”


2016 ◽  
Vol 11 (1) ◽  
pp. 117
Author(s):  
Maciej Jońca

„A FRIENDLY ALIEN”. ADOLF BERGER’S ESCAPE AND A LONG WAY TO THE UNITED STATES (1938-1942)Summary Adolf Berger (1882-1962) belongs to the group of the most illustrious world romanists. Among his many eminent works one must not forget to quote the monumental “Encyclopedic Dictionary of Roman Law”. Berger was born in Lwów in a Jewish family. During his whole life he felt strong connections with Poland. This attitude found its most significant expression after the World War I. Despite his perfect knowledge of German  and rich contacts in German speaking countries, Berger offered his services to the reborn Poland. Therefore from 1919 to 1938 he was working as a secretary and then as a legal advisor for the Polish Consulate in Vienna. During that time he did not ceased his research in the field of Roman law. Shortly after Anschluß he left Austria and moved to France and later to Italy. Escaping from the Nazis, he finally settled in New York where he found refuge and could resume his scientific work. His abandonment of Vienna and a long journey to the United States was possible only due to his Polish citizenship.


Sign in / Sign up

Export Citation Format

Share Document