Courtier and Swordsman

During the years 1610 to 1612 the threat of war returned to haunt Europe and James I’s critics looked increasingly to Henry, prince of Wales, as a future military and Protestant leader. Chapter 4 looks at Herbert’s engagement with courtly politics and support for his kinsman, Pembroke, who opposed the powerful pro-Catholic and pro-Spanish Howard faction and favoured providing military assistance to fellow Protestants in Europe and seeking alliance with France. It examines Herbert’s determination to secure honour and military experience by fighting as a volunteer in the Protestant army defending Jülich-Cleves in 1610 and the contribution of his military exploits in camp, where he learned the art of making war under Sir Edward Cecil, and his emerging chivalric reputation in England and on the continent. It considers his attempt to defend his honour in a series of duels, including most notoriously with Theophilus Howard, Lord Walden, and Sir John Eyre, and the reaction of the Privy Council and fellow courtiers to the fashion for duelling. It explores Herbert’s involvement in courtly and literary circles; the favour shown him by Anne of Denmark; his friendship with John Donne, Sir Robert Harley, and Sir Thomas Lucy; his commissioning of portraits by leading court artists; and his difficult relationship with members of the Howard family that led, following the rise of Robert Carr, earl of Somerset, as royal favourite and the deaths of Robert Cecil, earl of Salisbury, and Prince Henry, to his withdrawal from court politics.

Coping With COVID: Does Prior Military Service Play a Role for Vietnam Veterans?

We investigated the impact of earlier military combat on ability to cope with the COVID-19 pandemic in 379 male Vietnam veterans who responded to surveys in 1984, 1998, and 2020. Combat exposure was scored with a validated scale, contrasting lowest tertile (8-15) vs. medium/high (16-40). About one-fourth of veterans (26%) reported that their military experience made it easier to cope with the pandemic, while over half (59%) said it had no effect. Medium/high-combat veterans were more likely to report that their military experience made coping easier (OR = 1.8, p = 0.03), but were less likely to report no effect of service on their coping than low-combat veterans (OR = 0.40, p<0.001). All 19 respondents (5%) who said military experience made coping more difficult were medium/high combat veterans. Military experience, and combat particularly, affected many of these veterans’ ability to cope with the pandemic decades after their service.

city and war

And two thousand years of war.The war without any special cause.“The star called the Sun” (band Kino)Throughout its history, humanity has been fighting almost constantly. Cities were designed either as fortresses capable to hold the fort, or as permeable structures, which can be quickly restored after destruction. People, whose profession is meant for war, have always been a special caste and evoked a special attitude. We are witnessing an unprecedented process: the war changes its character, becomes undeclared, invisible, hybrid. How will a city, its appearance and functions respond to the new concepts of the war? How should we preserve, study and comprehend the military experience of the previous eras, the experience of educating “people of war” embodied in architecture of military schools?Not so long ago, historic Irkutsk lost the complex of Red Barracks related to the history of Port Arthur. The place is troubled again. While there is no problem with the building of the military school (the Ministry of Defense took it under their wing and is transforming it into the Suvorov School), there is a real war for preservation of exactly the same building of the cadet corps, which is fought in courts and public structures. As usual, we don't try to take these issues off the table or to hide away from inconvenient topics, but start discussing them in a series of articles.

SciFi Cinema as one of Spatial Localizations of Military Images in American Mass Culture

War is one of the most popular topics in modern mass culture. The author analyzes the features of the perception of war in modern science fiction cinema. The purpose of this article is to analyze the representation of war in American science fiction as a form of historical memory in mass culture. The author uses inventionism methods to analyze the images of war in the film production of mass culture as “invented traditions” of the consumer society. The range of perception of war and military experience in popular culture is analyzed. Modern global film industry and national film industries regularly address military themes in the world or national contexts, producing films that actualize military experience of nations and states. The film industry segments that specialize in the production of science fiction and fantasy films also do not ignore the military theme. It is supposed that popular culture offers a variety of images of war, including militarism, violence, military collective trauma, and military political psychosis. The author believes that military theme in popular culture arose as a result of reflection on real military conflicts, and the creators of the pop-cultural project could reject the war or idealize it. The author believes that military science fiction in modern American mass culture actualizes the values of pacifism or militarism as reflections of the left or right preferences of the creators of such cultural product for the consumer society. Science fiction films actualize various forms of war, including global military clashes, civil conflicts, aggression, intervention and genocide. Popular culture is becoming the main sphere of existence of the memory of war because military conflicts of science fiction series can be perceived in the consumer society as more real than the historical wars of the past. Military images of mass culture are supposed to actualize various forms of war memory, including memory as trauma, memory as marginalization, and memory as nostalgia which idealize war.

Military Experience in Civilian Government Organizations: An Exploratory Study of Its Effects on a Range of Work Attitudes and Behaviors

There is a large body of research that has comparatively explored the relationship that military experience has with the attitudes and behaviors of employees who work in military organizations. However, very few studies have extended this line of research in civilian organizations. This study seeks to add to this body of research by exploring whether there are meaningful attitude and behavioral differences between veterans and non-veterans who work in a government civilian organization. Using a sample of 500 federal employees in the United States, the findings of this study revealed that prior military experience had no meaningful relationship to the work satisfaction, performance, person-organization fit, public service motivation, work stress, nor turnover intentions of public employees. The most important predictors of the work attitudes of employees were their age, education level, full-time status, and years of work experience. The implications this study has for the field of public management are discussed.

ЭССЕНЦИАЛИСТСКАЯ ПАРАДИГМА НАЦИОНАЛИЗМА И БУДУЩЕЕ ДОНБАССА В МЕМУАРАХ БОЙЦОВ УКРАИНСКИХ ДОБРОВОЛЬЧЕСКИХ БАТАЛЬОНОВ

В статье исследуются репрезентации продолжающегося военного конфликта на востоке Украины, представленные в литературных произведениях за авторством ветеранов украинских парамилитарных формирований. Поднимается проблема трансляции радикальных националистических взглядов через литературу, построенную на травматическом военном опыте ветеранов АТО/ООС. В частности, изучается воображаемый образ украинской (этно)нации и государственности. Исходя из теоретических установок Б. Розенвейн, авторы предлагают рассматривать представителей представляемой ими группы как специфическое «эмоциональное сообщество», а создаваемую ими литературу как пространство воспроизводства не только современной версии «казацкого мифа», но и праворадикального нарратива «национализирующего национализма». Будущее русскоязычных жителей Донбасса в исследуемом корпусе литературы представляется в диапазоне от тотальной украинизации и этноязыковой дискриминации до физического уничтожения или выселения за пределы Украины. Эта позиция, с одной стороны, проистекает из опыта коммуникации с населением в зоне конфликта, с другой – оказывается обусловлена уже существовавшем представлением о Донбассе как о «больном» регионе страны, населённом внутриукраинскими «Другими». Таким образом, в данном парамилитарном дискурсе территория Донбасса и его население оказываются ставкой в игре с нулевой суммой. The article examines the representations of the ongoing military conflict in the east of Ukraine in literary works created by the veterans of Ukrainian paramilitary formations. The problem of radical nationalist views’ representation through literature based on the traumatic military experience of the ATO/JFO veterans is in the spotlight. The volunteer battalions members' perceptions of themselves and Donbass, its inhabitants, and its future are analyzed. Based on the theoretical framework of B. Rosenwein, authors propose to view representatives of this group as a specific "emotional community" while the literature written by them should be seen as a space for reproducing not only the modern version of the "Cossack myth" but also the far-right narrative of "nationalizing nationalism”. In the studied corpus, Donbass Russian-speaking inhabitants’ future is presented in the range from total Ukrainization and ethnolinguistic discrimination to mass killings or deportations outside of the state borders. On the one hand, this position stems from the combatants' experience of communication with the population in the conflict zone and, on the other hand, is conditioned by the already existing perception of Donbas as a "sick" region of Ukraine, populated by intra-Ukrainian "Others". Thus in Ukrainian paramilitary discourse, Donbass territory and population are viewed as a bet in a zero-sum game.