From the Sacred to the Sacred Object

2012 ◽  
Vol 16 (2) ◽  
pp. 105-122 ◽  
Author(s):  
Edwin Sayes ◽  

The philosophy of Bruno Latour has given us one of the most important statements on the part played by technology in the ordering of the human collective. Typically presented as a radical departure from mainstream social thought, Latour is not without his intellectual creditors: Michel Serres and, through him, René Girard. By tracing this development, we are led to understand better the relationship of Latour’s work, and Actor-Network Theory more generally, to traditional sociological concerns. By doing so we can also hope to understand better the role that objects play in structuring society.

2015 ◽  
Vol 23 (2) ◽  
pp. 109-120 ◽  
Author(s):  
Richard G. Booth ◽  
Mary-Anne Andrusyszyn ◽  
Carroll Iwasiw ◽  
Lorie Donelle ◽  
Deborah Compeau

2017 ◽  
Vol 8 (5) ◽  
pp. 858
Author(s):  
Min Liu

Chinese philosophical literature is rarely introduced to foreign countries (Pohl, 1999, p. 303). Zhou Guoping, as a contemporary philosopher and essayist, has created essays with both depth and readability, and thus his works are deemed to be worthy of translation. This article aims to elaborate on the translator’s techniques for transferring Zhou Guoping’s famous collection of essays A Watchful Distance. Divided into four sections, this article uses actor-network theory as its theoretical framework and analyses the translator’s position in translation activities from sociocultural perspective, gives corresponding translating techniques to problems related to creativity, conventionalised expressions, utterances and Chinese cultural elements in this book, and draws a conclusion upon the relationship between cultural homogeneity and corresponding translating techniques underpinned by actor-network theory. By discussing specific translating techniques used for Zhou’s book, this article fills up the gap in the transfer techniques of A Watchful Distance to overseas cultures. However, the limitation lies in that the number of Zhou’s works studied are restricted.


Author(s):  
Beate Ochsner

In 1999, Bruno Latour advocated for “abandoning what was wrong with ANT, that is ‘actor,' ‘network,' ‘theory' without forgetting the hyphen.” However, it seems that the “hyphen,” which brings with it the operation of hyphenating or connecting, was abandoned too quickly. If one investigates what something is by asking what it is meant as well as how it emerges, by (re-)tracing the strategy in materials in situated practices and sets of relations, and, by bypassing the distinction between agency and structure, one shifts from studying “what causes what” to describing “how things happen.” This perspective not only makes it necessary for us to clarify the changing positions and displacements of human and non-human actors in the assemblage, but, also question the role (the enrolment) of the researcher him/herself: What kind of “relation” connects the researcher to his/her research and associates him/her with the subject, how to prevent (or not) his/her own involvement, and, to what degree s/he ignores the relationality of his/her writing in a “sociology of association?”


Author(s):  
Hafizah Mohamad Hsbollah ◽  
Alan Simon ◽  
Nick Letch

The implementation of IT governance (ITG) arrangements and its relationship to IT infrastructure has not received much attention in either the ITG or the information systems (IS) literature. Based on the premise that the foundation on which ITG is implemented lies in the interaction between ITG arrangements of structures, processes and relational mechanisms and IT infrastructure, the authors present a discussion of how actor network theory (ANT) can be used as an overarching theoretical framework of explanation. The authors propose a model of ITG implementation and discuss how ANT, in particular the local/global network approach, can be applied to understand the relationship that exists between ITG arrangements and IT infrastructure.


PMLA ◽  
2015 ◽  
Vol 130 (3) ◽  
pp. 737-742 ◽  
Author(s):  
Rita Felski

I am interested in questions of reading and interpretation. I am also drawn to actor-network theory and the work of Bruno Latour. Can these attractions be brought into alignment? To what extent can a style of thought that describes itself as empiricist and rejects critique speak to the dominant concerns of literary studies? Can actor-network theory help us think more adequately about interpretation? Might it inspire us to become more generous readers? How do literary studies and Latourian thought engage, enlist, seduce, or speak past each other? What duels, rivalries, intrigues, appropriations, or love affairs will ensue?


Religions ◽  
2021 ◽  
Vol 12 (6) ◽  
pp. 401
Author(s):  
Randall Reed

Artificial intelligence is increasingly used in a variety of fields and disciplines. Its promise is often seen in a variety of tasks, from playing games to driving cars. In this article, I will sketch a theory that opens the door to the use of artificial intelligence in the study of religion. Focusing on the work of Jonathan Z. Smith, I will show that if, following Smith, the study of religion is considered primarily an act of classification, it can be aided by narrow artificial intelligence that excels at classification and prediction. Then, using a web A.I. called EMMA to classify the New Testament texts as Pauline or non-Pauline as a toy example, I will explore the issues that occur in the application of A.I. Finally, I will turn to Bruno Latour and actor–network theory as a way to theorize the larger issues brought up by the productive use of artificial intelligence in the study of religion


2016 ◽  
Vol 71 (4) ◽  
pp. 221-227 ◽  
Author(s):  
Sören Becker ◽  
Antje Otto

Abstract. This editorial introduces different theoretical strands in political ecology both in English and German speaking contexts. Comparing Marxist with more relational and "new materialist" approaches, it is argued that the various theoretical approaches chosen induce different ways of how the relationship between society and nature, between material and culture is conceptualized. The dialectical perspective derived from Marxism is thereby contrasted with the more emergent, and relativist understandings of actor network theory and assemblage thinking. Besides, the six single contributions in this Special Issue are introduced and five areas for further research are laid out: (1) the multiplicity of materiality, (2) the opposition between dialectic and relativist thinking, (3) the tension between elements and entire socio-material configurations, (4) materiality in the production of space and (5) issues of materiality and power.


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