English Nationalism in Historical Perspective

2018 ◽  
pp. 271-288
Author(s):  
Michael Kenny

This chapter proposes that much current talk of ‘English nationalism’ and its role in the vote for Brexit in 2016 is either empirically misinformed or conceptually misleading. Instead it proposes a historically informed perspective via an engagement with three different characterisations of the genesis of Englishness: the contention that the English are doomed to be ‘little Englanders’ until they cast off the shackles associated with the British state; the notion that it is empire above all that has moulded the character of English nationhood; and, finally, evolutionist accounts which trade upon familiar forms of national exceptionalism. Drawing selective insights from these accounts, while also questioning aspects of each, the author concludes that the ingrained habit of conflating Englishness with Enoch Powell’s anti-immigrant and anti-EU nationalism has stunted our understanding of this lineage of national sentiment and its politically contingent character.

Babel ◽  
2011 ◽  
Vol 57 (1) ◽  
pp. 58-75
Author(s):  
Jorge L. Bueno-Alonso

The poetic insert known as <i>The Battle of Brunanburh</i> (<i>Anglo-Saxon Chronicle</i> 937) constitutes by no means one of the most interesting texts for the building of the Old English heroic geography. Its author, as Marsden states (2005: 86), “builds a sense of national destiny, using style, diction and imagery of heroic poetry”. There are many interesting issues to deal with when you want to revise how the elements Marsden quotes are used in the construction of a poem that uses history as a narrative device to build the inner story of the poem experimenting with the topics (style, diction, imagery) of heroic poetry. If the poem constitutes such a crucial text, if its emphasis is on “English nationalism” in an historical perspective rather than on individual heroics, as Marsden points out (2005: 86), it seems most evident that a careful consideration of these topics has to be made when translating the text into other languages. The aim of this article is to revisit the poem and its topics and to see how that careful consideration has been accomplished in several important English (Treharne 2004, Hamer 1970, Rodrigues 1996, Garmonsway 1953, Swanton 2000) and Spanish (Lerate & Lerate 2000, Bravo 1998, Bueno 2007) translations that consider the poem in isolation, in the context of the Anglo-Saxon Chronicle or as an excuse for poetic inspiration, i.e. the case of Borges’ 1964 and 1975 poems and Tennyson’s 1880 text.


Author(s):  
Colin Hay ◽  
Stephen Farrall

This chapter reflects on the debates surrounding Thatcherism with the benefit of hindsight. Most commentators seem to accept that Thatcherism is now a historic concept—referring, if not exactly to the period 1979–90, then certainly to events now largely concluded. This allows us a degree of historical perspective that was previously unavailable. Current assessments by political scientists of the rise of ‘New Labour’ and of the development of the British state in the post-war period have had to grapple with this period (and, indeed, 1997). But there are other reasons for returning to Thatcherism and perhaps even for preferring the term ‘Thatcherism’ to the more recent ‘neo-liberalism’. ‘Thatcherism’—however hard it remains to offer a strict definition—embraced more than just neo-liberal ideas. Thatcherism combined both neo-liberal and neo-conservative strands and was often at its more radical and consequential when it identified policy targets which combined elements of both.


Author(s):  
Suranjana Barua ◽  

This paper traces the inception, emergence and relevance of the celebration of a historical figure of Assam – Joymoti – as the Joymoti Utsav (Joymoti Festival). With the first attested public celebration of the festival in Upper Assam in 1914, Joymoti Utsav was a landmark public celebration on multiple counts. Firstly, it created a feminist and nationalist consciousness in the region through its celebration of Joymoti – an Ahom princess; secondly, it marked public support to celebration of an ideal female figure whose qualities and character women were encouraged to aspire to; thirdly, it followed and also spearheaded a socio-cultural movement that found expression in literature and arts including the first Assamese movie Joymoti in 1934; fourthly, it brought together people and organizations in the making of a legacy that gave direction to the feminist movement in Assam thereby establishing it as a major socio-cultural feminist festival of Assam. This paper traces the emergence of this iconic festival in Upper Assam, its role in establishing feminist ideals, carving out a distinct regional history and nurturing national sentiment, its depiction in various literary genres of the 20th century and the current relevance of the festival in Assam. In doing so, the paper locates Joymoti Utsav in a socio-historical perspective in the context of Assam while crediting it with creating a feminist consciousness in the public discourse of early twentieth century Assam.


1990 ◽  
Vol 23 (4) ◽  
pp. 571-575
Author(s):  
Charles F. Koopmann, ◽  
Willard B. Moran

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