Tony Harrison: Nigeria, Masque and Masks

Author(s):  
Rachel Bower

Rachel Bower pays unprecedented attention to Aikin Mata, the version of Aristophanes’ bawdy comedy Lysistrata that Harrison wrote and produced with the Irish poet, James Simmons, when they were teaching at Ahmadu Bello University in Northern Nigeria in 1965. She argues that this encounter with indigenous African performance idioms has had a lasting influence on his later creative practice as well as the emergence of intercultural approaches in world theatre more widely.

2003 ◽  
Vol 53 (2) ◽  
pp. 195-213 ◽  
Author(s):  
K. Majoros

The study introduces a Hungarian economic thinker, István Varga*, whose valuable activity has remained unexplored up to now. He became an economic thinker during the 1920s, in a country that had not long before become independent of Austria. The role played by Austria in the modern economic thinking of that time was a form of competition with the thought adhered to by the UK and the USA. Hungarian economists mainly interpreted and commented on German and Austrian theories, reasons for this being that, for example, the majority of Hungarian economists had studied at German and Austrian universities, while at Hungarian universities principally German and Austrian economic theories were taught. István Varga was familiar not only with contemporary German economics but with the new ideas of Anglo-Saxon economics as well — and he introduced these ideas into Hungarian economic thinking. He lived and worked in turbulent times, and historians have only been able to appreciate his activity in a limited manner. The work of this excellent economist has all but been forgotten, although he was of international stature. After a brief summary of Varga’s profile the study will demonstrate the lasting influence he has had in four areas — namely, business cycle research and national income estimations, the 1946 Hungarian stabilisation program, corporate profit, and consumption economics — and will go on to summarise his most important achievements.


2017 ◽  
Vol 1 (1) ◽  
pp. 31-47 ◽  
Author(s):  
Ori Tavor

Scientific advances in the field of biomedicine have fundamentally changed the ways in which we think about our bodies. Disease, aging, and even death, are no longer seen as inevitable realities but as obstacles that can be controlled, and in some cases even reversed, by technological means. The current discourse, however, can be enriched by an investigation of the various ways in which the aging process was perceived and explained throughout human history. In this article, I argue that in early China, the experience of aging and the challenges and anxieties it produced played a constitutive role in the shaping of religious culture. Drawing on a variety of medical, philosophical, and liturgical sources, I outline two models of aging: one that presented aging, and especially the loss of virility, as an undesirable but solvable condition that can be reversed with the aid of various rejuvenation techniques, and a more socially conscious model that depicted aging as a process of gradual social ascension, a natural but fundamentally unalterable condition that should be accepted, marked, and even celebrated through ritual. I conclude by demonstrating the legacy and lasting influence of these models on two of the most fundamental tenets of Chinese religion: the pursuit of longevity and the ideal of filial piety.


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