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TURBA ◽  
2022 ◽  
Vol 1 (1) ◽  
pp. vi-viii

The call for papers for this inaugural issue of TURBA opened with two truisms: “Live arts have existed long before history. At all times, and in all cultures around the world, people have performed for others.” Yet we have just lived through more than a year during which the second of these assertions was falsified almost everywhere on the planet. When performing for and near others was not only, as it oft en is, precarious or subversive, but outright life-threatening. Was it wise or necessary, at such a historic juncture, to embark on a new journal that focuses on how cultural communities around the world foster and debate live performances? We obviously believe so.


2021 ◽  
Vol 45 (1) ◽  
Author(s):  
V. B. Meyer-Rochow

Abstract Background References to insects in myths, stories, and idioms can be found in almost any culture, but with regard to references involving honey bee species in the Asia-Australian region, little information is available. Such references to bees can be highly informative by revealing attitudes of admiration, fear, ignorance, or even revulsion towards these insects. Results The subject is briefly reviewed and examples of references to bees of selected cultural communities are given. Although folkloristic references to honey bees were found to be mostly positive highlighting fearlessness, cleverness, and industriousness of the bees, some also touch upon their ability to cause pain. Conclusions Owing to the decreasing contacts and increasing alienization regarding insects generally, a plea is made to collect whatever information is still available about references to bees in songs, myths, stories, proverbs, and idioms and to compare such uses from different regions, e.g., North and South Korea. This would support other fields of research aiming to discover and to describe cultural relationships, migrations, and contacts between different peoples of the Asian/Australian region.


Public ◽  
2021 ◽  
Vol 32 (64) ◽  
pp. 228-233
Author(s):  
Ashok Mathur ◽  
Cecily Nicholson ◽  
Aruna Srivastava

This conversation and later interventions occurred in late 2020 and early 2021. Ashok Mathur, Cecily Nicholson, and Aruna Srivastava discuss the politics, limits and possibilities of anti-racism a racism in recent months, particularly in educational and community contexts. We weave our histories and experiences working within anti-racism and cultural communities over many years, reflecting on generational change, COVID, privilege, alliance and the potential of creative practice.


2021 ◽  
Vol 120 (4) ◽  
pp. 777-794
Author(s):  
June Wang ◽  
Xinyue Yu

This essay explores the three currents of user-generated content (UGC) platform development in China: one is full of improvised endeavors in the cultural production through amateur creativity; one is featured with affective laboring and networking by prosumers, who struggle with the algorithm-conditioned visibility of platforms; and one is featured with regulatory attempts by platforms and authorities to introduce a new “creator economy.” Our investigation into the platformization has focused on the multifaceted role of networking that unfolds among prosumers and platforms, and subsequently the changing networks and hierarchies of the crowd-based economy. We argue for an emerging landscape of multiple networked territories at multiple scales. The logic of visibility-making coordinates the distributed agency of networking by prosumers, platforms, and cultural and political authorities, giving birth to territories at multiple scales, from themed cultural communities to techno-giants with a sense of national pride.


2021 ◽  
Author(s):  
Andreea Cârstocea ◽  
◽  
Craig Willis

Socio-economic inequalities are part and parcel of people’s everyday life in any society; yet for people who belong to ethnic, linguistic, religious, or cultural communities, these inequalities tend to be markedly greater than for others. Quite often, national minority communities face higher hurdles in accessing employment and gaining incomes on a par with those of the majority, and have lower access to adequate healthcare services, housing, education, or public services in general. And yet, a conversation about the socio-economic inequalities facing minority communities, the specific challenges they face, or the ways in which their participation might be improved is largely absent.


2021 ◽  
Vol 6 (1) ◽  
Author(s):  
Jérôme Michaud ◽  
Ilkka H. Mäkinen ◽  
Attila Szilva ◽  
Emil Frisk

AbstractUnderstanding where and why political change is happening in a country is a fundamental issue in political geography. While electoral choice is individual, it is influenced by various sociological, cultural, and geographical factors postulated to create ‘cultural fields’ influencing individual decision-making. Here, we test the cultural field hypothesis on Sweden, an important democracy of Europe long regarded as an example by other European countries, by studying the middle-long-term evolution of the spatial structure of political choice over the last three decades. In testing the cultural field hypothesis, an analysis of spatial correlations is combined with groupings of Swedish municipalities into larger communities reflecting the similarity of their voting profiles. We show that spatial correlations decay logarithmically, which is a sign of long-ranged interactions, and also demonstrate that Sweden can be divided into three or four large and stable politico-cultural communities. More precisely, a transition from three to four main politico-cultural communities is observed. The fourth community, which emerged in the early 2000s is of particular interest as it is characterized by a large vote-share for the Sweden Democrats, while almost all other parties underperform. Moreover, the Swedish electoral landscape seems to be increasingly fragmenting even when the voting profiles of the municipalities over the country are slowly converging.


2021 ◽  
Vol 50 (1) ◽  
Author(s):  
Medicine Magocha ◽  
Johannes Ratsikana Rammala

Migration, enterprise and the related language and culture dynamics are critical to South Africa and Zimbabwe. In the past, some scholars were of the view that the language and cultural communities created by migration pose a threat, and others argued that they are advantageous. This article presents a single-factor analytical approach to issues, which suggests that co-existing modalities should be worked out for the host citizens to accept the migrants without reservations. This acceptance is imperative as its negation results in some contexts to the flaring of ugly xenophobic manifestations. The argument presented in this article is pertinent to African languages and education, the African Union, the United Nations, civic, humanitarian organisations, respective governments, interested stakeholders and language communities, amongst others. It provides insight on how to manage cultures and morals among migrants of diverse categories. The article used a mixed research methodology. It reviews ideas on migration globally and in Africa in particular, analysing how migration contributes towards emerging language and cultural societies or communities. A sample of 100 respondents was used for this study. The paper suggests that there should be unity, deregulation and liberalisation of movement of people across the continent for trade and skills-sharing to improve sustainability. The article intends to guide African leaders to co-exist and to encourage fair competition for continental expansion, poverty alleviation and development of positive international language policies. It is one of the recent attempts to expound on the existing perspectives on migration dynamics and the formation of viable diasporic language communities in Africa and highlight their contribution towards ubuntu.


2021 ◽  
Vol 22 (6) ◽  
Author(s):  
Olga Nuneza ◽  
BIVERLY RODRIGUEZ ◽  
Juliet Grace Nasiad

Abstract. Nuneza OM, Rodriguez BC, Nasiad JGM. 2021. Ethnobotanical survey of medicinal plants used by the Mamanwa tribe of Surigao del Norte and Agusan del Norte, Mindanao, Philippines. Biodiversitas 22: 3284-3296. Traditional knowledge on medicinal plants plays an important role in public healthcare and development of drugs. In the Philippines, studies on ethnomedicinal plants have increased throughout the years. However, documentation on the ethnobotanical knowledge in Mindanao is few and mostly focused on other well-known tribes. This ethnobotanical study was carried out to document medicinal plants used by the Mamanwas tribe in ten Indigenous Cultural Communities (ICCs) of Surigao del Norte and Agusan del Norte, Philippines. Ethnomedicinal information on the plant parts used, different modes of preparation, and mode of utilization was gathered from 143 local informants through informal interviews and semi-structured questionnaires. Seventy-eight plant species under 70 genera and 42 families were documented to treat various ailments in their communities. Family Asteraceae held the dominance with ten species that were reported to have medicinal uses. Out of the 78 species, trees constituted the largest proportion with 32 plant species that cover 41%. In terms of plant parts used, leaves are frequently used constituting 46%. As to mode of preparation, decoction (40%) ranked the highest followed by poultice (18%) and heating over fire (14%). Documentation of the valuable ethnomedicinal knowledge will help preserve the vanishing tradition of cultural communities in terms of medicinal plant utilization.


2021 ◽  
Vol 63 (1) ◽  
Author(s):  
Abra Wenzel

The following is an account of some current Indigenous artistic trends and responses during the COVID‑19 pandemic. The pandemic has resulted in Indigenous artists adapting social media to maintain COVIDdisrupted knowledge networks about traditional making. In so doing, they have reimagined how to continue links within and beyond their own cultural communities. Art has become both an outlet and a connection to neighbours, friends, and strangers across geographic boundaries. Indigenous textile artists are refashioning their art and materials to maintain and reflect contemporary Indigenous issues and values that emphasize their community and reflect survivance, all while safely at a distance. The artists highlighted and discussed in this article include Dene, Métis, and Inuvialuit women with whom I have worked and who have contributed to my research in the Northwest Territories (NWT), as well as other Indigenous artists from across North America well known for their creative work. Because the coronavirus has all but eliminated non-essential travel to the NWT, the information that is presented has been developed through online exchanges with these women and by observing the artists’ public social media accounts over the course of six months.


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