scholarly journals Deborah Brautigam’s Will Africa Feed China?: A critical media-centric review

2016 ◽  
Vol 0 (4) ◽  
Author(s):  
Bob Wekesa
Keyword(s):  
Critical Media

scholarly journals A “Strong” Approach to Sustainability Literacy: Embodied Ecology and Media

Philosophies ◽  
2021 ◽  
Vol 6 (1) ◽  
pp. 14
Author(s):  
Cary Campbell ◽  
Nataša Lacković ◽  
Alin Olteanu
Keyword(s):  
Media Literacy ◽  
Meaning Making ◽  
Environmental Literacy ◽  
Literacy Studies ◽  
Critical Media Literacy ◽  
Semiotic Approach ◽  
Sustainability Literacy ◽  
Critical Media ◽  
Definition Of ◽  
Integrated Sustainability

This article outlines a “strong” theoretical approach to sustainability literacy, building on an earlier definition of strong and weak environmental literacy (Stables and Bishop 2001). The argument builds upon a specific semiotic approach to educational philosophy (sometimes called edusemiotics), to which these authors have been contributing. Here, we highlight how a view of learning that centers on embodied and multimodal communication invites bridging biosemiotics with critical media literacy, in pursuit of a strong, integrated sustainability literacy. The need for such a construal of literacy can be observed in recent scholarship on embodied cognition, education, media and bio/eco-semiotics. By (1) construing the environment as semiosic (Umwelt), and (2) replacing the notion of text with model, we develop a theory of literacy that understands learning as embodied/environmental in/across any mediality. As such, digital and multimedia learning are deemed to rest on environmental and embodied affordances. The notions of semiotic resources and affordances are also defined from these perspectives. We propose that a biosemiotics-informed approach to literacy, connecting both eco- and critical-media literacy, accompanies a much broader scope of meaning-making than has been the case in literacy studies so far.

scholarly journals Towards an Integrative Methodological Approach of Film Remake Studies

Adaptation ◽  
2020 ◽  
Vol 13 (2) ◽  
pp. 210-223
Author(s):  
Eduard Cuelenaere
Keyword(s):  
Future Development ◽  
Textual Analysis ◽  
Consumer Preferences ◽  
Methodological Approach ◽  
Translation Studies ◽  
Media Industry ◽  
Industry Studies ◽  
Disciplinary Boundaries ◽  
Cultural Mediators ◽  
Critical Media

Abstract This article argues that, after decades of pointing towards the importance of including production and reception research into the study of film remakes, we should actually start addressing production and reception methodologies and investigate why this is necessary for the sustainability and future development of the field. I argue that a lot can be learned from the insights coming from the existing methodologies that are being used in, that is, format studies, (critical) media industry studies, (audiovisual) translation studies, and more recently the study of cultural transduction. The first section of the article mainly deals with the importance of investigating the different cultural mediators that take part in the production lifecycle of the film remake. It is contended that the analysis of film remakes should start examining the different individuals or institutions that mediate or intervene between the production of cultural artefacts and the generation of consumer preferences. The second part of the article points towards the importance of investigating the reception, experience, and interpretation of film remakes. It is shown that crucial questions like ‘(why) do audiences prefer the domestic remake over the foreign film?’, ‘how do audiences experience, interpret, and explain differences and similarities between source films and remakes?’, but also ‘how do audiences define and assess film remakes?’ remain yet to be asked. The article concludes that if the field of remake studies wishes to break out of its disciplinary boundaries, adopting a multi-methodological approach will help to further brush off its dusty character of textual analysis.

Localism in Internet governance: The rise of China's provincial web

2021 ◽  
pp. 0920203X2110550
Author(s):  
Angela Xiao Wu ◽  
Luzhou Li
Keyword(s):  
Political Economy ◽  
Local Governments ◽  
Service Providers ◽  
New Technology ◽  
Media Industry ◽  
Internet Governance ◽  
Chinese Media ◽  
Internet Service ◽  
Political Economy Of Media ◽  
Critical Media

Often analysing ‘the Chinese Internet’ as a national entity, existing research has overlooked China's provincially oriented web portals, which have supplied information and entertainment to substantial user populations. Through the lenses of the critical political economy of media and critical media industry studies, this article traces the ascendance of China's provincial web from the late 1990s to the early 2000s by analysing industry yearbooks, official reports, conference records, personal memoirs, archived webpages, and user traffic data. We uncover interactions between Internet service providers, legacy media organizations, commercial Internet companies, and the central and local governments – each driven by discrete economic interests, political concerns, and imaginaries about the new technology. Delineating the emergence and consolidation of China's provincial web, our study foregrounds the understudied political economy of online content regionalization at scale. Further, it sheds new light on Chinese media policy, Internet governance, and Internet histories, especially the widely noted conservative turn of online cultures after the mid-2010s.

scholarly journals Approaching media industries comparatively: A case study of streaming

2018 ◽  
Vol 22 (3) ◽  
pp. 349-366 ◽  
Author(s):  
Daniel Herbert ◽  
Amanda D. Lotz ◽  
Lee Marshall
Keyword(s):  
Media Industries ◽  
Business Practices ◽  
Media Industry ◽  
Consumer Experience ◽  
Novel Approach ◽  
Comparative Media ◽  
The Us ◽  
Critical Media ◽  
Music Film ◽  
Industry Comparison

Although ‘streaming’ media has become increasingly common across multiple media industries, significant differences underpin the industrial practices that allow this behavior and explain discrepant experiences of internet distribution across industries. This article uses collaborative comparative media industry analysis to investigate the commonalities and variations among streaming in the US music, film, and television industries to assess the viability of theorizing the cultural implications of streaming as a consistent phenomenon across media industries. The article explores the consistencies and divergences of streaming among consumer experience, business practices, and textual implications to compare how established uses, production practices, and media content have been affected by internet distribution. Such detailed industry comparison is a novel approach, and the article also considers the methodological value of rigorous collaboration among scholars expert in different media industries. The analysis is based on industry data and practices obtained through trade press, industry reports, and interviews with media workers consistent with a critical media industries approach.

scholarly journals FOLLOW THE MONEY: A LARGE-SCALE INVESTIGATION OF MONETIZATION AND OPTIMIZATION ON YOUTUBE

2020 ◽  
Author(s):  
Oscar Coromina ◽  
Ariadna Matamoros-Fernández ◽  
Bernhard Rieder
Keyword(s):  
Large Scale ◽  
The Other ◽  
Media Industries ◽  
Global Media ◽  
Media System ◽  
Critical Media ◽  
Revenue Streams ◽  
Dominant Actor ◽  
The One ◽  
The Relationship

While YouTube has become a dominant actor in the global media system, the relationship between platform, advertisers, and content creators has seen a series of conflicts around the question of monetization. Our paper draws on a critical media industries perspective to investigate the relationship between YouTube’s evolving platform strategies on the one side and content creators’ tactical adaptations on the other. This concerns the search for alternative revenue streams as well as content and referencing optimization seeking to grow audiences and algorithmic visibility. Drawing on an exhaustive sample (n=153.770) of “elite” channels (more than 100.000 subscribers) and their full video history (n=138.340.337), we parse links in video descriptions to investigate the appearance and spread of crowdfunding platforms like Patreon, but also of affiliate links, merchandise stores, or e-commerce websites like Etsy. We analyze the evolution of video length and posting frequency in response to platform policy as well as visibility tactics such as metadata and category optimization, keyword stuffing, or title phrasing. Taken together, these elements provide a broad picture of “industrialization” on YouTube, that is, of the ways creators seek to develop their channels into media businesses. While this contribution cannot replace more qualitative, in-depth research into particular channels or channel groups, we hope to provide a representative picture of YouTube’s elite channels and their quest for visibility and success from their beginnings up to early 2020.

scholarly journals Critical Media. Proposals to articulate and activate devices of territorial transformation.

2018 ◽  
Author(s):  
María Elena Tosello ◽  
María Georgina Bredanini Colombo ◽  
Cecilia Verónica Zorzón ◽  
Marcelo Fabián Jereb
Keyword(s):  
Critical Media ◽  
Territorial Transformation
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