Russia’s Fascist Thinkers and Doers

2021 ◽  
pp. 100-120
Author(s):  
Marlene Laruelle

This chapter looks into Russia's strategy of bolstering the European and U.S. far right. It addresses the fringe element of Russia's society that is inspired by extreme right arguments, adding its sociological basis remains difficult to grasp. The chapter then presents Russia's grassroots groups, which can be divided into several categories. It begins by discussing small far-right movements that try to adapt to the wider Zeitgeist and shift their doctrines from classic fascism to a defense of a Christian and white Russia resistant to migrants. The chapter also reviews a broader subculture of paramilitary and extreme combat sport communities that promote vigilantism with some elements of their repertoire identifiable as fascism light, such as a muscular masculinity and the cult of violence. Next it focuses on the Russian “thinkers,” those who spread the idea of Russia's Aryan identity, revamp race theories, or endorse the concept of the Conservative Revolution. Ultimately, the chapter examines how the groups' presence in the public space partly contributes to blurring Russia's antifascism posture.

2018 ◽  
Vol 39 (1) ◽  
pp. 1-17
Author(s):  
Natacha Chetcuti-Osorovitz ◽  
Fabrice Teicher

Abstract Since 2012, hundreds of thousands of people mobilized and demonstrated against a French law that made both marriage and adoption possible for same-sex couples. In these demonstrations, seemingly heterogeneous groups and political traditions came together against those they saw as common enemies, namely Jews, LGBT people and feminists. Are these paradoxical alliances new? How have they transformed the public space and the imaginary of citizenship? The analysis of these activist repertoires shows that the ethos of anti-modernism, which has historically characterized reactionary groups, expressed itself through an obsessive focus and fear of the alleged undoing of gender, which is seen as emblematic of a post-modern society. Whether online or in demonstrations, a collection of political actors, ranging from the far-right to post-colonial second-generation groups, join forces in denouncing mass media, capitalism, and human rights, which they believe to be avatars of the decadence of their postmodern world. Their activism has reshaped the French political landscape.


2021 ◽  
Vol 19 (2) ◽  
pp. 307-324
Author(s):  
FERNANDA TARABAL LOPES ◽  
ALESSANDRA DE SÁ MELLO DA COSTA

Abstract Recent years have witnessed the rise of far right-wing leaders in various parts of the world. Stanley (2019) recognizes the particularities of the different nations where this phenomenon is observed but advocates for generalizing it. The author uses the label “fascism” to refer to a variety of ultranationalism. When analyzing the current Brazilian situation, Souza (2019) also refers to fascism, exploring its irrational origins and particularities in Brazil, noticing the emergence of a neo-fascism. Against this backdrop, there are cases of people leaving their countries due to the increasing violence experienced. This study explores this particular situation, presenting the history of Tiburi’s exile, a philosopher, writer, university professor, and Brazilian politician. Concerning the theoretical discussion of the case, the study recalls, among other contributions, the debate about the centrality of work and its psychological function and how it presents itself as a form of existence and resistance for political exile. The article also discusses solidarity and the ‘public space of word’, a possibility that ceases in the country of origin and is sought in expatriation, primarily through work as a mode of existence and resistance. This study uses life history research, which is a rich possibility of apprehending the social experience and the subject in their practices. It is a method particularly fruitful in the study of phenomena such as migration. It is also essential through this research to register and reflect on work in the context of the recent Brazilian political exile.


2016 ◽  
pp. 83
Author(s):  
Tobias Leo

Far right parties, organisations and movements try to usurpate youth subcultural movements. As a result, Skinheads are primarily xenophobic and racist thugs for the public and media, although this subculture in reality is very heterogeneous. But it is true that right-wing extremist Skinheads are a large part of it. Today the Autonomous Nationalists try to conquer and copy left subcultures, but much more subtle and on a broad social base. The focus of this work is the acquisition of the Skinhead subculture and the attempt to do the same at left movements by the extreme right. As an explanatory model, the Hegemony Theory of Antonio Gramsci is used here.


2018 ◽  
Vol 11 (1-2) ◽  
pp. 43-62
Author(s):  
Wisam Kh. Abdul-Jabbar

This study explores Habermas’s work in terms of the relevance of his theory of the public sphere to the politics and poetics of the Arab oral tradition and its pedagogical practices. In what ways and forms does Arab heritage inform a public sphere of resistance or dissent? How does Habermas’s notion of the public space help or hinder a better understanding of the Arab oral tradition within the sociopolitical and educational landscape of the Arabic-speaking world? This study also explores the pedagogical implications of teaching Arab orality within the context of the public sphere as a contested site that informs a mode of resistance against social inequality and sociopolitical exclusions.


Author(s):  
OLEKSANDR STEGNII

The paper analyses specific features of sociological data circulation in a public space during an election campaign. The basic components of this kind of space with regard to sociological research are political actors (who put themselves up for the election), voters and agents. The latter refer to professional groups whose corporate interests are directly related to the impact on the election process. Sociologists can also be seen as agents of the electoral process when experts in the field of electoral sociology are becoming intermingled with manipulators without a proper professional background and publications in this field. In a public space where an electoral race is unfolding, empirical sociological research becomes the main form of obtaining sociological knowledge, and it is primarily conducted to measure approval ratings. Electoral research serves as an example of combining the theoretical and empirical components of sociological knowledge, as well as its professional and public dimensions. Provided that sociologists meet all the professional requirements, electoral research can be used as a good tool for evaluating the trustworthiness of results reflecting the people’s expression of will. Being producers of sociological knowledge, sociologists act in two different capacities during an election campaign: as analysts and as pollsters. Therefore, it is essential that the duties and areas of responsibility for professional sociologists should be separated from those of pollsters. Another thing that needs to be noted is the negative influence that political strategists exert on the trustworthiness of survey findings which are going to be released to the public. Using the case of approval ratings as an illustration, the author analyses the most common techniques aimed at misrepresenting and distorting sociological data in the public space. Particular attention is given to the markers that can detect bogus polling companies, systemic violations during the research process and data falsification.


Author(s):  
Natalia Kostenko

The subject matter of research interest here is the movement of sociological reflection concerning the interplay of public and private realms in social, political and individual life. The focus is on the boundary constructs embodying publicity, which are, first of all, classical models of the space of appearance for free citizens of the polis (H. Arendt) and the public sphere organised by communicative rationality (Ju. Habermas). Alternative patterns are present in modern ideas pertaining to the significance of biological component in public space in the context of biopolitics (M. Foucault), “inclusive exclusion of bare life” (G. Agamben), as well as performativity of corporeal and linguistic experience related to the right to participate in civil acts such as popular assembly (J. Butler), where the established distinctions between the public and the private are levelled, and the interrelationship of these two realms becomes reconfigured. Once the new media have come into play, both the structure and nature of the public sphere becomes modified. What assumes a decisive role is people’s physical interaction with online communication gadgets, which instantly connect information networks along various trajectories. However, the rapid development of information technology produces particular risks related to the control of communications industry, leaving both public and private realms unprotected and deforming them. This also urges us to rethink the issue of congruence of the two ideas such as transparency of societies and security.


Author(s):  
Samuel Llano

As is described in this conclusion, more than the media and culture, Madrid’s public space constituted the primary arena where reactions and attitudes toward social conflict and inequalities were negotiated. Social conflict in the public space found expression through musical performance, as well as through the rise of noise that came with the expansion and modernization of the city. Through their impact on public health and morality, noise and unwelcomed musical practices contributed to the refinement of Madrid’s city code and the modernization of society. The interference of vested political interests, however, made the refining of legislation in these areas particularly difficult. Analysis of three musical practices, namely, flamenco, organilleros, and workhouse bands, has shown how difficult it was to adopt consistent policies and approaches to tackling the forms of social conflict that were associated with musical performance.


Author(s):  
Samuel Llano

This chapter presents an account of the San Bernardino band as the public facade of that workhouse. The image of children who had been picked up from the streets, disciplined, and taught to play an instrument as they marched across the city in uniform helped broadcast the message that the municipal institutions of social aid were contributing to the regeneration of society. This image contrasted with the regime of discipline and punishment inside the workhouse and thus helped to legitimize the workhouse’s public image. The privatization of social aid from the 1850s meant that the San Bernardino band engaged with a growing range of institutions and social groups and carried out an equally broad range of social services. It was thus able to serve as the extension through which Madrid’s authorities could gain greater intimacy with certain population sectors, particularly with the working classes.


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