Party politics and empire in the early eighteenth century

1985 ◽  
Vol 28 (1) ◽  
pp. 103-123 ◽  
Author(s):  
Philip Jenkins

In the last two decades, British urban history has flourished. The Tudor and Stuart periods have attracted particular attention, so that we are well informed on the party factions and politics of this time. There are excellent general accounts by Drs Clark, Slack and others; and notable local studies like Dr Evans' account of Norwich. However, it is interesting that early eighteenth-century towns are by no means as well covered, especially in the area of politics. We have studies of Norwich and the West Midlands, but these mostly concern the period after 1760. On the first half of the century, most of the available published material comes from incidental references in books on broader party politics and organization; for instance in works by Drs Holmes, Brewer and Colley.


2016 ◽  
Vol 55 (1) ◽  
pp. 24-56 ◽  
Author(s):  
Stephanie Koscak

AbstractThis article argues that the commercialization of monarchical culture is more complex than existing scholarship suggests. It explores the aesthetic dimensions of regal culture produced outside of the traditionally defined sphere of art and politics by focusing on the variety of royal images and symbols depicted on hanging signs in eighteenth-century London. Despite the overwhelming presence of kings and queens on signboards, few study these as a form of regal visual culture or seriously question the ways in which these everyday objects affected representations of royalty beyond asserting an unproblematic process of declension. Indeed, even in the Restoration and early eighteenth century, monarchical signs were the subject of criticism and debate. This article explains why this became the case, arguing that signs were criticized not because they were trivial commercial objects that cheapened royal charisma, but because they were overloaded with political meaning. They emblematized the failures of representation in the age of print and party politics by depicting the monarchy—the traditional center of representative stability—in ways that troubled interpretation and defied attempts to control the royal image. Nevertheless, regal images and objects circulating in urban spaces comprised a meaningful political-visual language that challenges largely accepted arguments about the aesthetic inadequacy and cultural unimportance of early eighteenth-century monarchy. Signs were part of an urban, graphic public sphere, used as objects of political debate, historical commemoration, and civic instruction.


Author(s):  
Joseph Hone

This book is the first detailed study of the final Stuart succession crisis. It demonstrates for the first time the centrality of debates about royal succession to the literature and political culture of the early eighteenth century. Using previously neglected, misunderstood, and newly discovered material, it shows that arguments about Anne’s right to the throne were crucial to the construction of nascent party political identities. Literary texts were the principal vehicle through which contemporaries debated the new queen’s legitimacy. This book sheds fresh light on canonical authors such as Daniel Defoe, Alexander Pope, and Joseph Addison by setting their writing alongside the work of lesser known but nonetheless important figures such as John Tutchin, William Pittis, Nahum Tate, John Dennis, Henry Sacheverell, Charles Leslie, and other anonymous and pseudonymous authors. Through close historical readings, it shows how this new generation of poets, preachers, and pamphleteers transformed older models of succession writing by Milton, Dryden, and others, and imbued conventional genres such as panegyric and satire with their own distinctive poetics. By immersing the major authors in their milieu, and reconstructing the political and material contexts in which those authors wrote, this book demonstrates the vitality of debates about royal succession in early eighteenth-century culture.


2019 ◽  
pp. 1-12
Author(s):  
Nigel Aston ◽  
Benjamin Bankhurst

This introductory chapter explores the historiography of the Hanoverian Succession and the centrality of Protestant Dissent in the party politics of the British Atlantic World in the early eighteenth century during the reigns of Queen Anne and George I. It argues that, taken together, the essays in the book represent a significant addition to scholarship on the topics of the Hanoverian Succession, party politics, and popular religion in the early eighteenth century. The combination of the volume’s tight focus on Protestant Dissent and nonconformity, and the sweeping geographic range covered by its contributors ensures that it will stand out as an authoritative addition to the scholarship of the early eighteenth century.


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