Popular Opera in Eighteenth-Century France

This is the first book for a century to explore the development of French opera with spoken dialogue from its beginnings. Musical comedy in this form came in different styles and formed a distinct genre of opera, whose history has been obscured by neglect. Its songs were performed in private homes, where operas themselves were also given. The subject-matter was far wider in scope than is normally thought, with news stories and political themes finding their way onto the popular stage. In this book, David Charlton describes the comedic and musical nature of eighteenth-century popular French opera, considering topics such as Gherardi's theatre, Fair Theatre and the 'musico-dramatic art' created in the mid-eighteenth century. Performance practices, singers, audience experiences and theatre staging are included, as well as a pioneering account of the formation of a core of 'canonical' popular works.

Saying “Thank You” for Quality Closed Captions: A Promising Shift in Inviting Access

Even as deaf and hard of hearing filmmakers and activists repeatedly call for quality captions on all video content, many non-deaf filmmakers have managed to remain unaware of the need for and purpose of captions. Implicit biases drive many filmmakers to exclude access from their budgets and their films. These biases include a notion that caption users are not a viable audience, concerns that captions will threaten the beauty of video images by covering part of the screen, and an audist attitude that any level and quality of transcription of spoken dialogue must be adequate. The author is a hearing captioner and filmmaker. In this essay, she reflects on how she advocates for film accessibility through captions. She describes her strategy, how she frames “onscreen real estate,” and responses from filmmakers for captions, including the hopeful way that some say thank you. Quality captions are contrasted against woefully inadequate captions—or “craptions”—provided automatically by YouTube and by companies with cut-rate services. The author considers a focus on inviting access rather than waiting for a compliance-based method of only captioning a film when the filmmaker learns it is required.

Gilbert and Sullivan

This chapter discusses Richard D'Oyly Carte's “Gilbert and Sullivan” (G & S) program, which was named after W. S. Gilbert and Arthur Sullivan. Carte's G & S program combined the appeal of superb craftsmanship with that of fresh material, replacing the previous derivative nature of extravaganza and burlesque. First of all, Carte commissioned Trial By Jury, G & S's only one-act production. It was a miniature comic opera. This led to the famous series of shows, now all with spoken dialogue, that changed the course of the Anglophone musical. However, by his involvement with Gilbert and Sullivan Carte had tasked himself weightily, as he now faced years of delicate diplomacy, keeping the act together when Gilbert got too prickly or Sullivan felt unappreciated. Next, Carte recruited G & S performers into the D'Oyly Carte Opera Company. The aim was to tour internationally in the G & S canon and this tradition lasted for over one hundred years. The business became a family business. After Carte retired the business was managed by his son Rupert, and then by Rupert's daughter Bridget, before disbanding in 1982, albeit with sporadic initiatives thereafter. The chapter finally looks into more detail at the G & S canon, including titles such as The Pirates Of Penzance (1879) and Patience (1881).

An Interactive Dialogue Management System for Spoken Language

The spoken dialogue system is one of the most important human-machine communication ways. Human-machine communication can be described as an interaction between the user and the computer. This field is full of research points, so it is considered a good attractive environment for many researchers. The spoken dialogue system is of great importance in the process of communicating commercial applications, and facilitating the connecting process between the human and machine which may take different faces. The main objective of this research will be building an interactive dialogue management system for spoken dialogue system in an ideal way, By answering the following main question: How can we build an interactive dialogue management system for spoken dialogue system in an ideal way has the ability to accomplish the Naturalness, Usability, Mixed initiative, Co-operativity, Robustness, and Exploration. This research will be a mixed-method research and will adopt a descriptive survey design in collecting information by Survey questionnaires, Interviews to a sample of the target population, and while secondary data will be found from books, journals, and The Internet. The most important conclusion of the research is the spoken dialogue system is to be less complexity and use uncertainty model; this way must be acceptable by the user and the system itself.