Indigenous built structures and anthropogenic impacts on the stratigraphy of Northern Australian rockshelters: insights from Malarakk 1, north western Arnhem Land

Malarrak 1 is currently the northernmost excavated rockshelter on the Australian mainland, located in the Wellington Range in north western Arnhem Land. The site contains a rich late Holocene deposit, with extensive contact rock art, stone artefacts, shell, bone, contact materials, ancestral human remains, and other cultural material. Excavation of the Malarrak 1 rockshelter and analysis of its sediments revealed many impacts on site formation processes within the deposit. We attribute the disturbance to possible erosion or sediment deposition during periods of intense rainfall and also to the construction of timber structures within the site. This is supported by modern and historical observations and is the focus of this paper. The extent of the disturbance to Malarrak 1 provides a cautionary tale for other excavations in the region that may be affected by similar Indigenous site occupation, as these anthropogenic activities enhance the risk of further impacts arising from biological and geomorphological processes that can impinge on the stratigraphic integrity of the cultural deposits.

A guarantee of safety, a cautionary tale or a celebration? Popularity of true crime narratives through the lens of Mary Douglas’s concepts of pollution and defilement

The fascination with crime, hastily described by some as a symptom of moral degradation of Western culture, seems to be a defence mechanism used by individuals to deal with social transgressions and anomalies represented by serious crimes. The aim of this article is to analyse the growing popularity of true crime through the lens of Mary Douglas’s theory of purity and pollution, with a particular emphasis on the methods of dealing with anomalies appearing within conceptual schemata of a given culture. For this purpose, the text has been divided into four parts: the first part briefly presents the history of true crime; the second part analyses the idea of murder through the lens of Douglas’s theory; the third part discusses the reasons behind the popularity of true crime narratives; and the fourth part showcases how individuals use true crime stories as tools to deal with anomalies.

An Academic Sin: The Use of Ser Brunetto Lantini in The Divine Comedy

On his journey through The Inferno, Dante Alighieri is shocked to encounter his beloved former teacher, Ser Brunetto Latini, in the third ring of the seventh circle of Hell where Latini is eternally tormented with other men of his ilk—academics, poets, and learned men of rhetoric—are punished as sodomites. The question then, is why has Latini been placed there and what can be inferred about Dante’s understanding of the nature of medieval sodomy as academic blasphemy? The findings presented here indicate that one of the most offensive readings of sodomy is an unsexual one. Sins of fleshy sensuality are presented blatantly in both the Inferno and Purgatory, but I argue that Dante places Brunetto among the eternally damned not only to privilege the rhetoric of humility but to serve as a cautionary tale on how our teachers fail us. Dante’s disassociation with Latini’s need for cerebral acclaim forms the foundational pad for which Dante cautions himself against the ultimate heresy of pride, while Latini continually presses the immodest approach for both himself and his pupil. Intellectual sodomy is a crime that is valued higher in Dante’s penal hierarchy than any sexual sin is, with less chance for redemption, as is shown with the direct bridging of desexualized sodomy in Inferno 15 with the explicitly sexualized sodomy of Purgatory 27. The fact that Inferno XV does not contain obvious allegory or simply stated sins renders it one of the most enigmatic cantos. The position that Brunetto’s sin is hubristic supports Dante’s conflicted relationship with his own pride—the sin on which Dante dedicates his journey.