Tracing the Ephemeral

This paper examines how Greek television fiction introduced and represented lesbian characters during primetime. Drawing on feminist and queer theory and taking the codes and conventions of the comedy genre into account, the paper reveals Greek comedy’s elusive and ambiguous stances towards heteronormativity. By applying a qualitative textual approach, the paper argues that despite their subversive potentialities, the television shows in question (re)produce cultural stereotypes about lesbian identity, invest in queerbaiting strategies and play down the transgressive elements of certain lesbian characters. Despite this critique, the paper stresses the importance of recording, archiving, and further exploring such ephemeral moments in television history in understanding how small national television industries as well as audiences have engaged with the visual representation of gender and sexual diversity.

Making (shelf) space for VHS: AGFA and the preservation of genre film access copies

This masters research project, All Kinds of People, All Kinds of Ways, proposes that gender is a constructed concept produced by colonial, capitalist, and patriarchal structures. This is illustrated through a three-channel video installation of the same name that utilizes conversations with two-spirit, Anishinaabe participants whose traditions express the fluidity of gender identity. The research done in this paper further supports these discussions through an analysis of feminist and queer theory, as well as a look at various cultures around the world that have similar understandings of non-fixed gender.

Making (shelf) space for VHS: AGFA and the preservation of genre film access copies

This masters research project, All Kinds of People, All Kinds of Ways, proposes that gender is a constructed concept produced by colonial, capitalist, and patriarchal structures. This is illustrated through a three-channel video installation of the same name that utilizes conversations with two-spirit, Anishinaabe participants whose traditions express the fluidity of gender identity. The research done in this paper further supports these discussions through an analysis of feminist and queer theory, as well as a look at various cultures around the world that have similar understandings of non-fixed gender.

All kinds of people, all kinds of ways

This masters research project, All Kinds of People, All Kinds of Ways, proposes that gender is a constructed concept produced by colonial, capitalist, and patriarchal structures. This is illustrated through a three-channel video installation of the same name that utilizes conversations with two-spirit, Anishinaabe participants whose traditions express the fluidity of gender identity. The research done in this paper further supports these discussions through an analysis of feminist and queer theory, as well as a look at various cultures around the world that have similar understandings of non-fixed gender.

All kinds of people, all kinds of ways

This masters research project, All Kinds of People, All Kinds of Ways, proposes that gender is a constructed concept produced by colonial, capitalist, and patriarchal structures. This is illustrated through a three-channel video installation of the same name that utilizes conversations with two-spirit, Anishinaabe participants whose traditions express the fluidity of gender identity. The research done in this paper further supports these discussions through an analysis of feminist and queer theory, as well as a look at various cultures around the world that have similar understandings of non-fixed gender.

Individuation, Sexuation, Technicity

Within the context of questions raised by gender and sexuality studies about the relationship between sex and technics, I develop a theory of sexuation derived from Gilbert Simondon’s philosophy of individuation. First, I provide an overview of Simondon’s philosophy of individuation, from the physical to the collective. In the second section, I turn to the question of sexuality, outlining an ontogenetic account in which sexuation is conceived as a process of both individuation and relation that is fundamental to certain living beings. Then, drawing on Simondon’s theorization of technics in its mediating function between humans and the world, I resituate understandings of the relation between sex and technics. While each section – Individuation, Sexuation, Technicity – argues for the significance of these concepts to feminist and queer theory, overall the essay uses Simondon’s work as a new paradigm for gender and sexuality studies and calls for the invention of a sexuate culture.

Towards a feminist politics of mobility: U.S. Travel and immigration memoirs

This paper challenges longstanding cultural associations that link men to mobility and women to stability by outlining what I term a feminist politics of mobility. Bringing together four contemporary memoirs that foreground journeys, I explore how U.S. women embody and represent their mobility, as well as how movement shapes their relationships to global power structures and to norms of gender and sexuality. I draw on feminist geography, feminist and queer theory, memoir studies and mobility scholarship to read Elizabeth Gilbert’s Eat Pray Love (2006), Reyna Grande’s The Distance Between Us (2012), Daisy Hernández’s A Cup of Water Under My Bed (2014), and Cheryl Strayed’s Wild (2012). Highlighting the differences between these authors’ journeys as well as the patterns across them, I ultimately find that these memoirists model a feminist politics of mobility, wherein moving through space redistributes power to women and renegotiates social relations that have historically supported women’s subordination.

Towards a feminist politics of mobility: U.S. Travel and immigration memoirs

This paper challenges longstanding cultural associations that link men to mobility and women to stability by outlining what I term a feminist politics of mobility. Bringing together four contemporary memoirs that foreground journeys, I explore how U.S. women embody and represent their mobility, as well as how movement shapes their relationships to global power structures and to norms of gender and sexuality. I draw on feminist geography, feminist and queer theory, memoir studies and mobility scholarship to read Elizabeth Gilbert’s Eat Pray Love (2006), Reyna Grande’s The Distance Between Us (2012), Daisy Hernández’s A Cup of Water Under My Bed (2014), and Cheryl Strayed’s Wild (2012). Highlighting the differences between these authors’ journeys as well as the patterns across them, I ultimately find that these memoirists model a feminist politics of mobility, wherein moving through space redistributes power to women and renegotiates social relations that have historically supported women’s subordination.

Invisible while visible: an Australian perspective on queer women leaders in international affairs

In among the silencing and invisibility of their stories, queer women operate as critical leaders in international affairs. They face multiple marginalisations: (1) challenging the archetypical diplomat or security leader as a heteronormative (white) male; and (2) operating in different cultural contexts with varying negative attitudes towards women in power and homosexuality in general. Providing both empirical and theoretical contributions to the fields of diplomacy, feminist and queer theory, this article gains unique access to Australian lesbian, gay, bisexual, trans and gender diverse, and intersex diplomats and attachés to understand: what are the experiences of queer woman leaders in international affairs?

Feminine Praxis

Dresses and skirts are emblematic of a feminine style and also of women’s subordination to men. But the fashion these days for what is erroneously called gender-neutral or unisex clothing is neither a sign of progress nor of victory of feminists against patriarchy. For while in protest of their physical and symbolic impositions women were abandoning feminine affect and apparel, without the political motive and under no pressure to do likewise, men enacted no equivalent abandonment of masculinity. With femininity subtracted out, the style men are habituated to wearing became gender neutral by default and nothing was or is sacrificed by men to achieve it. The process of becoming a man is an aversion therapy in anything held as feminine. This article centres on what I call a ‘feminine praxis’, a practice of thought and action with the aim of ending masculine domination. The idea, and what it entails, is unpacked through a range of theoretical sources and interventions germane to the topic, including Marxist, feminist, and queer theory.