hebrew prophets
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2020 ◽  
pp. 19-38
Author(s):  
John Finnis

Leaving unstated it’s probably many connections with Chinese traditional cultures, it [this paper] seeks to articulate some main theses of the tradition that, owing as much (if not more) to Hebrew prophets as to Greek philosophers, is foundational for a critical appropriation and defence of authentic human rights. Leaving many important human rights unstated, it tries to identify the rational foundations for them all, in nine theses.


Author(s):  
Mitchell G. Reddish

This chapter examines the three major candidates for the literary genre of the book of Revelation—an apocalypse, a letter, or a prophecy. The form, content, and function of the work are compared to these elements of typical apocalyptic, epistolary, and prophetic writings. Even though the opening and closing of the book follow the form of ancient letters and the work uses several literary forms that are found in the books of the Hebrew prophets, the work coheres well with the standard definition of an apocalypse. Recognizing the contributions of each of these genres to the book of Revelation, the chapter concludes that Revelation is the product of a Christian prophet whose writing best matches the literary genre of an apocalypse that is encased in an epistolary framework.


Religions ◽  
2020 ◽  
Vol 11 (4) ◽  
pp. 172
Author(s):  
John Gatta

By the late seventeenth century, Puritan leaders in colonial America were bemoaning what they perceived to be the betrayal of New England’s godly “errand into the wilderness.” In election sermons they mourned the community’s backsliding from its global mission as a “city upon a hill.” Such doomsday rhetoric echoed the lamentations of decline intoned by ancient Hebrew prophets such as Jeremiah. Yet this “Jeremiad” discourse characteristically reached beyond effusions of doom and gloom toward prospects of renewal through a conversion of heart. It blended warnings of impending catastrophe with hope for recovery if the erring souls it addressed chose to repent. This twofold identity of the Puritan Jeremiad, gradually refashioned into the American Jeremiad, has long resonated within and beyond this nation’s literary culture. Featured in creative nonfiction, jeremiad expression surfaces in various forms. And with rise of the modern environmental movement, a prophetic subspecies identifiable as “Green Jeremiad” has lately emerged. The essay reflects on how, especially in an Anthropocene era, Green Jeremiads dramatize the crisis of spirit and faith that undergird challenges to earth’s geophysical health and survival. What saving graces might temper the chilling reminders of imminent peril composed by authors such as Rachel Carson, Bill McKibben, Barbara Kingsolver, and Elizabeth Kolbert?


2020 ◽  
Vol 77 (1) ◽  
pp. 106-108
Author(s):  
Jerome F. D. Creach
Keyword(s):  

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