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2021 ◽  
Vol 6 (2) ◽  
pp. 133-139
Author(s):  
M Beham Kalitha

Poems are composed by many from ancient time till date, those who are having interest, great vocabulary and its timely and proper use are sustained and became famous in this field. In poems of this great people the events happened in their own life or witnessed by them will be the core of their poems. In this order, this poem is also the one which is expressing the feelings of the woman. The important relationship in the whole world and which one make us proud is “MOTHER”. This poem shed light on the feelings of the mother, the atrocities imposed on her in the name of family values or duty of mother and the husband’s doubts about her morality. Also, this is explaining about the sexual harassments of the working woman and their mindset, infant suffering, and the one still in home without marriage due to religion, cast, creed, and financial difficulties. In short this is detailing all the sufferings of a woman in non-traditional poetry form.


2021 ◽  
Vol 32 (4) ◽  
pp. 336-339
Author(s):  
A. P. Nikolaev

Although dysmenorrhea is a fairly frequent and, incidentally, a very painful disease for a working woman, its nature is far from fully elucidated; therefore, in the treatment of this disease, complete, so to speak, arbitrariness, polypharmacy, empiricism reigns; the success of treatment is usually minimal.


2020 ◽  
Vol 11 (1) ◽  
pp. 71-85 ◽  
Author(s):  
Baidurya Chakrabarti

This article, by closely examining the trajectory of the upcoming Bollywood star Ayushmann Khurrana, tries to unravel the constitutive fantasies that provide a significant degree of coherence to his star-image. Through a close textual reading, the article aligns these fantasies with the diurnal realities of neoliberal India. In these fantasies, the male protagonist is found to be (a) the privileged embodiment of a surplus/lack that comes to signify the ‘thing’ called the modern, but (b) the man and his sociality is not prepared yet to accept this ‘thing’, thus triggering comedy; it is only in romantic conjugation with (c) a working woman can this excess charge of the modern be resolved within the narratives. Using psychoanalytic insights, the article unpacks these fantasies as ones involving both a crisis and an ultimately infantile reaction to it.


CALL ◽  
2020 ◽  
Vol 2 (2) ◽  
Author(s):  
Raihan Nurul Fahira ◽  
Ririn Kurnia Trisnawati ◽  
Muhammad Taufiqurrohman

The research aims to figure out the gender roles which are used to look at how the film constructs and upholds gender roles. The qualitative method is used to analyze the data in which the primary data are taken from Brad Bird’s Incredibles 2 (2018). Additionally, the researcher used gender roles and cinematography theory to look at how gender is a performance and also to gain a result that gender roles are changing overtimes. The use of Judith Butler’s theory of performativity is to show that the portrayal of gender roles in the movie is slightly different from social construction. Butler’s notion of performativity refers to an act of performance that an individual is doing repeatedly as described in Incredibles 2 (2018) where Bob and Helen do the gender role reversal and share the same responsibilities in the family. Bob is previously shown as the breadwinner of the family and the main earner while Helen is a full-time stay-at-home mother who takes care of the children and the house. Since they no longer hold the traditional gender role; therefore, the movie demonstrates how they start to swap gender assigned tasks. Accordingly, the gender roles are showcased as Bob is being the househusband and the caretaker of the family while Helen is a working woman.


2020 ◽  
pp. 146-162
Author(s):  
Samina Yasmeen
Keyword(s):  

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