Unto One Man’s Hand: The Power of Portraiture of The Favorites of James I

This paper discusses the study and analysis of portraiture of the favorites of King James I: Esmé Stuart, Robert Carr, and George Villiers. Although famous female mistresses (such as Anne Boleyn before her queenship or Madame de Pompadour) often did wield immense political power, there is better historical documentation for the power of male favorites in politics, the military, economics, and other areas of national affairs. Studying visual primary source material allows a new perspective on contemporary thought and propaganda of the time. Certain aspects of character are better communicated through the intricate symbology of the time, and portraiture allows a perfect avenue to bringing those observations to light. The art forms discussed—official depictions as well as engraved prints, which were more easily disseminated to a wider public—had very different audiences and therefore carried different messages. By analyzing these works, we can draw new conclusions about the ways in which the contemporaries of the favorites, regardless of social status, perceived these men. "Reading” visual and written sources through a queer lens will also provide a depth of understanding missed by earlier sources, which have historically lacked that lens.

Helvétius, Claude-Adrien (1715–71)

Helvétius was one of the most noteworthy and notorious figures of the French Enlightenment. In common with his fellow philosophes, he asserted that all philosophical discussions should be based on the empiricism of Locke’s Essay on Human Understanding (1689). But unlike Voltaire, d’Alembert, and the other members of ‘the party of humanity’, Helvétius took literally the notion that each person is a tabula rasa at birth – he boldly argued the case for unabashed environmental determinism. We are what our surroundings have made us, and nothing more. Immediately after Helvétius published De l’Esprit in 1758, the Catholic authorities cited his book as definitive proof that the philosophes were out to destroy religion, throne, family, and all that is sacred. Only the struggle between court and parliament over control of censorship, along with his ties to Madame de Pompadour and the Duc de Choiseul, saved Helvétius. After suffering the indignity of three recantations, he decided upon posthumous publication of his second major work, De l’Homme (1773). Not a single philosophe accepted Helvétius’ view that the mind is a completely passive recipient of data received through the senses; nor did any of his comrades second his constantly reiterated claim that all sensibility may be reduced to physical sensations. Some privately expressed their exasperation that Helvétius published so much that seemed to vindicate every charge the Church lodged against them: that they were materialists, advocates of free love, and champions of a scandalous hedonism. Nevertheless at least a few of the philosophes, after setting aside the philosophical suppositions of De l’Esprit, came to appreciate that the larger concern of Helvétius was with their own search for the social and political preconditions of an independent intelligentsia, the would-be agents of Enlightenment.

The University of Southern California Voltaire Letters: A polymathic multimodal digital project

In spring 2015 one catalog record in the University of Southern California (USC) Special Collections came to my attention: Voltaire correspondence, 1741–1777. The correspondence consists of 30 original autograph letters and four poems authored by Voltaire (François-Marie Arouet, 1694–1778) and his circle, including leading figures of the Enlightenment such as Jean le Rond d’Alembert (1717–1783), Frederick II of Prussia (1712–1786), and Madame de Pompadour (1721–1764)—the acknowledged mistress of Louis XV (1710–1774).

Portreti druge polovice 18. stoljeća na tlu Hrvatske – svjedoci odjevnih oblika i modnih utjecaja razdoblja rokokoa

his paper will attempt to analyze the clothing from the rococo period and underline fashion as an important segment in the reconstruction of a specific style era. Based on conserved portraits from the second half of the 18th century, as well as rare artifacts of clothing from the period found in Croatia, a description of primarily women’s types of clothing, accessories and the terms used to describe them will be given. Influences had, primarily through cultural and trade routes, come from the fashion capital of the period – France, and fashion innovations and the intensity of their changes were under the influence of the personal style first of Madame de Pompadour and afterwards Marie Antoinette. Croatia, which had at the time been part of the Habsburg monarchy and under the Republic of Venice, tended toward French influences in fashion, which represents a considerable move from the prior influence of Italian and German style.