Meat, Mercy, Morality

This book uses the lens of humanitarian debates to understand the nature of British colonialism in India. It demonstrates that with emergence of new notions of public health in late 19th-century Bengal, contests over appropriate measures for controlling animals became part of wider debates surrounding environmental ethics, diet, sanitation, and a politics of race/class that reconfigured boundaries between the colonizer and the colonized. Centered around three major stories – animals as diseased, eaten, and overworked – it explores how the colonial project of animal protection mirrored an irony in that it exposed the disjunction between the claims of a benevolent colonial state and a powerful, not-too-benign reality where the state constantly sought to discipline its subjects – both human and nonhuman. It refreshes our understanding of environment, colonial science and British imperialism by arguing that colonial humanitarianism was not only an idiom of rule, but was also translated into Bengali dietetics, anxieties, vegetarianism and vigilantism which can be seen in India even today.

‘Leaving a record of their coming’

Creature from the Black Lagoon (Arnold US 1954), perhaps the quintessential and most enduring atomic-age creature feature, is a rich text for ecocritical analysis. Not only does the film heavily emphasise extinction and evolution in its narration and plot line, but the film is full of tensions that both calcify problematic Anthropocenic narratives and erode them. The film offers us a way of critiquing Anthropocenic histories and ongoing narratives without erasing racial and colonial injustices. It also offers us a way to imagine other stories - other ways of writing on our world - that engage material entanglements, disorient colonial and anthropocentric perspectives and create empathy. Recognising the film’s rocky Anthropocenic and extinction narratives enables a more fluid approach. Reading through water, emphasising evolutionary entanglements, brings into high relief past injustices against humans and nonhumans, and it engages a palimpsest effect, where an awareness of our muddled materiality helps us write over hierarchical pasts. Framing the film ecocritically by reading extinction and evolution emphasises the tensions of Anthropocenic violence (through colonial science and Anthropocenic erasures) and of positive material entanglements (through empathy and disorientation).

Nature, colonial science and nation-building in twentieth-century Philippines

This article examines colonial nature-making in twentieth century Philippines. It particularly looks into natural history investigations of the American-instituted Bureau of Science and the ways in which it created a discursive authority for understanding the Philippine natural environment. These biological investigations, the article argues, did not only structure the imperial construction of the colony's nature, but also provided a blueprint for imagining notions of national integration and identity. The article interrogates the link between colonial scientific projects and nation-building initiatives, emphasising the scripting of the archipelago's nature and the creation of a national science through biological spaces.