Voicing sentiments of resilience: A corpus approach to 1980s conscious rappers in South Africa

The study of people’s response to adversity acquires substantially different connotations in the South African context because of the heavy legacy of apartheid. This article explores the construction of the notion of resilience through the oral narrative production of the most prominent conscious rappers that emerged in the 1980s in South Africa, namely Prophets of Da City and Black Noise. By means of a corpus approach, our analysis with AntConc revealed that resilience is intrinsically connected to the historical sociopolitical struggle of the black group. In building this notion, results show how the parallel emergence of an oppressive other, the white group, plays a fundamental role. Relevant to our study, the affirmation of their black identity appears to act as an effective way of underpinning their possibility of resurgence. Furthermore, the objective analysis of rappers’ linguistic choices in their lyrics underlines their strategic use of personal pronouns, ethnic labels and other contextual-loaded terms whilst conveying their messages and communicating with their audience. These results both demonstrate the contribution of rap music in construction of a specific notion of resilience and highlight the effectiveness of this methodological approach, opening the floor to comparative studies.

Black noise ruins: Notes after Locrian’s Rain of Ashes

In this article-cum-essay, I scrutinize the particulars surrounding Locrian’s release Rain of Ashes. The text opens with a reflection on quiddity and what I call curity (whyness) to situate the musicians aural potentialities, and move towards articulating what I define as ‘black noise’. In the context of black noise, I claim Locrian perform the ruins of black noise. I attempt to write alongside the music by replicating some of the music’s qualities and galvanize those qualities by using commentaries, reviews of the release and interviews with the band’s members while trying to analyse the push-and-pull aura of Rain of Ashes for the listener.

Global Noise and Global Englishes

Global Noise: Rap and Hip-Hop Outside the USA, alluding to Tricia Rose’s US rap-music book, Black Noise, aims to do much more than merely extend the reach of the study of rap and hip-hop beyond the USA, as its subtitle might suggest. While acknowledging the importance of the work of both Rose and Potter, this collection’s editor, Tony Mitchell, contests their respective views that rap and hip-hop are essentially expressions of African-American culture, and that all forms of rap and hip-hop derive from these origins. He argues that these forms have become ‘a vehicle for global youth affiliations and a tool for reworking local iden- tity all over the world’.