On Trying to be With Each Other: A Conversation Between Laura Vriend and Nichole Canuso

No abstract available.

Moving with the Screen on Zoom: Reconnecting with Bodily and Environmental Awareness

Rather than seeing Zoom as a replacement for practicing movement and dance in a shared physical space, I propose to consider our relationship with the screen on Zoom as a movement in its own right. Using my experience of teaching movement on Zoom, I ask how we can connect with another via the screen without losing awareness of our bodies and the space which we're in. I argue that Zoom is a place of 'moving selfies' in dialogue where we can engage critically with the screen by practicing seeing with the whole body and moving with diffuse awareness and where we can critically reflect on our own habits of framing the world and its biases.

Extended Beings: Screendance as a Reflective and Interrogative Tool During Covid-19

No abstract available.

Notes on Pandemic-Era Screendance-making

No abstract available.

TikTok and Short-Form Screendance Before and After Covid

No abstract available.

Editorial: This Is Where We Dance Now

No abstract available.

The Virtual Ballet Studio: A Phenomenological Enquiry into the Domestic as Dance-Space During Lockdown

The paper is based on an autoethnographic study of dancing via Zoom over the Covid19 lockdown in Sydney, Australia. Its theoretical framework takes up Iris Marion Young's critical phenomenology and work on domestic space to think about certain focal points of the experience, such as having a room to move in, the floor, and the screen. The aim is to examine how important dance-space is to the experience of dancing, and what the specifics of our current situation have revealed about dancing that were obscured to a greater extent before: for instance, the embeddedness of a dancer in their context and what this means for thinking about privilege, as well as the curatorial work that goes into making domestic space an aestheticized dance-space. In this way, I propose that Zoom classes, as well as being a distinct new phenomenon, also have much to teach us about 'conventional,' pre-Covid dance practice.

Movement as Medicine and Screendance as Survivance: Indigenous Reclamation and Innovation During Covid-19

Indigenous screendance challenges US settler colonial constructions that drive political, environmental, and global injustices, which the Covid-19 pandemic has exacerbated. This article analyzes online workshops taught in 2020 by Rulan Tangen, Founder and Director of DANCING EARTH CREATIONS, as "movement as medicine" and "screendance as survivance." By connecting Tangen's workshops to Indigenous peoples' historical and ongoing uses of dance and the digital sphere for wellbeing and survival, we show how and why these practices provide powerful possibilities to counter settler colonial concepts of anthropocentrism, Cartesian dualism, patriarchy, and chronological time. Tangen's teaching offers ways for humans and more-than-humans—meaning land, cosmos, nonhuman animals, water, and plants—to (re)connect, drawing on the past to imagine the future and building human solidarity, which we theorize as "homecoming." Ultimately, we link our concept of "homecoming" to the Land Back movement because of the vital connections among Indigenous bodies, sovereignty, and survival.

Screendance Festivals and Online Audiences

No abstract available.

A Provocation for Screendance as a Secular Space

No abstract available.