This chapter explains that the arrival of lithography in the 1820s made it possible to illustrate printed matter with beautiful scenic engravings. It analyses the evocations of distinctive natural phenomena that constituted a rare element of continuity between the creole patriotism of the late eighteenth century and the post-independence debates about the future. It also discusses how utility and utopianism were enfolded into investigations of the biblical and secular paradise of American nature. The chapter cites how Bello's famous Ode to Tropical Agriculture summoned its audience to live out the freedom won by independence through working the soil, exhorting them not to let the prodigious bounty of tropical fruits lure them into sterile idleness. It mentions that the Argentine anthem mapped out the battlegrounds where liberty had been won, and the Chilean anthem celebrated the clarity of the sky, the tranquillity of the sea, and the majesty of the mountains.