Austro-Italian Wars (1859-1866)

Author(s):  
Geoffrey Wawro
Keyword(s):  
Author(s):  
Stephen D. Bowd

Renaissance Mass Murder explores the devastating impact of war on the men and women of the Renaissance. In contrast to the picture of balance and harmony usually associated with the Renaissance, it uncovers in forensic detail a world in which sacks of Italian cities and massacres of civilians at the hands of French, German, Spanish, Swiss, and Italian troops were regular occurrences. The arguments presented are based on a wealth of evidence—histories and chronicles, poetry and paintings, sculpture and other objects—which together provide a new and startling history of sixteenth-century Italy and a social history of the Italian Wars. It outlines how massacres happened, how princes, soldiers, lawyers, and writers, justified and explained such events, and how they were represented in contemporary culture. On this basis the book reconstructs the terrifying individual experiences of civilians in the face of war and in doing so offers a story of human tragedy which redresses the balance of the history of the Italian Wars, and of Renaissance warfare, in favour of the civilian and away from the din of the battlefield. This book also places mass murder in a broader historical context and challenges claims that such violence was unusual or in decline in early modern Europe. Finally, it shows that women often suffered disproportionately from this violence and that immunity for them, as for their children, was often partially developed or poorly respected.


Author(s):  
Aurelie Van de Meulebroucke

On the 13th of June, 1529, Robert de Croÿ made his Joyous Entry into the bishopric-duchyof Cambrai. As a descendant of a powerful noble family from Picardy, young Robert,who was appointed bishop at the age of 17, was the third of his name to occupy theepiscopal see of Cambrai. Yet, through his instalment as a bishop, Robert not only arrogatedthe episcopal power of the Cambraian bishopric, he also was able to publicly displaythe power and pride of the Croÿ family, who ruled Cambrai for already three generations.At about the same time of his Joyous Entry, the Ladies Peace of Cambrai was concluded.This peace treaty temporarily ended the Italian Wars (1494-1559), a conflictbetween the king of France and the Burgundian rulers. By focussing on his Joyous Entry,this article will shed light on the means in which Robert de Croÿ used both this internationalframework and his aristocratie descent to express his personal power and familyinterests in Cambrai.


Author(s):  
Stella Fletcher

According to the Florentine historian Francesco Guicciardini, Italy enjoyed peace and plenty in the years around 1490. From 1494 it was plunged into what he and others regarded as a series of “calamities,” triggered by the French kings Charles VIII (r. 1483–1498) and Louis XII (r. 1498–1515), who claimed to rule the kingdom of Naples and the duchy of Milan, respectively. Francis I (r. 1515–1547) retained the claim to Milan, and the wars themselves continued through the reign of Henry II (r. 1547–1559). Rule over Naples was contested and secured by Ferdinand II of Aragon (r. 1479–1516) and maintained by his Iberian successors. Milan was an imperial fief, so was contested by Ferdinand’s grandson Charles V in his capacity as Holy Roman emperor (r. 1519–1556). The conflicts waged in Italy in the names of these various princes between 1494 and 1559 are collectively known as the Italian Wars. They include the War of the League of Cambrai (1508–1516), that of the League of Cognac (1526–1530), and the War of Siena (1552–1559). This article approaches the wars by means of Reference Works and Overviews specifically devoted to the Italian Wars, though it is also worth teasing information from histories of Renaissance Warfare. Contemporary Sources provide innumerable angles on a subject that can be difficult to define beyond events on the battlefield or the besieged city and are therefore subdivided into four types: Memoirs and Chronicles, Histories, Official Records, and cultural evidence, the last of which appears under the heading Art of War, Art and War. Some publications deal with individual episodes or short spans of time and therefore feature in a Chronology of War, itself subdivided at the death of Louis XII/accession of Francis I, 1494–1515 and 1515–1559. The biographical genre—Lives and Times—is the most obvious way of dealing with the leading protagonists, who tended to be Princes, but group studies are also relevant when one turns to Subjects and Citizens who contributed to the conflicts in some form or other. Some authors have confined their research to military history, including the recruitment of soldiers, their pay, and provisions, as well as their activities on the battlefield, but the Italian Wars witnessed so much overlap between the lives of Soldiers and Civilians that they are brought together in the penultimate section of the article, which then concludes with the miscellanies that are Collections of Papers.


2020 ◽  
pp. 73-91
Author(s):  
Carolyn James

The early decades of the Italian Wars (1494–1559) had a dramatic impact on the political landscape of Italy and radically changed the nature of military conflict. This chapter explores the efforts of Francesco Gonzaga and Isabella d’Este to realize their youthful ambitions in a rapidly changing political environment. The marquis wished to make his name as a military strategist and warrior, while his wife aspired to try out her diplomatic talents. Both individuals enjoyed initial success in their respective endeavours, as they worked together effectively, if not entirely harmoniously, to maintain the Gonzaga regime on an even keel during the first French invasion of the Italian peninsula.


2020 ◽  
Vol 113 ◽  
pp. 25-40
Author(s):  
J. Fumanal-Idocin ◽  
A. Alonso-Betanzos ◽  
O. Cordón ◽  
H. Bustince ◽  
M. Minárová

2014 ◽  
Vol 67 (3) ◽  
pp. 791-840 ◽  
Author(s):  
John Gagné

AbstractMethods for counting war deaths developed alongside structural changes in the ways that states enumerated mortality (for both fighters and citizens) between the fourteenth and sixteenth centuries. This paper argues that an alternative way to interpret observers’ comments on the magnitude and novelty of war damages during the Italian Wars (1494–1559) is to trace the history of enumerating mortality from the fourteenth century, using the Hundred Years’ War and the Black Death as departure points. Military heralds counted dead soldiers in Northern Europe and civic record keepers registered public mortality in Italy. Numbers carried cultural value. In war, disputants and observers used numbers rhetorically to argue political cases and to emphasize the scale of victories and defeats. By 1500, the proliferation of specific mortality numbers in public discourse — amplified by printed war reporting — forced observers to reckon with their meaning. The article concludes by illustrating how numbers entered memorial culture: monuments from the Italian Wars featured numbers as an index of the perceived magnitude of war in the sixteenth century.


Sign in / Sign up

Export Citation Format

Share Document