Candidate Biographical Information and Election Statements

AORN Journal ◽  
2021 ◽  
Vol 115 (1) ◽  
pp. 13-41
Author(s):  
M. Dvorkina

The author offers the brief biographical information on Rujero Sergeevich Gilyarevsky whose 90-th anniversary is celebrated. She reviews the main stages of his academic and pedagogical career, in particular, his scholarly works, his two theses studies (candidate’s and doctoral), numerous publications that have been contributing to the librarianship, library and information sciences. The author emphasizes the scope of Gilyarevsky’s professional interests and retraces expanding of the subject scope of his publications – from catalog structuring (1954) to cloud technologies, information management and scientometrics. Rujero Gilyarevsky analyzes the problems of the libraries (and e-libraries, in particular), their future, professional values of the librarians within the digital communication environment, bibliography as an element of information culture. R. Gilyarevsky has complete mastery of several foreign languages. The selected bibliography of R. Gilarevsky’s publications, including those co-authored by his colleagues, is appended.


2005 ◽  
Vol 32 (1) ◽  
pp. 48-52
Author(s):  
P. Daszkiewicz

In 1911 Aleksander Stenbock-Fermor, a Russian aristocrat, offered the Muséum National d'Histoire Naturelle, Paris, a well-preserved mammoth from Lyakhowskiy Island, New Siberian Isles. This paper presents a hitherto unpublished memorandum that Stenbock-Fermor addressed to Edmond Perrier, the Museum's director, which related the circumstances surrounding the discovery, removal and transportation of the mammoth from Siberia to St Petersburg and thence to Paris. The paper also presents some biographical information on Konstany Wołłossowicz, who explored Siberia and who organized the expedition to Lyakhowskiy Island in order to bring the mammoth to Europe.


2009 ◽  
Vol 36 (1) ◽  
pp. 26-36
Author(s):  
E. CHARLES NELSON

Biographical information is provided for Daniel Chambers Macreight. He worked in Augustin-Pyramus de Candolle's herbarium at Geneva during the early 1830s, and later in the decade was prominent in medico-botanical circles in London. Macreight retired in 1840, due to ill-health, and moved to Jersey in the Channel Islands where he died. In 1837, he published an innovative Manual of the British flora which covered both native and cultivated plants. This flora contained two novel features: dichotomous keys were provided to assist students to identify plants, and the category subspecies was employed for taxa within the genera Rosa, Rubus and Salix.


2011 ◽  
Vol 33 (1-2) ◽  
pp. 67-78
Author(s):  
Jim Mearns

This paper reviews the use of sources in archaeological research, with particular reference to antiquarian material. Specific attention is paid to antiquarian texts by the Rev. David Ure and Mr Hugh MacDonald relating mainly to the site of Queen Mary's Cairn, Cathkin Braes, south-east of Glasgow. Brief biographical information is provided about the two antiquaries and their different approaches to recording sites discussed. The paper also looks at more recent work on the area and compares the modern approaches to reporting with the antiquarian and notes the uses of antiquarian sources in modern work.


1915 ◽  
Vol s11-XII (299) ◽  
pp. 229-229
Author(s):  
Edward Bensly

Author(s):  
Larisa Badmaevna Mandzhikova ◽  

Introduction.Dorje Soktunovich Bembeyev-Salmin is one of the famous representatives of the old Kalmyk intelligentsia, a linguist, orientalist, public and political figure. His scientific works and biographical information are preserved in the private archive of D. S. Bembeev-Salmin in the Scientific Archive of the Kalmyk Scientific Center of the Russian Academy of Sciences (F. 10). This archive contains 12 items of storage for 1959. Among them are translations of works by Russian writers to the Kalmyk language, manuscripts of the text «The Orthography of the Oirat-Mongolian writing», Kalmyk folk proverbs and sayings, triads, pentastichesrecorded by D. S. Bembeev-Salmin. Of particular interest are the triads ― «orchlngingurvnts»(‘that there are three in the world’), recorded by him in 1931, they are one of the varieties of Kalmyk riddles. The themes of the riddles of the triads are diverse: everyday life, house hold activities, material culture, nature, family and kinship relations, ethics. D. S. Bembeyev-Salmin translated some of the three verses himself. This determines the value of the materials collected by him and their introduction into scientific circulation. The full text of the manuscript materials is published for the first time in this article.


2021 ◽  
Author(s):  
◽  
Nick van Dijk

<p>Multiphonics is the production of more than one tone at a time from an instrument that would normally play a single line. The aim of this work is to identify and explore the elements of multiphonics as played by jazz brass players and to examine the production and development of multiphonics with particular reference to Albert Mangelsdorff’s mature technique. The research procedure includes a literature review, transcription and analysis of relevant music, and reflection on personal practice. The findings and discussion are used to draw conclusions in order to derive applicable testable techniques. The research points to where the accretion and extension of Mangelsdorff’s playing style may lead, and demonstrates the acquisition of discovered multiphonic techniques by the performance of transcriptions and new or extended musical applications of multiphonics in two recorded assessed recitals. The body of the paper gives brief biographical information on the main practitioners, with specific focus on how each of them acquired particular technical elements. Reference is made to prior research and specific recordings and players are mentioned in regard to their innovations and stylistic techniques. Elements were discovered and explored in the researcher’s own practice over the previous decade and specifically the duration of the masters study from February 2008 – June 2009, and the effects of various approaches and exercises are discussed. This discussion includes the areas of mental and physical preparation, limitations and parameters of the physical playing, and the method used for developing multiphonic technique. The summary identifies the main findings and makes specific reference to how they might relate to practice. It suggests areas where further research can be developed to support the acquisition and practical application of multiphonic technique and extended techniques in brass performance. The work is presented as a paper and accompanying DVD that demonstrates findings as played by the researcher in live recitals.</p>


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