The Korean Women’s Movement: From Minjung Feminism to Gender Mainstreaming

Author(s):  
Nicola Anne Jones
Author(s):  
Wang Zheng

Summarizing socialist state feminists’ struggles in the early PRC, this chapterpoints out thatwithout a conscious feminist transformation of the entrenchedmale supremacisthierarchical mentality,the CCP male leaders’ pursuit of a Communist dream was inherently flawed, and eventually redirected by an inner masculinist drive to reproduce male dominance. Analyses of causes of the failure of a socialist revolution are followed with an examination of socialist state feminist legacies in contemporary China. The chapter ends with a discussion of transformed political fields of Chinese feminism in the age of global capitalism whenthe ACWFno longercommands a unified women’s movement and is not in the position to continue a socialist feminist revolution, instead embracing a UN mandate of gender mainstreaming;and growing numbers of young feminists operate outside the official system via the cyber space interacting with feminists transnationally, rising as a dynamic political force challenging male dominance.


2014 ◽  
Vol 44 (2) ◽  
pp. 357-380
Author(s):  
Ríona Nic Congáil

Séamus Ó Grianna and Éilís Ní Dhuibhne, whose lifespans overlapped only briefly, rank among the most prolific Irish writers of the twentieth century. Their bilingualism, moreover, offers them access to two languages, cultures, and viewpoints. Their shared interest in the Donegal Gaeltacht during the revivalist period, and their use of fiction to explore and represent it, provide their readers with a remarkable insight into the changing ideologies of twentieth-century Ireland, and particularly Irish-Ireland, touching on broad issues that are linguistic, cultural, political, gendered, and spatial. This essay begins by analyzing the narrative similarities between Ó Grianna's Mo Dhá Róisín and Ní Dhuibhne's Hiring Fair Trilogy, and proceeds to examine how both writers negotiate historical fact, the Irish language, the performance of Gaelic culture, the burgeoning women's movement, and the chasm between rural and urban Ireland of the revival. Through this approach, the essay demonstrates that the fictions of these two writers reveal as much about their own agendas and the dominant ideas of the epoch in which they were writing, as they do about life in the Donegal Gaeltacht in the early twentieth century.


2010 ◽  
Vol 3 (1) ◽  
pp. 125-148
Author(s):  
Mercilee M. Jenkins

This paper explores the transformation of oral histories into a play about the founding of San Francisco Women's Building based on extensive interviews. My impetus for writing She Rises Like a Building to the Sky was to portray the kind of grass roots feminist organization primarily composed of lesbians that made up a large part of the second wave of the Women's Movement in the 1970's and early 1980's. The evolution of She Rises is discussed from three positionalities I occupied over an extensive period of time: oral historian, playwright and eventual community member. Excerpts from She Rises are used to illustrate the lessons I learned in the process of creating this work. I will discuss my self-collaboration in terms of the oral historian's concern for fidelity, the playwright's desire to bring such material to life whether by fact or fiction, and the community member's fears of how others will view this rendition of their stories. The behind the scenes dramas reveal as much as the play itself about the challenges and rewards of undertaking such projects.


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