In this work we study the influence and relationship of five different acoustical cues to the human sound localisation process. These cues are: interaural time delay, interaural level difference, interaural spectrum, monaural spectrum, and band-edge spectral contrast. Of particular interest was the synthesis and integration of the different cues to produce a coherent and robust percept of spatial location. The relative weighting and role of the different cues was investigated using band-pass filtered white noise with a frequency range (in kHz) of: 0.3–5, 0.3–7, 0.3–10, 0.3–14, 3–8, 4–9, and 7-14. These stimuli provided varying amounts of spectral information and physiologically detectable temporal information, thus probing the localisation process under varying sound conditions. Three subjects with normal hearing in both ears have performed five trials of 76 test positions for each of these stimuli in an anechoic room. All subjects showed systematic mislocalisation on most of these stimuli. The location to which they are mislocalised varies among subjects but in a systematic manner related to the five different acoustical cues. These cues have been correlated with the subject's localisation responses on an individual basis with the results suggesting that the internal weighting of the spectral cues may vary with the sound condition.