Organologic Description of Wind Instruments

Author(s):  
Voichita Bucur
Keyword(s):  
Early Music ◽  
1976 ◽  
Vol 4 (4) ◽  
pp. 461-464
Author(s):  
DEIRDRE DAINES ◽  
ROBIN HEWITT ◽  
GERALD VICKERS ◽  
JOHN HANCHET
Keyword(s):  

Acoustics ◽  
2021 ◽  
Vol 3 (3) ◽  
pp. 507-544
Author(s):  
Arnd Adje Both

This paper presents the acoustic study of a sample of sonic artefacts, in particular a selection of wind instruments (horns, trumpets and pipes), from the UNESCO World Heritage Centre of Teotihuacan, Mexico, based on a thorough examination of the accessible and playable archaeological finds and the construction and subsequent test of a series of experimental models. Combined with the archaeological and iconographical information, the study helps to deduce information with regard to the urban settings in which these instruments might have been used. It also reveals some basic acoustic components of the music once performed in Teotihuacan.


1954 ◽  
Vol 26 (6) ◽  
pp. 960-962 ◽  
Author(s):  
E. G. Richardson
Keyword(s):  

2018 ◽  
Vol 24 (9) ◽  
pp. 1511-1523 ◽  
Author(s):  
Antreas Kantaros ◽  
Olaf Diegel

Purpose This paper aims to discuss additive manufacturing (AM) in the context of applications for musical instruments. It examines the main AM technologies used in musical instruments, goes through a history of musical applications of AM and raises the questions about the application of AM to create completely new wind instruments that would be impossible to produce with conventional manufacturing. Design/methodology/approach A literature research is presented which covers a historical application of AM to musical instruments and hypothesizes on some potential new applications. Findings AM has found extensive application to create conventional musical instruments with unique aesthetics designs. It’s true potential to create entirely new sounds, however, remains largely untapped. Research limitations/implications More research is needed to truly assess the potential of additive manufacturing to create entirely new sounds for musical instrument. Practical implications The application of AM in music could herald an entirely new class of musical instruments with unique sounds. Originality/value This study highlights musical instruments as an unusual application of AM. It highlights the potential of AM to create entirely new sounds, which could create a whole new class of musical instruments.


2018 ◽  
Vol 33 (1) ◽  
pp. 1-5 ◽  
Author(s):  
José CR Glória ◽  
Amanda A Balestra ◽  
Nayara S Iasbik ◽  
Dhelfeson W Douglas-de-Oliveira ◽  
Olga D Flecha ◽  
...  

OBJECTIVE: The aim of the present study was to identify the prevalence of orofacial changes and factors associated with the frequent playing of wind instruments by musicians in Diamantina, Minas Gerais, Brazil. METHODS: A cross-sectional study was conducted with 40 professional musicians who played wind instruments. The musicians filled out questionnaires about their habits and musical career. The Research Diagnostic Criteria were applied to investigate temporomandibular disorders. Other oral parameters examined included periodontal status, plaque index, and decayed, missing, and filled teeth (DMF) index. A significance level of p<0.05 was adopted for statistical analysis. RESULTS: The population included 22 (55%) men and 18 (45%) women, with a mean age of 25.88 yrs. The most common instruments played were the saxophone (n=12, 30%), clarinet (n=9, 22.5%), and flute (n=6, 15%). The most frequent pain complaint after playing was numbness in the upper lip or no sensation (25% of musicians), and the most frequent dental change observed was inclination of the upper teeth (15% of musicians). There was no significant association between dental changes, pain, and classification of instrument type. CONCLUSION: The main oral change that affected musicians who played wind instruments was the inclination of anterior teeth.


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