The Trade Journal

Author(s):  
Elizabeth Tilley
Keyword(s):  
1992 ◽  
Vol 13 (1) ◽  
pp. 63-80
Author(s):  
Stephen Johnson

The methods of the 'new' history have helped to define the study of theatre history; at the same time, these methods tend to de-emphasize the influence of the politics of the nation state on that history. This can create tension in a discipline such as Canadian theatre history that defines itself by national as well as cultural criteria. This article illustrates the tension by comparing the definition of theatrical culture implicit in two examples of the Upper Canada (Wellington County) local press during the 1860s with that of an American trade journal for the same period. Reference is made to the Civil War, the Fenian raids, and Confederation.


2021 ◽  
Author(s):  
◽  
M.A. Hughes

<p>“Here, indeed, lies the whole miracle of collecting,” Jean Baudrillard asserted, “it is invariably oneself that one collects” (“Systems of Collecting” 12). If Baudrillard's premise that a collection is itself a representation of the collector, then how can we read a person through his/her private library? There have been several large and important studies produced on the three preeminent figures in New Zealand book collecting: Sir George Grey, Dr Thomas Hocken and Alexander Turnbull. However, to understand book collecting as a whole during the highly active period at the turn of the twentieth century, it is vital that we investigate 'minor' book collectors alongside our esteemed 'major three'.  This thesis explores the private library of Robert Coupland Harding (1849-1916), an internationally recognised expert on printing and typography, whose trade journal Typo: A Monthly Newspaper and Literary Review (1887-1897) was celebrated as a remarkable achievement. Very little documentation of Harding's life exists. However, one tantalising artefact discovered in a Wellington antiquarian bookshop is the basis for this research: the auction catalogue of Harding's extensive private library. Focusing on the New Zealand-related section of the catalogue, this thesis examines the book collecting field in New Zealand 1880-1920. Applying Bourdieu's theories of capital, habitus and the field of cultural production, the thesis examines the social practice of book collecting during this period. Three case studies from Harding's library illustrate some key trends in the book collecting market, and help to build a picture of Harding's social networks and the influence this had on his collecting habits. The thesis also describes the collecting identity of Robert Coupland Harding, placing him in his circle of fellow book collectors. Describing a model of book collecting practise and presenting a method for categorising book collectors, this thesis argues for the recognition of lesser known book collectors and the contribution that they made to the field of New Zealand book collecting.</p>


Author(s):  
Patrick Collier

The London Mercury attained popularity and notoriety as the leading anti-modernist voice of the early 1920s. It reached more than 10,000 circulation by presenting itself as a voice of reason in an age of critical anarchy, and its material form communicated seriousness of mission, tasteful restraint, and allusion to the great Victorian quarterlies. This chapter argues that, through a combination of economic necessity and editorial eccentricity, the Mercury went on to posit solid, material objects—particularly fine and rare books, but also collectible furniture and historic churches—as loci of stable value. The Mercury shored up its readership by appealing to rare and fine book enthusiasts and the businesses that catered to them. Combined with its literary partisanship, which began to appear increasingly reactionary, this emphasis on high-end textual materiality implicitly but powerfully posited reading as an activity of the leisured and educated, book-buying as a hobby for those with ample disposable income. Its ethos of value-in-the-object reached its reductio ad absurdum in the early 1930s, in two special issues on book production and typography, in which the magazine effectively became an advertiser-cum-trade-journal for London’s high-end printing concerns.


LOGOS ◽  
1994 ◽  
Vol 5 (4) ◽  
pp. 203-205
Author(s):  
Gerry Davies
Keyword(s):  

SAGE Open ◽  
2020 ◽  
Vol 10 (2) ◽  
pp. 215824402091977
Author(s):  
Jameson K. M. Watts

An information-theoretic measure of language consistency is constructed from the text of 13 years of trade journal articles on the biotechnology industry. This measure is then related to the trading volume of a representative portfolio of biotechnology stocks. Findings indicate that language consistency and trading volume have a joint (positive) influence on each other over the long term; however, sharp drops in consistency are also predictive of transient spikes in trading volume. The significance of these findings is discussed in relation to modern theories of legitimation and the economics of surprise.


1942 ◽  
Vol 21 (3) ◽  
pp. 214-218
Author(s):  
ALBERT E. JOCHEN
Keyword(s):  

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